Norwegian Dream

This is a short review without any spoilers. Director Leiv Igor Devold's Norwegian Dream is a powerful feature film that challenges Norwegian audiences to see Norway from an outsider's perspective. The film revolves around young and queer individuals, vulnerability, and what it means to be an outsider. It balances these themes successfully and raises important questions while hinting at answers. The film also explores the tension between traditional masculinity and queerness, as well as the conflicts arising from national and social boundaries. Norwegian Dream is an impressive film with a strong message. Well done to everyone involved in the production! Definitely worth a watch!

This movies tries to cover too many stories, all being loosely strung together by the story of two central characters. It does not work. The script lacks continuity and context and assumes that viewers know about the exploitation and mistreatment of Polish workers in the Norwegian fishing industry. Nothing is explained and the choppy editing doesn't help explain much. The acting is really bad and one gets the impression that the producer hurries the plot and narrative along before the funding runs out. Overall, it could have been better if time were taken to explain the event and the movie did not try to cover so many extraneous events that have little to do with the central plot!

The movie "The Norwegian Dream" follows Robert, a young Polish immigrant who takes a job at a fish factory in Norway to help pay off his mother's debts. This movie reminds me of the 1981 Brazilian cinematic masterpiece "They Don't Wear Black Tie". Although the characters' situations differ, both movies explore similar themes of acceptance, internal conflict, loyalty, and the choices we make in life.

Director Leiv Igor Devold portrays a harsh, sexist, racist, and hostile environment at a fish processing factory, where immigrants endure long hours of grueling work to support their families back home. It is within this environment that Robert also confronts challenges related to his sexual identity. This is where Hubert Milkowski's performance as Robert truly shines. He builds a Robert, who sees himself literally as the island, trapped by all the conflicts and struggles with no way to escape, forced to make difficult choices - whether good or bad. We witness the transformation of the naive, insecure young Robert into a strong, self-assured man.

Without a doubt, one of the standout films of 2024, deserving of attention for its depth in themes and the powerful performances of its cast.

First off Hubert Milkowski is a first rate actor, and hopefully Poland is proud to have him. In this excellent film he plays a young man Robert who has decided to leave Poland after a traumatic attack of gay bashing. The scene where he relates this to his lover, a young black man is deeply moving. Robert is working and badly paid for it in a fish processing plant. His lover is the owner's son. No spoilers but he goes through many compromises, both in his relationship with his lover and the work force around him. The passionate scenes are well shot, but do not fall into the too easy gay film trope of showing totally explicit sexuality. Erotic they are, intercut with Robert totally dressed in a daydream lying happily in the countryside his body relaxed looking fulfilled. This is in contrast to his tense and closeted self among the factory workers and even at the beginning with his future lover. In my opinion Polish film has come a long way since Polanski's ' Knife in the Water ' and Wajda. It deals with homophobia and racism, and this in itself is brave coming out of a Lodz trained director. It is expertly directed, with perfectly cast actors and it has its ambiguities which is not a negative thing. It is as complex as life itself. A deserved ten.

Somewhat running from gaybashing in his homophobic Poland, Robert goes to Norway, learning to work at a fish processing plant, sharing a room in a worker dormitory. He meets co-worker Ivar, who is also the adopted son of the owner, and an aspiring drag artist. Robert's upbringing and experience has him running hot and cold towards Ivar.

Things get complicated when Robert's mother arrives, fleeing debts left behind in Poland, and without immediate employment prospects. Given that the migrant workers have employment and rental contracts that they hardly understand, and are to their disadvantage, a union signs them up, to demand a better collective agreement. As they head towards a strike, the owner makes Robert an offer he can't refuse.

I saw this at the Inside Out film festival, with "Robert" in attendance, and he verified that the situation in Poland was not good for LGBT folks. The situation in the plant was interesting, as was the pressures of running a medium-sized business.

While the scenery was nice, I didn't find a lot of chemistry between the 2 principals, and in some ways the script had omissions, including the characters not communicating well. So this is OK but not great.