Wallace y Gromit: La venganza se sirve con plumas

I liked it, but I can't say I loved the film. It's an enjoyable experience that entertains from start to finish. The story offers an interesting take on how technology, while essential and helpful in our lives, should never completely replace humans, showing that we can all coexist without one thing overshadowing the other. On top of that, the pacing is well done, with no boring or dragged-out moments, and the runtime feels just right.

The characters remain charming and carry the subtle humor that defines the series, but I have to admit that Wallace's personality irritated me at times. His stubbornness and naivety, which are usually endearing, became a bit frustrating, especially when he completely ignores Gromit's warnings and due to his lazy and complacent attitude. Still, the dynamic between them works well and keeps the charm they are known for.

The biggest highlight, as always, is the amazing stop-motion animation. It's fascinating to see the level of detail and dedication put into the sets and character movements. There were moments when I found myself admiring the painstaking effort behind every little motion and expression, imagining the time and hard work the team must have put in to achieve such perfection.

Overall, I didn't find it amazing or unforgettable, but it's a solid production that does its job well. I'm sure both kids and adults will enjoy it, whether for the nostalgia, the animation, or the clever humor that, even if not always laugh-out-loud funny, keeps a constant smile on the viewer's face.

After a long gap between adventures, it's so nice to have Wallace & Gromit back and Vengeance Most Fowl is a worthwhile return that contains all the charm and wit expected of Aardman when they're on peak form. With its timely look at A. I. replacing the human element whilst being left unchecked and the epic finale involving a canal boat chase, it would be a surprisingly strong double bill with Mission: Impossible - Dead Reckoning.

Ben Whitehead is a fantastic choice to continue Peter Sallis' legacy as Wallace. His vocal performance is nearly identical with only the slightest noticeable difference. Gromit is the MVP as usual, carrying Wallace through everything and Wallace's realisation of how much he needs him provides all the heart. The always funny Peter Kay gets a lot more screen time than before and Reece Shearsmith is equal parts adorable and hilarious as all the robotic gnomes.

Directors Nick Park and Merlin Crossingham wisely choose not to compete with the jaw droppingly good high speed chase at the end of The Wrong Trousers by going in the completely opposite direction thanks to a very low speed boat chase here. The stop-motion animation has a glossy sheen without losing the distinct Aardman look and the gags come thick and fast. Lorne Balfe's presence in the score only enhances the Mission Impossible comparisons.

A great movie, after a very long wait. These characters have the same charm and comedy brilliance as the all time greats. Gromit, although animation, has the same dead-pan timing as Stan Laurel and to achieve that in animation is brilliance.

The key to W&G is that they never stray far from their roots and this was their best long form outing so far, the plot has so many nods to movies and a level of brilliant comedic detail in the design and smaller props. Always read the book covers and look around to see these wonderful details.

I might be alone but I noticed quite a few nods to Tim Burton's 'Batman Returns' especially in a moment with a submarine and a rubber duck!

This was a great return to form after the split with DREAMWORKS and it seems that the producing team did a cracking job on keeping it real.

A note to say although Peter Sallis will always be much missed the vocal performance by Ben Whitehead is pitch perfect and a flawless interpretation.

I'd love to see the studio revisit Pirates and of course give us a few more W & G adventures in the years to come.

Over 30 years has passed since the release of the Wrong Trousers so people might be forgiven for thinking that Wallace and Gromit are getting a bit dated. Yet this completely destroys that notion!! The Yorkshire humour, the cute relatable characters combined with an interesting plot makes for a lovely family movie! They've definitely not lost their touch! My kids loved it and so did I. Would recommend to anyone regardless of whether you've seen previous instalments as can be seen as a stand alone movie. A personal favourite villain Feathers McGraw shows what can be done with a lump of plasticine that doesn't even speak. When you consider how much stop start animation is required to fill the 80 minutes then you realise just what a work of art this really is. Bravo!

What a call from the BBC, an evening showing of Wallace & Gromit: Vengeance Most Fowl debuting to the local masses. Of course it excels at everything it attempted to. From a technical and just genuine enjoyment perspective its great.

Firstly, Aardman have managed to retain their exceptional status as he greatest stop motion producers we have seen in film. Challenges have been faced across the company by being lack of clay and so much more but again they provide. A spectacular 78 minutes of pure joy and love soaked into the most beloved British film franchise of all time, as they still achieve a 100% record for Wallace & Gromit. But how?

Now a foolish claim would be that these films are made for children, but it's simple to shut down masterful entertainment retaining the witty humour from previous entries keeping the established narrative contracts of both Wallace, the man trying to keep up with the times but runs to fast. And Gromit, less of a myopic take on situations. The dichotomy built between them is magnificent and in the closing sequence as it bridges through the sheer power of friendship and love brought a tear to my eye. Character development isn't everything but the sheer attachment you can have for this duo speaks for itself. Of course you can't speak about characters without mentioning Feathers. The foil. The comic relief. The sly penguin. Back to his best swiftly establishing himself amongst the great villains of cinema, his body language forged in the clay work sustains this construct, even minor head tilts or arm movements encapsulates so much fun and depth into a character who hasn't even opened his beak once, a true icon.

The filmmakers aren't subtle with there hidden allegories specifically the anti-AI message referenced in the films. The "norbots" evident microcosm of this, as clearly a flicker of there code creates potential travesty's if put into the wrong hands, emblematic of real world danger as pressure mounts amongst, ai. Hidden allegorical messages blanketed amongst a vastly entertaining feature, refreshing in the animation genre of film, and yet another top tier entry into what is rapidly becoming one of my favorite franchises in film.