Krigsseileren

I like Norwegian productions because they are in their way innovative and do not tend to copy what others do. Usually they have a pretty high standard, like this one.

The special effects, the story, the acting, the historical reconstructions, all are very good. The movie is emotional, it speaks about the second world war, but is never political. Just a story of heroes and war, stuff that happen before, during, and after the war.

It doesn't try to be polite, or push propaganda, it tells what could really happen when you are a sailor, part of the biggest fleet of ships, away from you family, trying to survive and hence come home. It speaks about values, future, and what really matters. In one word: intense.

One of the best war movies I've seen. I thought I'd seen so many war and catastrophe movies I'd become numb to the emotional drama and could only be stimulated by history lessons and battlefield action but this one gripped me. The storytelling and cinematography was oddly neutral and engaging at the same time, avoiding over the top melodrama and anticlimatically predictable climaxes, sticking to the point over a nonlinear plotline for three hours. The lack of cliche and subtelty made the movie seem lifelike and relevant unlike so many other historical dramas. For instance the way you learned of the sinking of the first crew or the reaction to being dropped in shallow water from the oily survivor. The life and the sadness in every scene made this movie worth watching.

Just when we thought nothing of quality is left, nothing worth our time, what we have left of it. War Sailor shows up on Netflix. As real a depiction of events which shaped our world as you are likely to see. Transportation to another place and time at a historic moment in history, for the price of your Netflix subscription. Driven by a massive budget, insightful direction and powered by a screenplay that at times seems as if the words spoken were transcribed as they were overheard. Empowering performances that transcend the ordinary. Your mind tells you these are actors but your eyes and heart tell you differently. You come to believe this is real flesh and blood torn by events unfolding in Europe as the spreading war takes its toll. Highly recommended.

This is another well-crafted war movie from Norway. Earlier, viewers were treated to a similar war movie, "Navik," also another well-made Norwegian production and shot in northern Norway.

What's impressive about War Sailor, which can be said about Narvik, too, is that it's a thoughtful movie without the obligatory hysteria that usually punctuates the genre.

The horrors of war don't distract the viewer from the compelling story that unfolds.

The major storyline may not be unique. There are war stories that highlight close friends in the battlefield who protect each other to the best of their abilities. A recent example is Devotion. Another is Band of Brothers.

This time around, the close friends are aboard merchant ships conscripted by the Norwegian government to the Allied war effort during the early part of World War II. This brings them to Malta and Liverpool en route to New York thence to Murmansk, Russia.

But aside from the gore of war that the limited series portrays, it also succeeds in driving home the raw emotions that loved ones torn apart by circumstance confront because of the reality of war wherever they are: in the high seas or in Bergen.

In the end, it's their love for each other, which can only be described as agape, that allows Freddy and Sigbjorn to survive the war and its aftermath.

There's this scene towards the end, when both men are in their seventies, in which Sigbjorn visits Freddie's family in Bergen on the occasion of the birthday of the latter's youngest son after so many years of absence. That scene is so gut-wrenching in unexpected ways.

The movie doesn't hesitate to inform the viewer, as an aside, of the losses inflicted on Norway for the sake of the Allied cause in terms of its citizens who died aboard its merchant ships as well as the number of such ships destroyed or sunk during the war.

This is a triumph of Norwegian cinema. Don't miss it.

Structured like a sweeping epic, Krigsseileren tells about the efforts of Norwegian commercial sailors in the Atlantic theatre during WWII. Two of Norwegian cinema's best actors over the past 10 to 20 years, Kristoffer Joner and Pål Sverre Hagen, play Alfred and Sigbjørn, two friends and conflicting personalities who deal with the pressures of the war operations and their ensuing effects on their personal lives after the war in each their own way. Left behind in Norway are Alfred's wife and children - and a whole nation with a lacking understanding of the war sailors' efforts and experiences. Writer/director Gunnar Vikene (Himmelfall) clearly has made it his personal agenda to tell the story of this oft-forgotten group of people, and although such passionate drive sometimes leads to indulgence, the film's strong sense of humanity and compassion elevates it and carries it through even in parts where the narrative staggers. A combination of authenticity, technical brilliance, and a clear artistic framework makes this into an all-encompassing viewing experience. That's Joner's own daughter Téa Grønner Joner playing his character's oldest child after the war.