Your Sister's Sister

A dialogue heavy film, which I am often very fond of and this is no exception. Basically a three- hander with a trio of sublime and believable performances from Mark Duplass, the always excellent Emily Blunt and the seriously under rated and forever sister (United States of Tara, Rachel's Getting Married) Rosemarie DeWitt. They simply inhabit these characters.

A film told with great honesty and natural flair, with a lot of the dialogue being apparently improvised, I was entertained and intrigued from beginning to end. I laughed out loud on a number of occasions at the spoken wit and the extreme awkwardness of some of the scenes. These are all flawed people, but they are all relatable and likable.

It does fall into a little bit of predictability and cliché as it moves on through the story and I surprisingly had no issue with one aspect that angers many a gay woman, as to me it made sense for the character.

It was a journey I very much enjoyed and it felt quite different from your average rom-com.

i've seen several films that were just played out by one character or two , such as "Conversations with Other Women (2005)", "The Man from Earth (2007)" and "The Sunset Limited (2011)", but they were all so good that i never got bored from the very beginning to the very end. these three movies were all with great dialog and just because their dialogues were so alive and true, the dialogues themselves had become the storyline, the scenarios and the plots. but sadly, this movie totally missed the mark and turned out to be one of most boring movies i've ever watched. the location was Seattle, the two women one with English accent, one with American and they claimed to be sisters? half-sisters? how come two sisters grew up together would have different accent? this was such a bad casting job. i don't want get into details of this movie's flaws, i just want you guys to read all the reviews with the lower or lowest scores, those reviews would tell you what were wrong about this movie and then, you'd know how stupid and how ridiculous this movie was.

I really enjoyed this movie. I've never written a review before, but had to for this one. Filmed in 12 days? Unbelievably well done. The interaction of the three main characters was s-o...r-e-a-l. Emily Blunt (love her accent), Rosemarie Dewitt and Mark Duplass effortlessly became three characters who could be anyone you know in your own town. The chemistry of their different relationships with each other was fresh and flawless, especially as they evolved. The comedic moments were well delivered, and the pulling-at-the-heartstrings moments, very real. The rustic cottage and waterfront location in Seattle where most of the movie took place was just beautiful. From Filming to Sound, my hat is off to Lynn Shelton the Writer and Director, and the entire cast and crew. I will enjoy watching this again. Thank you!

"Your Sister's Sister" is an indie romantic dramedy. One that tries to say so much with so little; "little" in terms of story and setting. It's a dialogue driven film about relationships. Jack (Mark Duplass) is depressed, mourning the loss of his brother. His friend Iris (Emily Blunt) sends him up to her father's cottage for some alone time and beautiful scenery.

Beautiful scenery there was plenty of; but not so much alone time. Unbeknownst to either of them, Iris's sister, Hannah (Rosemary Dewitt), was also retreating to their father's cottage for some alone time in the wake of an upsetting break-up. Two lonely people and an entire bottle of tequila lead to one inevitable place. In the morning, Iris arrives.

Duplass is fairly adept at comedy so he was able to navigate his way around two attractive sisters with a few well-earned laughs. There are more laughs during the description of Iris's boyfriends (each wears skinny jeans, skinnier than the next). As mentioned, this is a dialogue driven film which makes it or breaks it. For the most part it does the job and effectively introduces us to the three characters, but the common complaint that the dialogue is pretentious is certainly accurate.

The characters are real enough, if not a bit extreme in their ways, that likability isn't a huge factor. Although, Emily Blunt's character does get preachy when things don't go her way. She, and the audience, are thrown for a loop when a twist is introduced half-way through the film. At first I was relieved that the film was going to be about something other than just the relationships of these three people.

But ultimately "Your Sister's Sister" is just about the sister's relationship and their relationship with Jack. An ambiguous ending can certainly be welcome and interesting, but if you don't quite care enough about the relationships to begin with then the ending arrives just a beat too early.

Lynn Shelton's 'Your Sister's Sister' opened the 2012 Glasgow Film Festival and received a near-rapturous response. This is a keenly observed tale of individuals as complex and frail as you, me and everyone we know...

Iris commemorates the passing of her partner Tom at a gathering of Tom's friends, where Jack, her best friend, offers up a less than flattering eulogy. Jack, coincidentally Tom's sibling, is packed off to a remote island lodge to get his head together, where he encounters Iris's sister, Hannah. Complications ensue - by the bucket-load.

Shelton took time to explain her process in the Q&A at the Glasgow Film Theatre screening. The cast improvised to a certain extent, but spent a vast amount of time creating back-stories for their characters. That preparation pays off in naturalistic exchanges, interruptions and repairs, gestures and looks that remonstrate, encourage or deter in a convincingly authentic manner. The film is very, very funny, and then genuinely touching and fraught. Throw in an ending you will either love (like me) or loathe, and you have a mature, entertaining film whose execution and polish defies the 12-day shooting period.

Wonderful performances from Emily Blunt, Rosemarie DeWitt and Mark Duplass as the conflicted trio. Blunt gets to explore more range here than My Summer of Love or anything else on her CV, and shows a growing maturity. The film is involving from the very first frame and holds your attention throughout. Shelton has found a refreshing formula. Bigger budgets and less challenging schedules may follow, but one hopes the stringent process remains.