Xiao shi de ta

This movie surprised me in so many ways.

The plot was initially reminiscent of Gone Girl but boy was I fooled.

The more you watch, the more it draws you in and I would highly recommend a second viewing. Everything was so thought out and no plot hole overlooked. Even the seemingly minor things can be explained by this or that.

It was visually stunning and the acting was superb across all members of the cast. Seriously, major kudos to the leads. I wasn't familiar with any of them going into this but I will definitely keep an eye out now for their future work.

Overall, a wonderful, intense film that, I'm not kidding, had me on the edge of my seat a vast majority of the time.

Pretty well, I didn't ever know this movie could be brilliant like this before I watched it.

The adapter was so rare in the Chinese movie field. The plots were up & downs, the plot twists were well designed, the actors' moods were also in place.

Somebody said the light effect was messy and old-fashioned, the actors' styles did not fit each other well. I agree with these. There were also some bugs in the plots, but the defects didn't obscure the virtues.

Anyway, it's worth watching. Plus: Please focus on now and don't predict the plots in the future. You'll find a better way to watch it.

Hope it works for you.

No pun intended - and not really connected with Gone Girl (if you've seen the movie or read the book - there is a book, right? There has to be). This quite twisty movie has you guessing what is right and what is wrong. Who and where characters are trying to lead us. There may be some traps along the way (again no pun intended) and I am not sure what you may think of the ending ... but the movie dares to go places that ... well you may not expect.

That said, it doesn't mean you won't be able to guess where the movie wants you to go. Interestingly enough, the movie seems to hit a spot - at least in London. About 10 screenings - all sold out! So they must be doing something right ... well told and all that ... if you are into that sort of stuff.

Distinctively Chen Sicheng, Lost in the Stars are in many ways imprinted with the director imprints, full of quick successive scenes filled with popping movements and colors, and quickwittedness but lacking in logic or any sort of explanation and I absolutely hate it. Zhu's, whom I believe is one the best Chinese actor right now delivers a performance that feels like an echo in an empty room. What makes the film better than the Chinatown series is that at least at the center there is a giant intrigue that you want to get to the end of it, but towards the end even that feels predictable and uncreative. The progression of the film feels driven by a series of plot holes. Again, the supporting cast is also a huge question mark, featuring awkward dialogues and motives.

Lost in the Stars is a Chinese Hitchcockian-style mystery crime thriller that grips the audience and keeps them guessing with endless twists and turns. It's pulpy, melodramatic entertainment that burns brightest in the moment, assaulting the audience with questions but never providing enough time or the breathing room to solve them.

While celebrating their first anniversary at a Thai island resort, He Fei discovers his wife Muzi has mysteriously gone missing. Unable to file a missing persons case with the police and his visa about to expire, He Fei wakes up to find an unknown woman claiming to be his wife and that all the photographs on his phone have been replaced.

Desperate for help, He Fei hires Chen, a renowned hotshot lawyer, to disprove the mystery woman's identity and find the real Muzi.

Directors Rui Cui and Xiang Liu hook the audience from the beginning and keep the plot moving like a freight train. Yilong Zhu, Ni Ni, and Janice Man tune their performances to serve the mystery like a cog in the machine, finding the sweet spot between who their character appears to be and revealed to be. Little inconsistencies spotted are actually all paid off later in a fun way.

The final reveal... is so ridiculous that it's technically a cheat. I notably laughed out loud as the film blatantly switches genres to engineer an unguessable reveal.

It's the equivalent of revealing Darth Vader is a woman so the audience has no chance of guessing he's Luke Skywalker's father, if that makes sense.

By that point, the fun had already been had. I already cared and can't take it back. The journey was in guessing what was happening at the moment, less in the reveal itself.

The best mysteries place the answer in plain sight and deceptively steer the audience from seeing the obvious the entire time. Lost in the Stars falls short of this; its mystery is ultimately not sophisticated enough to warrant a rewatch. The mood, intrigue, and soap opera melodrama of it all still make it an entertaining one-time watch.