Escándalo americano

The performances are the safeguard for this movie to have a very long life. I couldn't care less about the characters but I loved the actors playing them. They, the characters, make choices that are as coarse as their wardrobe. Thank God for the people wearing them .Christian Bale is absolute perfection. His character is disgusting and irresistible at the same time. brilliant performance. Amy Adams is superb and Bradley Cooper an unnerving hoot - also the brief moment with Robert de Niro is simply delicious but it is Jennifer Lawrence who made me want to see the movie again as if to confirm what I seem to remember. Yes indeed. She is spectacular. A performance of such maturity - her laughter alone belongs to one of the great ones of yesteryear. - Totally present. A character actress/star.

This movie has gotten a lot of buzz, and I decided to watch it after it won the Golden Globe for best comedy. For me, the movie itself was just OK, but the acting, costumes, and music were all amazing. Christian Bale is at his best as the lead in this film, and Jennifer Lawrence has some of the best scenes in the movie. All in all I am a little confused about how I feel about this movie. It starts well, I was initially engaged and interested to see what happened. The middle dragged a little bit, and it was hard to keep my mind from wandering. Thankfully there is a great cameo by Robert DeNiro in the middle that grabs your attention and gets you back on track for awhile. By the end of the movie though I was happy that I had sat through the whole thing, I really enjoyed how everything ending up playing out, and found myself smiling at the end of it all. So while I wouldn't call this movie a must see, it certainly is not a waste of time either. If you have a night to kill, give this movie a shot and at least enjoy the great performances, if not so much the slightly slow plot.

'American Hustle' is another movie that I've really wanted to see for a long time. It's probably because I love the 70s, or whatever. When it was finally released in good ol' England, it did not disappoint.

Coming into this with only having seen 'Silver Linings Playbook' as some of O Russell's previous work, I didn't really know what to expect. Although that was very good, it is completely different on many levels, so whatever this was, it was going to be fresh.

As not to spoil anything, I won't go through the film scene by scene, but I have to say this film met and (to an extend) exceeded my expectations. There was noting I didn't like about it, because everything and everyone was just so brilliant. First off, the acting was superb. The improv that the actors pull off made it all so much more real, because you felt that they were just letting themselves run with the story and script. When the tensions rise (which frequently happens during this film), you feel for these characters, because for a second they really are Riche Dimasso or Irving Rosenfelt. It also added a lot of the humour, which showed that, although it primarily felt like a drama, it didn't take it's self too seriously, which is so fresh and needed in Hollywood right now.

For me, J Law's acting talent stole the show. I saw her in 'Silver Linings' and the first 'Hunger Games' a while back, so again I didn't have any real preconception of what she would be like. But in this movie, her acting was just on another level. Every scene she was in carried so many emotions, and you'd couldn't tell if she was going to explode at any point (a'la the bathroom scene with Sydney). The things her character gets herself into in this film, even while she's still at home, are just out right slap your knee hilarious, especially the argument scenes.

Direction was a large positive for this. The way the camera moves is so subtle yet so effective. There are a lot of clichés that it could have fallen into, but O' Russell was very clever, and everything about the way he directed it was planned out perfectly. The camera seems to interact with the characters emotions, so you're really seeing this on more than one level.

The story was another element that made it so brilliant for me. Well, that was at the end. I loved the way it ended. It's just as the film plays out, you're so engrossed in the amazing performances, style, characters and humour, it gets hard to keep track of the story. Not on the level of the new 'Doctor Who' episodes, which have plot lines so ridiculously convoluted. You weren't supposed to get it at the start, as your just thrown into this world of eccentric, self absorbed con-men. You get the general idea throughout, with what's happening and what they're aiming to do, but when it got to the end, I didn't get some of the things they were taking about that seemed important ('Did I miss all of that? Was that when that old guy walked in to the cinema with a 20 year old something girlfriend and I lost focus for a bit?'). I heard that O' Russell was more focused on the characters, and lost a lot of story to allow room for Improv, so I guess it's OK if you don't get all of it. I didn't and still thoroughly enjoyed it. There are times during the film when I thought "Wow, that's a brilliant way to end a movie", and then it suddenly carried on and wasn't over, and the story got even more compelling. The way it wrapped up was a feat of true story telling.

I'm not one for movies about money and mafias and cons and all that, but aside from that, it's just as much a tale about relationships and what people are really like. The story of Irving's relationship with his family and Sydney plays out so well, and you feel things for them as their relationship changes, and when Cooper's character enters their unique workforce.

This film really benefited from the actors improvising, as it lead to some very funny moments. Obviously meaning to be funny, like the scene on the the jet and Roselyn's explanations for everything Irving throws at her. I meant that scene where she cleans the house to Live and Let Die is hilariously awkward to watch, with her little son just sitting there and watching his mom give an angry yet powerful rendition of the Wings song.

Bale portrayed Irving brilliantly. When things get tough for him, he excellently shows how a man of his status and ideology breaks down, bit by bit. You start the realize that even though he's so eccentric and rich, he still only human. I think Jeremy Renner deserves credit for that too. Not in the sense that his character goes through the same stuff as Bale's, but in that he was played with so much heart and honesty.

Something that hasn't been seen for a while in Movie-Land, 'American Hustle' is a unique film that gets in the audience up close and personal with every main character they see. The story could have been clearer, but heck, 'Badlands' had little story and that was brilliant too. It makes way for the improvisation, which adds so much and another dynamic to the story and experience.

While "American Hustle" has some nice performances, I was very surprised how unexcited I was watching this film. After all, around Oscar time, this was THE film that all the hype seemed to be about and the movie hadn't even debuted yet!! Critics were abuzz and the film got all the major nominations--Best Picture, Best Director, all the acting awards and four other nominations! If I were to create a list of most overrated films of all time, I would include this one simply because of all this hype. No film could be as good as this hype would indicate...and it wasn't.

The movie is a HIGHLY fictionalized retelling of the Abscam affair where the FBI caught a lot of politicians on tape taking bribes. The ending, in particular, is pure Hollywood, not fact. But, instead of focusing mostly on the scam, the film tends to glamorize the characters involved in putting over this sting--the confidence people as well as the FBI.

So why was I so underwhelmed by the film? The biggest reason is that I didn't like any of the people. And, oddly, the one I liked the most was the mayor (Jeremy Renner) caught up in the scandal. Any film about Abscam, even one as fictional as this one, needs to show bad people-- this didn't bother me. But the film so glamorized them and was all about them--and this left me flat.

A few other things bothered me a bit. First, the f-word was not THAT commonly used in the 70s like it is used today. Historically, this is inaccurate, as it was used something like 27102391294 times. Second, while I liked the period music (as well as some new music by Jeff Lynne that sounded period), it was often too invasive--like a music video.

In closing, I think if the film had never been hyped, I might have enjoyed it a lot more and scored it higher.

Frankly, the movie itself does not live up to its hype. I never was fully engaged with any character even though it takes more than enough time and delivers a tedious and often painstaking pace. Honestly, it felt to me like the film dragged and that the ending would never arrive. Even though not fully engaged and not empathetic towards any character depicted, there is enough style that I somehow cared about how the story ended. Every scene seemed to me like an exercise in an acting class. It feels like a professor took a group of talented actors and gave them this over-the-top 1970's assignment. Everyone gets an "A" because they are that good but it barely felt like a coherent film to me. It's like their assignment included constant references to try and deliver a "Goodfellas" type tone without having a script to back it up. The events of the conclusion were so easy to spot that I'm sure most everyone will see it coming a mile away.

Overall, interesting but there is far less substance than I was expecting. I have to say this was a let down.