Revenant. El renacido

"The Revenant" is probably the most beautiful movie I have seen for a long time. This is not only due to the incredible locations, but also to the excellent (and by excellent I mean excellent) camera-work. Frequently I was just blown away by the sheer beauty of the rough terrain of Canada and how it was captured by the crew. However, there are a few drawbacks. Mainly the story (it is a very simple revenge story line) and the dialog (it is basically not existent :D).

When I first left the movie I was still blown away by all the great things I mentioned above (I was thinking about a 10/10 rating), but the longer I was outside the movie the more I recognized that "The Revenant" is a film that is incredible entertaining whilst sitting in the cinema, but also a movie I quickly forgot about when being at home again.

Still, the movie is definitely a must-see. Your money is well invested!

The Revenant falls into the same category as Aronofsky's "Requiem for a Dream" and Spielberg's "Schindler's List" for me, in the essence of being a terrific movie but not something I think I can sit through a second time. In all these movies there are brutal sequences that cause emotional stress and disgust just watching because it is so REAL and GRIPPING. To think that events in these movies actually happened or that they could very well happen is too much for me to think about. Not to say that I did not enjoy this film thoroughly.

The Revenant is a technical masterpiece that left me wondering "How the hell did they do that?" after many scenes and sequences. With beautiful cinematography and adroit camera movement this film is a visual magnum opus. It is apparent that the great minds that put forth this film are none other than the same ones that brought us Birdman: Lubezki and Inarritu. There are many long shots without cuts that are sprinkled throughout the film that add a sense of sophistication to it with the added bonus of predominantly location based shooting and natural lighting for the film , that can even make a novice film watcher raise an eyebrow at its complexity.

The camera work is not the only noteworthy aspect of the film; The actors did a superb job executing their rolls. Many are raving about DiCaprio's performance but I was more of a fan of Hardy's brutal and gritty character Fitzgerald. Granted, half the words that came out of his mouth were unintelligible but he left no doubt in my mind that he was fully devoted to his role and bringing Fitzgerald alive instead of just Hardy playing a character named Fitzgerald. He was simply amazing.

With all this said, there are still flaws in the film. At some points it was dragging on and moving too slow. It gave the impression that the film itself was cocky and wanted to show off all of its beautiful scenery and camera work too much. Then there was the "he shouldn't be alive" situations. Hugh Glass was a real guy that really did survive a bear mauling but in the film they make this guy practically immortal. There were too many instances where I was thinking "he should be dead three times over right now, for me to enjoy the film as much I should have.

All in all a great film that I only recommend to seasoned and mature film viewers.

A favorite era of mine for film stories has always been the mountain man era in the American west. No white people in great numbers, just single shot weapons, they were the ones outnumbered so survival against the Indians was far more an even struggle than in the post Civil War west. The Revenant by dint of its many nominations has laid claim to being the greatest film about that era ever made. It goes up against such items as Across The Wide Missouri, The Big Sky, and Mountain Men, Jeremiah Johnson all pretty good films.

It would have been hard to deny Leonardo DiCaprio a Best Actor Oscar this time around. He's on screen for most of the time and with minimal dialog DiCaprio has to use facial expressions and body language to convey his emotions. He does it well and should share his Oscar with the cameraman who did all those closeups of him.

The plot is best compared to another mountain man picture A Man Called Horse that starred Richard Harris. DiCaprio who was guide to the expedition of fur trappers is badly mauled by a grizzly bear and is after being toted for quite a distance is abandoned by Tom Hardy who claims he died. DiCaprio just wants to settle the score. Unlike Richard Harris he does not find a friendly tribe of Indians to take him in. His survival is his personal story.

The Revenant also won the Cinematography Oscar for the shooting of the rugged winter country these men are in. It's so good the landscape, cold and forbidding, becomes almost a character in the film.

Like The Old Man And The Sea was for Spencer Tracy The Revenant is a personal film for Leonardo DiCaprio. Unlike Tracy who had that magnificent speaking voice for the narration, no narration here. Just anguished expressions convey what DiCaprio is feeling.

Leo got his Oscar and it was a deserved one for The Revenant. It's a great film, but very brutal at times.

Take the direction of Alejandro González Iñárritu, combine it with the stunning cinematography of Emmanuel Lubezki and toss in Leonardo DiCaprio and Tom Hardy for their acting charms and what do you get? An extraordinary and masterful film.

Fresh off of 'Birdman,' Iñárritu moved straight on to 'The Revenant,' a western-epic inspired by the true-life experiences of frontiersman Hugh Glass in the winter-struck landscape of 1820s America. The film gained some notoriety in mid-2015 for its production problems and has thus been regarded one of the most challenging film shoots in the history of cinema. Rightfully so. The film opens with the soothing sound of running water, thrusting the audience into an almost meditative state, and then it strikes, an action-packed sequence ensues with a near single sweeping take. Now this is a spoiler-free review, so I'll leave the pleasure of viewing that scene to you.

This film heavily evokes reactions from the audience and does so well, whether it's staring at the screen in awe or gasping at the visceral violence, if you face this film with the right attitude and expectations, it will be a thrill ride like no other. Lubezki has proved that he is one of the most fantastic cinematographers of modern cinema, and the extensive use of natural lighting over artificial supports that statement even further, the film is beyond stunning. Supporting this is the score from the relatively unknown composers, believe me, when the sudden orchestral boom strikes your eardrums, it's mesmerising.

The makeup, the direction, the editing, the visual aesthetics, and of course the performances from a hopefully soon-to-be Oscar winning DiCaprio, 'The Revenant' is a visual treat for those who appreciate cinema and for those who wish to just get absorbed by the immense landscapes and poetic justice Iñárritu has given it. This is, for me, a modern masterpiece.

The Revenant (2015), Alejandro G. Iñárritu's sixth film, is one of the most visually stunning statements ever put to film in cinema history.

With a simple plot of chaos ensuing, and a father's quest for revenge, there is not much to the story, albeit I thought it had some emotionally engaging moments. Rather, it is The Revenant's technical merits that makes it truly unique.

Naturally, DiCaprio's performance is in a class of its own, and what the entire crew endured is impressive, shooting the film only in natural lighting and thus extending production considerably. Rather, it is Iñárritu's expert vision for cinematography and ability to translate this vision to his director of photography which is the driving force in making The Revenant a special piece of cinema. The way in which Iñárritu takes the viewer on an intricate journey through America's nature is breathtakingly beautiful and brutal - this is truly a place a survival, chaos and solitude. The film's depiction of this is not for the faint-hearted with its gruesome violence.

Highly recommended for its cinematic value.