Culto Al Diablo

Leave (2022) is a Norwegian movie that was released to the US (and added to Shudder) today and tells the tale of an orphaned young lady who tracks her real family back to Norway. She finds her family home, her mothers things including her journal and hears the story of how she became an orphan. As she gets to know her family better she uncovers why her mom was the way she was and why her life may be at risk.

This movie was directed by Alex Herron in his directorial debut and stars Alicia von Rittberg (Fury), Herman Tømmeraas (Ragnarok), Ellen Dorrit Petersen (Blind), Morten Holst (A Royal Affair) and Christine Donlon (Escape Room).

The storyline is fairly cliche, straightforward and unimaginative. There were elements that had potential, but the horror elements relied on human attacks and interactions and just felt like sick people in life more than "horror." The main character was also frustrating at times where when the family gets weird it's time to be out, but of course she wants to stay. I didn't feel the backstory of the mother was as intense or creepy as intended either.

Overall, this is a disappointing addition to the horror genre that's not really worth your time. I would score this a 3.5/10 and recommend skipping it.

The acting and some of the visuals were nice, but that didn't save this movie. The story is one of the silliest i have seen in years. And there wasn't any tension at all.

Having watched the trailer, i allready expected this to be a bit boring.

But since i like (extreme) metal i gave it a go anyway for the possible fun black metal bits. But there was nothing.

Not even one black metal song playing somewhere in the blackground.. It would have made the movie just a bit better.

Why Gaahl (a black metal musician) made a cameo appearance in this mess will allways be a question, until someone asks him that is.

Better Leave this movie alone.

I read the other reviews of this film and it feels like we did not see the same movie. Straight of the bat. This is a suspenseful thriller with horror elements (which people jumped in their seat from), but it is not a hard core horror. It has cool plot and a mystery to be solved. A baby left at a cemetery in the US 20 years ago has an adult managed to track down Norway as the place were she thinks she can find out who and why she was left. Things start getting dicey soon as she makes contact with the people she thinks has answers and from there on out it is one of the most suspenseful films I have seen this year. A elegantly told story with surprises accompanied beautiful cinematography, yes a bit dark at times, but it suites the tone. I also really liked parts of the score. Could be to demanding for younger viewers just looking for gore and killing. There was some truly great acting (I must mention the main character Hunter, the guy that plays her father and her grandfather) I have no idea who these people are that would say the acting is bad or that the English accents are bad. Have you not understood the movie? They have accents because they are Norwegians talking to an American. Also the acting was surprisingly good! I think this film is perfect for people that love a good mystery and can take a scare, but don't want a jump scare fest.

This is a movie that I decided on when looking for a 2023 release in horror for Journey with a Cinephile: A Horror Movie podcast. There was one in the theater but at times that I couldn't make work so this was selected. I'll be honest, I came in not knowing much aside from the genre and that it fit. I did read a bit of the synopsis ahead of watching.

Synopsis: a young woman tries to find her origins after having been abandoned at a cemetery wrapped in a cloth with satanic symbols, but as she gets closer to answers, a malevolent spirit is telling her to leave.

We start this off with the beginning of the synopsis. There is a 911 call and the police come to this cemetery. They find a baby wrapped in the cloth. It then shifts to our present day as this baby has grown up to be Hunter White (Alicia von Rittberg). She was adopted by Raylan (Clarence Smith). His wife has passed away so it is just them. There are also two boys, but they're older, having moved away to start their own families.

Hunter is curious about her past. She is supposed to be heading off to Georgetown to start school, but instead she goes to Norway to find out about her biological parents. She has papers and the article from the newspaper about her being found. She gets her wires crossed and it takes finagling to get into a room. There is also a presence following her. It sets her on the path to what she is looking for.

This leads her to Cecilia (Ellen Dorrit Petersen). She is the lead singer of a band and it seems like back in the day, she was in a metal group. She isn't Hunter's mother. Her father was Kristian (Morten Holst) who was in the band and he was dating Anna. She became pregnant and that's where it takes a dark turn. Anna left the baby and this upset Kristian. He supposedly burned her alive inside of a church. This man then checked himself in a mental hospital. Hunter visits him, but it doesn't net any more information than she had prior.

It is through Cecilia that she learns more about her family. They are wealthy and highly religious. She is directed to where they live. This leads her to Lillian Norheim (Ragnhild Gudbrandsen). She would be her aunt. It is from here she meets her uncle, Olav (Gerald Pettersen), their son and her cousin of Stian (Herman Tømmeraas). She also gets to meet her grandfather, Torstein (Stig R. Amdam). He's happy she sought them out but is also stern.

When she asks questions about her mother, things get shut down. Hunter asks about her diary and Torstein won't hear anything of it. Stian wants to help, but in his own way. There is a dark secret to this family and this entity that is following Hunter might not be what she thinks it is.

That is where I'll leave my recap and introduction to the characters. Where I want to start is that having now watched this and reflecting on it, this feels like a modern gothic film that is set in Norway. If you'd tell me that this is based on a Bronte sisters' story, I wouldn't be shocked. What I'm getting at here is that the ghosts or entities that are haunting Hunter might not be evil and that people could be harboring darkness. In today's world of art, this tends to go against norms. That is something I can appreciate.

Now that I've said that I like the basic story that we get here. Hunter is adopted and her being found is an odd circumstance. I'm not sure if this is established or not as to how she originally learns about where and how she was found as a baby. That would make me wonder what the heck as well. She was found in a cemetery and she was wrapped in cloth with Satanic symbols on it. There isn't much to go on, outside of a box that her father has in the attic. She does a DNA test that leads her to Norway. When she arrives there, she doesn't know what her next move is and I like that this entity nudges her. It works in the framework of the story.

Where I'll then shift is that her father was in a Norwegian death metal band. I love this idea since they were thought to be anti-Christian and Satanists. That would explain why she was found in the blanket. What is interesting is that she was found wearing an upside cross. She assumes that it goes with the symbols. The more she learns about her culture, the more she becomes familiar with Norse mythology. This is an icon important to these pagan beliefs. That was good to break the pre-conceived notion. Then getting to know Cecilia and Kristian, just because they were in this band, didn't make them evil. There is the idea though that Christians and those with strict beliefs are the true villains. Where I like this, I also think that it is getting overplayed as well.

There is one last bit here that I want to get into. The more that Hunter learns of her family, she discovers a history where the women in this family go crazy. This happened to a few before her. I was then wondering if she was going crazy with this entity that she was seeing. How this is used works, once again going back to the gothic elements. There was a reveal here that I didn't necessarily love. I won't spoil what it is. What I will say is that this explores toxic masculinity through Torstein and Stian. That I appreciated.

I'm then going to shift to filmmaking. I think that this is well-made. We do good things with the cinematography. Tension is built from the fact that Hunter's father doesn't know where she is. If anything happens to her, she is lost forever. There is an interesting parallel to her being dropped off in the cemetery to her position as an adult. What I have a problem with is that outside of that, this struggles to build tension and fully keep my interest. I like what it explores and where it goes, but I wanted a bit more to be invested. The effects we get are also solid. They don't use a lot and I'm glad they didn't go heavy CGI there. This is less of a ghostly than what I expected early on so I appreciate that. I'd say a tamer version of Crimson Peak in the fact that we don't see ghosts nearly as much here. Other than that, the soundtrack fit what was needed.

All that is left then is the acting. I thought that von Rittberg was a solid lead. She has a charm about her and I'm curious to see where she goes. I also don't want to see bad things happen to her so that works. Tømmeraas on the other hand is a jerk and I disliked him from the beginning. There is an arrogance about him that comes from what I'm guessing is being 'old money'. He feels slighted about everything. Amdam was fitting an older version who has more of a standing. He is imposing with his screen presence. I'd then say that Petersen, Holst, Gudbrandsen, Smith, Maria Alm Norell, Pettersen and the rest of the cast rounded this out for what was needed.

In conclusion, this is a movie that has interesting elements to it. I'm not sure if it sticks the landing in execution though. We get a modern gothic story. We have Hunter who was abandoned as a baby looking for her family. There is a supernatural presence guiding her. It might be evil and it might not. It explores humanity and how outward appearance can hide beliefs that we have inside. This is acted well. The filmmaking are also solid. The problem is just that it doesn't keep me invested until the end. Not a bad one to check out, but I wouldn't rush to see this unfortunately.

My Rating: 6 out of 10.

Hunter seeks to understand her heritage after she was left orphaned in a cemetery. She flies to Norway thinking she knows who her mother is. What unfolds is a light version of "The Girl with a..." series, just less intense and less polished. Hunter ignores all the obvious signs of danger as she's hell bent on finding answers to her questions about being orphaned. The resolution has only minor supernatural elements, and we are left with only the horrors of humanity (including attempted rape). The acting is decent, production good, and the over quality of the film is fine. But, it lacks much in terms of genuine suspense or horrific elements. Worth a watch if a calm film with moments of something like intensity is to your liking.