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I agree that Wire Room isn't a good movie by any objective standards. Like most, if not all, of Willis latest movies it is a rather cheap straight-to-DVD movie. It's easy to assume that Willis just showed up to grab the pay check.

But regarding all his movies since 2019/20 it is important to recognize the following: Earlier in 2022 Willis announced to end his acting career after he and his family made public that he suffers from aphasia, which is a brain disorder that can affect a person's ability to speak, listen, read and write. Obviously, this heavily affects his ability to act, remember lines and interact with other actors. This was probably also the reason why he didn't have much screentime in his last big movie, Glass, after the first act.

This puts things into a totally different perspective.

As far as I know Willis is financially secured, he didn't need to do it for the money. He kept starring in movies because he just LOVED making them, being on set and being part of the collaborative effort to create a movie.

It is easy to dismiss Willis' latest efforts as bad movies, they mostly are, but considering his condition offers a different perspective. "Wire Room" will most likely be one of his last movies, his very last movie will probably be "Paradise City" (currently in post-production) in which he worked alongside John Travolta one last time.

Instead of focusing on his last movies, we should celebrate and honor Bruce Willis for all his great work and the impact he had on the whole movie industry in over 40 years.

Thank you for all the amazing cinematic experiences you have given us over the last decades, Mr. Willis. I wish you and your family all the best.

Disclaimer: I am not a native english speaker, so I apologize for any grammar mistakes.

The script is so bad, Bruce doesn't even bother to get off the couch for his scenes. He just reads his lines, collects his check, and walks away in shame.

This entire movie was filmed in a single afternoon, and they didn't even need a wardrobe...everyone just showed up in whatever they were already wearing. They even used a back-alley vagrant to play the part of the villian.

The crux of the story revolves around a swiveling office chair. They spent weeks trying to find the perfect fit for Mr. Dillon's behind. Kevin is still waiting for his entourage to show up and save him from this atrocity.

I made an IMDB account just to review this movie. It is by far the absolute worst acting I have ever seen in my life. Bruce Willis put absolutely no effort into his part. Kevin Dillon doesn't play his part well. It's basically like they're reading straight off the script. Super amateur & monotone. There's honestly nothing positive to say at all. Script, acting, and camera work are so far below par I'm suprised they even released the movie after watching it. I really thought it had to be a spoof at first because of how gosh awful the acting was, but nope. Just a terrible movie all the way around. Do not waste your time.

What a bore fest of incoherent story telling. Bruce Willis truly has lost all the spark which once made his name valuable, he just regurgitates his spoon fed lines with no emotion whatsoever. The film is boring and the action sequences are somehow tedius, its the same camera shot repeated half the time. The overall story is absolutely boring as well, it's literally a guy who sits in a security room watching another guy in a house for the entire film. And top it all off, the big Bad guy, only ends up having around 30 seconds screen time. And just when you think this tedious mess is over, you are then left with an open end which means they might be planning a sequel.

While on wire room duty, a federal agent helps out the target he's monitoring when they are attacked.

Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.

Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).

What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.

Sadly, only worth viewing for Dillion and Willis.