Una mujer se despierta en un planeta lejano y encuentra a la tripulación de su estación espacial brutalmente asesinada. Su investigación sobre lo sucedido pone en marcha una aterradora caden... Leer todoUna mujer se despierta en un planeta lejano y encuentra a la tripulación de su estación espacial brutalmente asesinada. Su investigación sobre lo sucedido pone en marcha una aterradora cadena de acontecimientos.Una mujer se despierta en un planeta lejano y encuentra a la tripulación de su estación espacial brutalmente asesinada. Su investigación sobre lo sucedido pone en marcha una aterradora cadena de acontecimientos.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Ash' is a mixed sci-fi horror film with praised originality, atmosphere, and visual effects. Eiza González and Aaron Paul deliver strong performances, and the direction by Flying Lotus, along with cosmic horror elements, receives positive remarks. However, criticisms arise regarding the story's execution, pacing, and editing, deemed derivative and unoriginal. The CGI and special effects are often subpar, detracting from the experience. Despite compelling final scenes, the film struggles to fully engage or satisfy a significant audience.
Opiniones destacadas
Ash (2025) starring Eiza Gonzales and Aaron Paul, is a low budget horror / sci-fi film directed by Flying Lotus. In his debut directoral effort, Flying Lotus delivers a film that is as innovative as a mouldy bologna sandwich. Everything you see here has already been done better, with a much larger budget and crew. I was shocked at the quality of the film, which hearkens back to cheap, Saturday afternoon, B- movie television fare.
If you're looking for film school quality - as in Cinematography 101 - the movie easily hits its mark. There is something very polished about the delivery if you're not expecting professional results. If you're expecting a great, thematically developed, theater-ready and technically excellent feature movie, you're in for a disappointment.
The actors don't have much to do in this film, other than deliver the basics of happiness, anger, confusion and rage. There was likely a bit of time in the makeup chair to create a semblance of Body-horror - but the layers here aren't deep at all.
Post production actually does a passable job with trippy, acid-inspired flashbacks and special effects. The color palette is very Nicolas Winding Refin-inspired. If you need an out-of-body experience, a matinee of Ash might serve you well.
Though I could not enjoy this film, I am definitely interested to see the next project Flying Lotus undertakes - the creative potential is there, once you trundle past the tired, overused tropes, and I saw a fair number of fans in my theater's audience.
If you're looking for blockbuster, transcendental acting, directing and cinematography, skip this movie. If you enjoy tropes exploding from the screen in sloppy, gory, messy and predictable fashion, you may enjoy Ash. I, unfortunately, did not.
5 out of 10 stars.
If you're looking for film school quality - as in Cinematography 101 - the movie easily hits its mark. There is something very polished about the delivery if you're not expecting professional results. If you're expecting a great, thematically developed, theater-ready and technically excellent feature movie, you're in for a disappointment.
The actors don't have much to do in this film, other than deliver the basics of happiness, anger, confusion and rage. There was likely a bit of time in the makeup chair to create a semblance of Body-horror - but the layers here aren't deep at all.
Post production actually does a passable job with trippy, acid-inspired flashbacks and special effects. The color palette is very Nicolas Winding Refin-inspired. If you need an out-of-body experience, a matinee of Ash might serve you well.
Though I could not enjoy this film, I am definitely interested to see the next project Flying Lotus undertakes - the creative potential is there, once you trundle past the tired, overused tropes, and I saw a fair number of fans in my theater's audience.
If you're looking for blockbuster, transcendental acting, directing and cinematography, skip this movie. If you enjoy tropes exploding from the screen in sloppy, gory, messy and predictable fashion, you may enjoy Ash. I, unfortunately, did not.
5 out of 10 stars.
- Chipper F. Xavier, Esq.
It is indeed visually alluring, and I admire their passionate experimentations with the colour palette. Not the visual effects, though, I mean the CGI, as they certainly came off cheap and underdeveloped in some places.
However, if we keep all these flashy technicalities on one side and start judging the movie from a cinematic standpoint, shortcomings begin to emerge to the surface.
First and foremost, there is limited time allotted to explore the 'reason' behind the mysterious circumstances on the ship. Although there are a couple of scenes to depict the 'otherworldly' beings, they fail to meet the inherent necessities of the script.
Secondly, the majority of the characters are merely used as fillers, with Eisa and Aaron shouldering the burden for the most part.
And could someone please tell me why and how they managed to convince Iko Uwais to play such a trivial character?
Was it just to indulge him in a hand-to-hand fight scene that lasted for like two minutes?
Criminal!
However, if we keep all these flashy technicalities on one side and start judging the movie from a cinematic standpoint, shortcomings begin to emerge to the surface.
First and foremost, there is limited time allotted to explore the 'reason' behind the mysterious circumstances on the ship. Although there are a couple of scenes to depict the 'otherworldly' beings, they fail to meet the inherent necessities of the script.
Secondly, the majority of the characters are merely used as fillers, with Eisa and Aaron shouldering the burden for the most part.
And could someone please tell me why and how they managed to convince Iko Uwais to play such a trivial character?
Was it just to indulge him in a hand-to-hand fight scene that lasted for like two minutes?
Criminal!
Is an interesting idea, some cool concepts, stunning imagery, lot of great pratical effects and stunts, but it just drags on.
Elza Gonzales and Aron Paul are great actors, but they have no chemistry or charisma in this, specially to drag a whole movie, and the dialogues doesn't help at all, Iko Uwais is straight up wasted. It just feels like they got this concept for a short or something, and some executives made then stretch it into a movie... So this is what we got, but hey, at least they did the right thing about the expositions, which is to show stuff, instead of telling through narration.
Elza Gonzales and Aron Paul are great actors, but they have no chemistry or charisma in this, specially to drag a whole movie, and the dialogues doesn't help at all, Iko Uwais is straight up wasted. It just feels like they got this concept for a short or something, and some executives made then stretch it into a movie... So this is what we got, but hey, at least they did the right thing about the expositions, which is to show stuff, instead of telling through narration.
Went in without having seen a trailer and only having read a brief synopsis, left confused and disappointed. The film is a jumbled aggregations of themes and concepts that have played out in other prominent sci fi films dating back to 2001: Space Odyssey and there are scenes that are straight ripped from others (looking at robot assisted medical procedures). Aside from some trippy fractal visuals that are never really explained, the sets are basic, special effects pretty minimal, and acting pretty bad across the board. The main character Raya is hot, so there is that. Twists and turns at the end kind of clue one onto what's going on, but it's clunky.
As my viewing mate said to me about ten minutes in "This is a very B movie".
As my viewing mate said to me about ten minutes in "This is a very B movie".
As a self-proclaimed sci-fi junkie, I was ecstatic with the start of this movie. The tone is dark and unnerving. It's visually mesmerizing, filled with beautiful sci-fi imagery, even trippy at times. The sci-fi elements are creative and unique. And it has some great music.
All of those positives stay true through the end of the movie. Everything is set up for success. Except... the story is useless, the acting ranges from mediocre to terrible, the dialogue is as basic as it gets. That's how you take a great setup and result in a completely forgettable movie.
I always love SEEING Eiza Gonzalez, but it does not seem like she is lead role material. This movie is not terrible and has a lot of good, it just doesn't come together anywhere near the way it should.
(1 viewing, 4/22/2025)
All of those positives stay true through the end of the movie. Everything is set up for success. Except... the story is useless, the acting ranges from mediocre to terrible, the dialogue is as basic as it gets. That's how you take a great setup and result in a completely forgettable movie.
I always love SEEING Eiza Gonzalez, but it does not seem like she is lead role material. This movie is not terrible and has a lot of good, it just doesn't come together anywhere near the way it should.
(1 viewing, 4/22/2025)
¿Sabías que…?
- TriviaOriginally set to star Joseph Gordon-Levitt and Tessa Thompson.
- Créditos curiososThere is a brief scene after the first part of the credits.
- Bandas sonorasWalk Free (Flying Lotus Remix)
Written by Brandon Coleman
Performed by Brandon Coleman
Courtesy of Brainfeeder Records
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Ash?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Попіл
- Locaciones de filmación
- Nueva Zelanda(Studio location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,083,743
- Fin de semana de estreno en EE. UU. y Canadá
- USD 689,144
- 23 mar 2025
- Total a nivel mundial
- USD 1,083,743
- Tiempo de ejecución
- 1h 35min(95 min)
- Color
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta