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Viaje lleno de nostalgia a través de la gastronomía inglesa, ambientado en la década de los 60. Se basa en la novela autobiográfica del mismo nombre del cocinero Nigel Slater.Viaje lleno de nostalgia a través de la gastronomía inglesa, ambientado en la década de los 60. Se basa en la novela autobiográfica del mismo nombre del cocinero Nigel Slater.Viaje lleno de nostalgia a través de la gastronomía inglesa, ambientado en la década de los 60. Se basa en la novela autobiográfica del mismo nombre del cocinero Nigel Slater.
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- 2 nominaciones en total
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Opiniones destacadas
The film, Toast, is based upon the autobiographical book, Toast: The Story of a Boy's Hunger, written by English food writer, journalist and broadcaster, Nigel Slater. It is a memoir of Slater's early years and his memories of his mother who died when he was just 9 years old.
The book/film is entitled Toast as that was the ONE food his mother was able to successfully cook ... and he tells us that a person will always love the one who prepared slices of the warm, crunchy, buttery goodness to you as a child. The young Nigel must've held true to this mantra even in childhood, as he never accepted or trusted his father's new "cleaning lady", Mrs. Potter (Helena Bonham Carter - Sweeney Todd, The King's Speech, Charlie and the Chocolate Factory), who won her way into his father's heart with her culinary expertise ... much to Nigel's chagrin.
As Nigel was already interested in food (he'd drool over the exotic cheeses at his local grocer or sneak a flashlight into his bed to look at the mouth-watering pictures in the family cookbooks), he eventually becomes highly competitive with Mrs. Potter in hopes of winning-over his always-distant father.
Toast takes place over a span of ten years and so Nigel is played by two different actors. Young Nigel is played by a remarkable Oscar Kennedy who is making his feature film debut (!!!) while the older, teenage Nigel is played by Freddie Highmore (Charlie and the Chocolate Factory, Finding Neverland, The Spiderwick Chronicles). Highmore is a great, young actor; but it is surprising to admit that the younger, less-experienced Kennedy outshines him in this film as Kennedy's Nigel does more of the grieving and Highmore is scripted to do more of the pouting.
Toast isn't as boring as the title makes it sound; nor is it overly compelling as it turns into a most-conventional, lite-biopic. Bonham Carter is always good and her scheming, competitively outrageous behavior here is the butter on this piece of toast. The film is about Nigel Slater (kind of a blank page as he gets older) but he wouldn't have become who he is without the provocation of this film's Kitchen Queen, Mrs. Potter ... nor would the film be what it is without Bonham Carter.
The book/film is entitled Toast as that was the ONE food his mother was able to successfully cook ... and he tells us that a person will always love the one who prepared slices of the warm, crunchy, buttery goodness to you as a child. The young Nigel must've held true to this mantra even in childhood, as he never accepted or trusted his father's new "cleaning lady", Mrs. Potter (Helena Bonham Carter - Sweeney Todd, The King's Speech, Charlie and the Chocolate Factory), who won her way into his father's heart with her culinary expertise ... much to Nigel's chagrin.
As Nigel was already interested in food (he'd drool over the exotic cheeses at his local grocer or sneak a flashlight into his bed to look at the mouth-watering pictures in the family cookbooks), he eventually becomes highly competitive with Mrs. Potter in hopes of winning-over his always-distant father.
Toast takes place over a span of ten years and so Nigel is played by two different actors. Young Nigel is played by a remarkable Oscar Kennedy who is making his feature film debut (!!!) while the older, teenage Nigel is played by Freddie Highmore (Charlie and the Chocolate Factory, Finding Neverland, The Spiderwick Chronicles). Highmore is a great, young actor; but it is surprising to admit that the younger, less-experienced Kennedy outshines him in this film as Kennedy's Nigel does more of the grieving and Highmore is scripted to do more of the pouting.
Toast isn't as boring as the title makes it sound; nor is it overly compelling as it turns into a most-conventional, lite-biopic. Bonham Carter is always good and her scheming, competitively outrageous behavior here is the butter on this piece of toast. The film is about Nigel Slater (kind of a blank page as he gets older) but he wouldn't have become who he is without the provocation of this film's Kitchen Queen, Mrs. Potter ... nor would the film be what it is without Bonham Carter.
The British always seem to have such interesting faces, and because of that their movies seems to have more depth and feeling than American movies. Toast is no exception. This movie contains little dialogue and relies much on visual communication, which could easily have turned it into one of those movies that makes you glance at your watch every twenty minutes. But the casting of such physically unique individuals makes it riveting.
The dynamics of family. I know, I know. Do we really need to go there again? Yes we do, and Toast puts it out there in a raw, you-are-scarred-for-life way that we can all relate to. It hurts to watch the way Nigel Carter, the British food writer on whose biography the movie is based, hurl insults at his dying mother, knowing this behavior will haunt him in the end. It's equally hard to watch the miscommunication between father and son—this could be any home in America where parents and children seem to speaking foreign tongues to each other, tearing the already weakened fabric of parent-child relationships. It's a wonder anyone survives.
But Nigel was a survivor. I liked how he listened to the voice inside him, ignoring society's pressure to fit in. In school he was the only male who chose to take home economics over shop, and he stood at his father's wedding by the cake he'd made so carefully, even though the wedding represented everything that would alienate him even further from his father. Our Nigel did it his way. I half-expected to to hear that Frank Sinatra song at some point during the film.
I loved the reference to toast. "Soft inside the toasted shell, where the butter nestles in " or something like that. I loved toast when I was growing up, and I think it is the only comfort food that doesn't have a sugar base. My personal favorite was cinnamon toast, but hey, to each his own. I have never met anyone who doesn't like toast, and it was a perfect metaphor.
Which leads us to wonder, is it possible Nigel's mother was that bad a cook? Is it possible that someone could boil cans for dinner and burn them? Go see Toast. Then cook something. Feed those you love with culinary delights you enjoy making and let the sweet and savory fetes roll.
Nice film.
The dynamics of family. I know, I know. Do we really need to go there again? Yes we do, and Toast puts it out there in a raw, you-are-scarred-for-life way that we can all relate to. It hurts to watch the way Nigel Carter, the British food writer on whose biography the movie is based, hurl insults at his dying mother, knowing this behavior will haunt him in the end. It's equally hard to watch the miscommunication between father and son—this could be any home in America where parents and children seem to speaking foreign tongues to each other, tearing the already weakened fabric of parent-child relationships. It's a wonder anyone survives.
But Nigel was a survivor. I liked how he listened to the voice inside him, ignoring society's pressure to fit in. In school he was the only male who chose to take home economics over shop, and he stood at his father's wedding by the cake he'd made so carefully, even though the wedding represented everything that would alienate him even further from his father. Our Nigel did it his way. I half-expected to to hear that Frank Sinatra song at some point during the film.
I loved the reference to toast. "Soft inside the toasted shell, where the butter nestles in " or something like that. I loved toast when I was growing up, and I think it is the only comfort food that doesn't have a sugar base. My personal favorite was cinnamon toast, but hey, to each his own. I have never met anyone who doesn't like toast, and it was a perfect metaphor.
Which leads us to wonder, is it possible Nigel's mother was that bad a cook? Is it possible that someone could boil cans for dinner and burn them? Go see Toast. Then cook something. Feed those you love with culinary delights you enjoy making and let the sweet and savory fetes roll.
Nice film.
The film is quite good. However, if Nigel is this big of a c*** in real life, I wish him nothing but the most tortuous suffering he deserves. Horrible human.
Despite the synopsis being "The ultimate nostalgia trip through everything edible in 1960s Britain," that's not an accurate description of what this movie is about. It's less about food and more about Nigel's relationship with his family, particularly his mother and how he deals with changes in his family over the years. The movie poster is also deceiving, as Freddie Highmore's version of Nigel doesn't appear until the last 30 minutes. Most of the movie follows Nigel when he was a little boy.
Anyway, there were some nice, genuinely tender moments in this film that made my eyes tear up. I also love seeing a gay person in a movie that isn't about him being gay. Nigel's romantic inclinations are briefly touched on as a natural snapshot of him growing up and discovering who he is. And as a gay person myself, that is very refreshing to see.
Overall, this is a touching little story of a particular childhood that surprisingly explores many different themes. To be metaphorical, it packs many ingredients into a single dish to give it a more complicated flavor than what you'd expect.
Anyway, there were some nice, genuinely tender moments in this film that made my eyes tear up. I also love seeing a gay person in a movie that isn't about him being gay. Nigel's romantic inclinations are briefly touched on as a natural snapshot of him growing up and discovering who he is. And as a gay person myself, that is very refreshing to see.
Overall, this is a touching little story of a particular childhood that surprisingly explores many different themes. To be metaphorical, it packs many ingredients into a single dish to give it a more complicated flavor than what you'd expect.
A very fine little movie. And a good exhibition for the actors, who have plenty to work with here. Helena Bonham Carter has a lot of fun and she is cast perfectly. The young actor is really good too. And while I am not always fond of the "based on ...", this feels rather like a movie then say a biopic.
It is light and has a lot of comedy to it, so it is not heavy drama. On the other hand, I don't think it is good for any recipes. I certainly don't remember anything much from that part of the movie. But you know it is called Toast for a reason, of course. A very nice and decent little movie, that is worth your time :o)
It is light and has a lot of comedy to it, so it is not heavy drama. On the other hand, I don't think it is good for any recipes. I certainly don't remember anything much from that part of the movie. But you know it is called Toast for a reason, of course. A very nice and decent little movie, that is worth your time :o)
¿Sabías que…?
- TriviaThe film is an adaptation of the autobiography of food writer Nigel Slater. The central character is given that name. In the final scene, when Freddie Highmore is given a job in the kitchens of the Savoy hotel, the person who hires him is played by the real life Nigel Slater.
- ErroresWhen Nigel plays the 7 inch single towards the end of the drama, he pulls out a record with a 'Harvest' label. Dusty Springfield was never on this label.
- Citas
Nigel Slater: It is impossible not to love someone who makes toast for you.
- Créditos curiososThe opening credits in the grocery store consist of the names of the writers, producer and lead actors printed on actual products, the title, and the director's name shown on a scale.
- ConexionesFeatured in Breakfast: Episode dated 13 December 2010 (2010)
- Bandas sonorasHe's Got Something
Written by Kenny Lynch (uncredited) and Ian Samwell (uncredited)
Performed by Dusty Springfield
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Toast
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 153,922
- Tiempo de ejecución
- 1h 36min(96 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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