New Look

I don't understand the negative reviews-this series is riveting. Ben Mendelson is amazing as always. I didn't know about this piece of history and it makes for some edge of your seat viewing.

The rest of the cast is great as well, especially Juliette Binoche and John Malkovich. I've never seen Juliette Binoche play a villain before, and her character is genuinely menacing. It's also refreshing to see John Malkovich play a kind hearted person.

Anyone complaining about the accents is not focusing on the story itself, which is powerful, especially as it is based in truth. I give it a solid 9/10, drama for adults.

This series gives an insight into a little explored era - the French occupation, the tug of self preservation, the desire to fight the oppression of the Nazis and the development of the haute couture designers whose brands eventually came to dominate our lives for the next 70 years. I have found it riveting. Yes, it is flawed, mainly I feel because it is covering complex pressures and it is impossible to do more than scratch the surface. The series, if one can stop being critical of superficial accents for one minute, forces one to think about what that occupation did (and the parallels we must recognise today in Ukraine). This series draws you through the rich tapestry of life, emotion, selfishness, greed, heroism, sacrifice, love, homosexuality and mostly addresses for me the very "Frenchness" of all these - yes yes, only touched upon. But sufficient for this staid Brit to want to know more. I really can't cope with the continual criticism of accents (in case you hadn't guessed). Non Europeans (especially Americans) find it difficult to face sub titles and foreign languages, and so the film makers have to compromise and decided it should all be in English, but they also have to remind viewers that this is set in a foreign country hence the attempt at accents. I think this was carried out in an inoffensive way and the plus side is that they necessarily widened their audience to those who really should watch this topic and be inspired to learn more. Although a bit disjointed - Paris and Europe was disjointed at the time - people had to make split second decisions or lose their life or livelihood. So we are treated to the roller coaster that it was - and I think that the production is well paced considering all that they had to cover by nuance and by dwelling on the points sometimes for what seems like an age. I particularly applaud the treatment of the gradual awareness of the retreat of the Nazis, the pursuit of collaborators, the depiction of Ravensbruck, the return of the few and the pressure of relatives to seek out their loved ones. I loved John Malkovich as Lelong as well as the other main and supporting characters. I forgive all the mangled French accents. I now want to know more which is what a good series should want to achieve.

I was apprehensive fur a reason after so many disappointing shows from Apple that had great cast, budget and concept but decided to do a great pilot followed by 8 episodes of side stories of little interest with a decent finale if you were lucky (For All Mankind, Foundation), this has all the production values actors but also a story that has momentum and does not feel like a slog/ getting through time wasting dialogue. Can't say how historically accurate but definitely interesting so far. Both Ben Mendelsohn and Juliette Binoche are great, sound design could be better, at some point just had subtitles instead of changing the volume all the time for too loud music/ too quiet dialogue game shows love to play.

Ben Mendelssohn and Juliette Binoche give fine believable performances in this series. As does Maisie Williams as Catherine the sister of Christian Dior. Maisie, is of course incredibly well-known from Game of Thrones. In this role she was so believable and her performance so subtle that initially I did not realise who the actress was and had assumed she was a young French actress chosen for the role. The production quality is impeccable with especially sumptuous locations. The serious is almost worth watching for that reason alone. But unfortunately this is all rather badly let down by a light treatment that too often lacks any convincing emotional intensity. As such it belongs more in the realm of escapism than the serious drama the (based on a true life) story of intense courage and love truly deserves.

Generally we get the fashion side of the minds of designers. This time we are transported to the major events in Christian Dior's life.

Acting is spot on and so is the cinematography.

Authentic feel for the resistance and Nazis as they are portrayed in a more subtle realistic way.

Bonus is Coco Chanel's big haunt. Juliette Binoche embed her so well. Kudos to her.

Ben Mendelsohn's acting is perfect and felt.

Costumes and sets historically correct.

Lighting was done in a way you feel the period.

Cinematography utilizes old and new techniques to keep you interested.

Writing keeps you engaged.

Glad this was produced with care.