The Highwayman

I dont know why I watched this to the end. I think I was hoping it would get better

It had absolutely nothing to do with the story of Dick Turpin. If you didn't know anything about Dick Turpin before watching this film you'll still have absolutely no idea by the end.

The whole film is totally predictable and you know what's going to happen from the beginning.

It is supposed to be romantic there is absolutely no sexual tension between the leads.

The female lead was absolutely terrible seen better amateur dramatics. Over acting and the gasp and hand to the mouth is hilarious.

Honestly don't even bother that's an hour and half of my life I'm not getting back.

The fun starts in the opening scene. The Highwayman hero, brandishing a flintlock pistol, stands in the road as a coach approaches. As the coach comes into view, the highwayman fires his pistol into the air (a warning shot, no doubt) then he points the pistol at the coach and demands, "Your money or your life!" He has already spent his load! 18th century flintlocks were not repeating firearms. What kind of highwayman threatens a victim with an empty gun? THIS kind of nonsensically written, low-budget, poorly acted highwayman is the kind of hero that almost entertains in this shoddy piece of almost funny escapism.

The film makers try hard but just do not achieve Ed Wood standards of humor. The sets are a bit too tidy, and the actors lack that sense of devotion to the material despite the odds that could have made this a true gem, like say, Beretta's Island. Rather, it just muddles along, content with its own mediocrity, failing to rise to the genuine entertainment of a truly bad movie.

Normally I would give a film like this a 1, but because this is such a low budget affair, I gave it one extra 1.

Poorly acted written and directed, I cannot find much to recommend it to to the discerning viewer.

So here's the thing, it's really hard to get a proper read on the seriousness of the film, the best one word I can use to describe this film is soulless, and I won't sugar-coat it: The Highwayman: The Legend of Dick Turpin is so laughable it's extraordinarily bad.

To be fair, the story itself isn't always the issue. There's a vaguely romantic subplot between Turpin and the Earl's daughter that's clearly intended to add depth and tension, but it's hard to invest in when everything around it is so poorly executed. The acting is awful, and bizarre at times.

The performances are delivered with such an odd seriousness that you keep waiting for an over-the-top punchline or some comedy to kick in which it never does.

The storytelling is cheesy, the facial expressions are unintentionally hilarious, the villian is mockingly like a cartoon, and the whole thing feels like it's walking a strange line between parody and sincerity, but without committing to either. I don't like to hate on films too harshly, but after the initial fight scene in the woods at the very beginning, it was painfully clear what kind of ride we were in for.

I could understand this being a school project or amateur indie effort, but how this was funded as a feature-length film, I'll never know.

1/10.

Anyone remember "Carry On Dick" (1974)? Well it's probably got more going for it than this lacklustre drivel. It's Morgan Rees-Davies who takes up the mantle of England's legendary highwayman who finds himself in hot water after he inadvertently kidnaps the daughter of the Earl of Pembroke (Steven Dolton). Now we're not quite sure who has got the worst of this captivity, for "Elizabeth" (Mollie Hindle) is no shrinking violet. Indeed she rather relishes the freedom and excitement of a life devoid of corsets and curtsies. Meantime, her duplicitous fiancé "Winthroppe" (Tom Hendryk) is out to fleece her rather penniless and clueless father so he can take over their house under which might be some lucrative mines, and, well... Most of the swash and buckle here is left to the Aiden Turner-esque Ciaron Davies in the role of "O'Reilly" and to be fair to him, his is really the only thing remotely close to engaging here. It might have looked good on paper after a few yards of ale, but on screen this is a poorly conceived concept that doesn't really deliver on any level. The acting skills are basic, delivering some dialogue that rather optimistically tries it's hand at the odd bit of black humour before an ending that would have made Sid James look like an Oscar winner. Good story, strong theme and plenty of opportunity - instead we get a weak and listless drama that struggles to make it to ninety minutes.