Another Happy Day

"Another Happy Day" does not operate in the way usual films do. It does not give you a certain point of climax or intensity and a so-called satisfying, complete closure that many people may expect. Well, these are exactly the things not to be expected.

Look forward to a distinctive drama about a family and the relationships in it. Look forward to a unusual film with both happy and sad moments yet not necessarily with even the slightest of predictability and cheerfulness. It is not necessarily sad, but for certain it does not try to cheer you up.

You can call this film many things. Call it hilarious, call it depressing, call it reality, call it family. It has its share of heartbreaking and heartwarming moments, and it is certainly harsh when it comes to show that this may be exactly what reality may be like. Not all problems can be solved in real life like in the movies, and this is a piece that does not present itself as a typical film; it presents itself as a potential reality, and it goes from there.

The emotions are so rich and deep in this film that it is almost impossible to capture them all so vividly and put them forth on the screen for the audience. But thanks to a group of brilliant performances, the impossible becomes possible, and the power of film definitely emanates more from the incredibly stunning and entirely realistic acting than from the plot.

Despite the total ignorance of this film by the Academy, the performances here alone, not taking the storyline into account, form one of the greatest ensembles of the year. Ellen Barkin as Lynn and Ezra Miller as Elliot, Lynn's son, have delivered one of the most solid and promising performances of the year, and are undoubtedly, as most would say, Oscar-worthy. The emotional collapse of Ellen Burstyn as Doris, Lynn's mother, is another performance too powerful to not pay attention to. The only underachieving one here may be Academy Award nominee Thomas Haden Church, who plays Lynn's ex-husband, Paul, and now has a new spouse, Patty (Demi Moore).

There is a lot of love and hate in this film, and however immorally wrong it may be, this reflects reality in many families, especially bigger ones. The countless issues are not going to just vanish, and it is usually easier said than done to overcome these troubles. In Lynn's case it is even more difficult, with everyone in the family seeming to disapprove of her actions and as Lynn refers to, not on her side. During such a visit with so much hospitality, Lynn must resolve into getting over these problems in the wedding of his son Dylan (Michael Nardelli), who has stayed with Paul and Patty since little age.

Another problem arises as Lynn continues to think and have serious doubts whether she is a good mother. Elliot and Ben (Daniel Yelsky) are both raised by Lynn, and they also have "issues". The former has some kind of severe emotional disorder and can burst into an uncontrollable rampage all of a sudden while the latter is also said to have mildly autistic trouble. Alice (Kate Bosworth), another child raised by Lynn, also seems to have issues and has even hurt herself before. It is in this situation that brings Lynn to the edge. She is on the verge of breaking down, under an extremely uncomfortable environment with everyone pointing fingers at her from the outside and her inner sorrow of her failures on her children.

We have Elliot and Ben. Ben appears as a figure lacking confidence and often feels and reacts badly when others discuss his "autistic nature". Elliot is not your ordinary teenager. He takes teenage drugs and smokes cigarettes, but he is more than that. At times, he seems normal and behaves normally, but at other times, he can act incoherently and totally irresponsibly because of his apparent inability to control himself in certain circumstances. While Lynn has her unbearable load of issues to tackle, the two teenagers also have to deal with their hardships during this somewhat unwanted visit to Lynn's mother.

Alice is not presented to us as a main character though she has been the focus of conversations from time to time, and when she comes up, her problem is no longer her own. It is connected to other members in the family, like Lynn herself, and of course her father, Paul. The relationship between her and Paul is one kind of relationship, and the relationship between Lynn and Paul concerning her is another kind, and then it certainly also causes problems between Patty and Lynn. And between Patty and Lynn it does not end there. With Dylan being Lynn's son but being raised by Patty, his tendency towards Lynn for walking him down the aisle inevitably results in Patty's fury.

The relationships in this family are too complex describe in plain words and you will have to see for yourself how complicated it can be.

"Another Happy Day" has depth in its diversity of emotions portrayed by a group of talented actors and actresses, and it is an enjoyable experience. It is a drama about a family in general. It covers life and death, sicknesses, teenage problems, emotional disorders, marriages, love, and of course, family.

All I have to remind you is that "Another Happy Day" may not really guarantee you a "happy" experience. For most of the audience, I would say "depression" should be the word. But I guess if you face it optimistically and bravely, it can still be a satisfying and happy journey somehow.

Either way, it is a film where extraordinarily great performances meet affluently rich sentimental displays and a film that should be appreciated.

I was surprised to see this film didn't score that highly! I happened to catch this showing on SKY recently, and almost switched channels thinking it could be another slow-moving, half-hearted drama starting! I missed the very start and caught it at the bit where Ellen Barkin (Lynn) was driving with her two sons to the families house; to stay to attend her eldest son, Dylans wedding. I am so glad I continued to watch! I found this a very moving, poignant film in which I felt many people could deeply relate to. I found the characters very defined and very easy to like and sympathise with.

Not many films make me feel a lump in my throat and make me feel as though I am really there with them and feeling their grief, and day-to- day issues... this definitely did this for me! The strained relationship (amongst many within this family) between Doris and Lynn, was portrayed amazingly, as was the tension between Lynn and Patty (Demi Moore). Demi Moore (Patty)really played a harsh bitch and it was very raw! The most moving parts for me were, where Ben said he had overheard the family, and what they had said about his condition (I won't spoil that part, you will have to watch). Also the part where Lynn shouted abuse at her son, Elliott, calling him a M*****F*****! That was pretty harrowing and shocking, and some thing I could NEVER imagine, or contemplate saying to my son,whatever the circumstances! But it shows how far angst and despair can really push you, and how it can change ones self! That part really did make me choke! The scene where Alice enters the room at the dinner-party get together was very moving; and I felt her discomfort when walking in to the room full of family that all knew of her issues and past...she was very convincing to watch. Bonnie was my least favourite to watch, I felt she was a little over-powering, but then I guess there are people as outspoken and outrageous as she, within family's! But still, my partner and I found her quite out of place in this film. Not an actress I enjoy watching.

In my opinion, Ellen Barkin (Lynn) and Ezra Miller (Elliott) outshone all the rest of the cast, I felt they really stole the show! That isn't to say the rest weren't good - they really were! Ezra Miller is one to watch out for in the future, he was so absorbing to watch! Having seen him recently in "We need to talk about Kevin, he is, in my eyes, a real inspiration to up and coming young actors, and really intriguing to watch!

This is a movie that I am sure hits home to a lot of people, as I felt it was very real and very impacting! George Kennedy (Joe) certainly reflected the cruel harsh end to old-age. The moment where Doris opens her heart to her daughter Lynn over her fears of losing him, really hit me. This is areal tragedy for most couples to face in later life, and it was a very moving moment...which made you feel for Doris, despite her aloof mothering skills towards Lynn.

This is a film to make you feel the awkwardness and the anxiety's of peoples lives, with moments where you really do cringe. You really can feel the similarities of this families moments of pain and suffering within your own life. Yet this film also has many warming and loving moments throughout. A good master-piece of love, hurt and despair. I would love to see many more films directed in this way, as for someone as me, who holds a very short attention-span with the majority of films, this captivated me and had me on the edge of my seat throughout! Very gripping and a must-see! I applaud you Sam Levinson!

This is a wonderfully powerful film that manages to seriously portray family drama in a believable way - so much so that I could match situations in the film to similar situations that have happened at my own family gatherings. It might not be everyone's cup of tea, hence the lower rating, but for me it was a great snapshot into a family's life and all the issues that get dragged up when so many people come together with a lot of emotional baggage.

Others have mentioned the amazing acting performances and they really do bring the characters and thus the story to life. You can't help but feel for Ellen Barkin's Lynn as she's getting picked at from all sides, both from judgement and disdain from outside her immediate family and from within with Ezra Miller's Elliot acting up the entire time.

However, this film tends highly towards the drama end of comedy-drama, so much so that it contains very little comedy at all in my opinion so I feel the genre categorising is a little disingenuous.

I went into the Savannah Film Festival screening of this film not really expecting much. Of all the movies I saw at the film festival, this one resonated with me the most, and came closest to my heart.

Sam Levinson has woven a dark dramedy of epic proportions as Lynn (Oscar-worthy performance by Ellen Barkin) drives her two sons to her mother's house for the eldest son's wedding. Through it all the audience witnesses the public and private meltdowns and sentimentality's of this flawed, and deeply human family.

From Lynn's confrontation of her divorcé husband (Thomas Haden Church), to her drug-addled, caustic-mouthed son Elliot's (genius performance from Ezra Miller) flirtation with grandpa's meds, to catty quips from Lynn's sisters, past trauma, guilt, and resentment flow onto the screen. What rises from this fertile emotional landscape are frightening moments, and hysterically funny scenes. For the audience it's an event, but Lynn and her boys it's just 'Another Happy Day.'

Humor is the pallet cleanser for this hearty cinematic meal. The viewer fears for Elliot's life after he nearly OD's on the bathroom floor; then breaks into hysterics as Elliot tries to hide his blue lips with mom's rouge, the following morning. It's all so funny, and so smart. You will be cry as much from laughing as you will from the sorrowful scenes.

Performances cut deep with their stark realism. From Ellen Barkin's Lynn, Ezra Miller's Elliot, Ellen Burstyn's Doris, down to 14 year old Daniel Yelsky's Ben - someone is going to get an Oscar nomination here. And if not, then the critics aren't ready for Levinson's dark blend of laughs and tears.

Highly recommended: 9 out of 10.

I find it odd that nobody has mentioned how hilariously funny this movie is. I also find it odd how many people claim this is somehow unrealistic for the sheer amount of problems this family has.

Personally this seemed like exactly the family I was raised in. An extended family of, on the surface, squeaky clean socialites and all American families, while my mother was the person who had a history of therapy and being abused, and my siblings and I all had a number of mental health issues, which ended up causing every gathering to feel like us vs them where we seemed to be dismissed as the broken trouble makers who were too uppity and made too many ripples rather than pretend everything was fine and dandy when daddy broke mommy's nose etc.

I loved this movie and was amazed by how real it felt and how funny it was at the same time as being disturbing and full of neurosis.

I loved the dancing at the wedding, that's how I feel at those places. It's so weird to see it all without the music and with all the issues bubbling beneath the surface.