Bottoms

Now here's a high school, that you'd love to go to, as anything goes - nothing's taboo, where two single girls, who aren't looking for pearls, start a club to find love, that gets quite misconstrued. There is punching and kicking, a shove with a push, the dialogues quite racy and might make you blush (if you're of a certain age and demographic), a battle of sexes, as pairs become exes, the romance is there, but it just isn't mush. Growing up can be tough if you're different from others, once being a woman kept you under the covers, now the rules of engagement, don't lead to enragement, and a progressive world - just will not be smothered.

Bottoms tells the story of two friend deeply in love with the school's top cheerleader. During a chance meeting, they discovered how they were horribly treated by their boyfriends. With the increasing reports of attacks on woman, they hatched a plan to help their crushed or actually just have loving hugs with them by opening up a 'Fight Club'-inspired self-defense club.

I would say that I have some reservations with Bottoms BUT I think the clearest thing about this is that Seligman is a great fundamental director.

I think the script for this could definitely hit harder. The lesbian elements, and the crassness and quotability, for a film like this can definitely been higher. The overall flow of the story and the commentary is somewhat haphazard BUT definitely leans on that its self serving and can be annoying - which is rare for modern films like this. Who tends to glorify it for the sake of cookie points. The allotment of improv somewhat disrupts whatever it is trying to go for at times.

Acting-wise, no one is really noteworthy. Senott and Ayo were fine. They are acting but did not elevate the material particularly. Very disappointed with Galitzine, especially since he is one hit away from stardom. His role here is a foil BUT can definitely amped up in Austin Abrams in Do Revenge kind of way. He just rested in pretty, which was disappointing.

BUT, I see a director who has a vision in what product she wants to tell. Its an imperfect film but I think Seligman can course herself into something big if she turned up the writing.

Recommended. Will definitely seek Shiva Baby.

The "teen movie" is making a comeback, and the latest from Emma Seligman (of 2021's Shiva Baby) is one of the funniest, wildest, and most delightfully ridiculous in recent memory.

I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)

Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.

Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.

Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.

I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.

Let me start off by saying that I absolutely love this movie. I really adore all of the characters because they don't feel forced. Most of the time when I see Gen Z being portrayed on TV it is physically painful to watch, but with this writing it was so unserious and fun that I actually caught myself laughing multiple times. The humor is definitely not for everyone but it was exactly my cup of tea so it was absolutely delightful to watch. And seeing loser lesbians as main characters is something straight out of my dreams... This is going to become a classic in my house and a nostalgic pick when i want to get reminded of my youth!

I really recommend it!

(Ruby Cruz absolutely stole my heart as Hazel and this movie made me a fan of hers lmao)

I really can't score this movie any lower than a nine. Not only was it my style of humor, it was able to stay entertaining all the way to the end. No third act deflation! And on top of being funny for the entire runtime, I enjoyed the story. I actually thought it had a plot that drew me in and gave me a highly satisfying resolution. I appreciated the fact that there were so many ridiculous details that it was almost like this movie was set in an alternate universe. For me, it kept the balance exactly right. Wild, but with some grounded elements to keep me caring about the characters. I think this could become one of my favorite comedies of all time. I don't know how many other people I would show it to, because I think the humor was extremely subjective, but I treasured it.