Sociedad perfecta

Written and directed by Nida Manzoor, who created the brilliantly funny TV series We Are Lady Parts, Polite Society is a decidedly nutso film heavily influenced by nutso martial arts movies, among other things. The story is wild and the comedy is wacky, but it's also heartfelt, with relatable, emotionally believable characters.

This movie takes place in a world of its own, in a genre of its own, and it moves through that world with a wonderful sense of style and confidence.

I knew I wanted to see this movie when I saw who directed it, but I also knew I wanted to see this movie when I saw the trailer. The trailer is wild and funny and crazy and the movie completely lives up to it.

Highly recommended.

A lot of original films are hitting theatres lately and I am not complaining. Polite Society is one that flew under the radar for me though, as I just heard about it about a month ago. I am happy I decided to try it because it was very enjoyable. I will ultimately recommend this film throughout my review, but I have to say up front that it still underwhelmed me upon reflection. Although not completely satisfying, here is why Polite Society deserves more attention.

Ria (Priya Kansara), a young woman who is aspiring to become a Hollywood stuntwoman, makes it her mission to stop her sister Lena's (Ritu Arya) marriage. She believes that Salim (Akshay Khanna), the man she will be marrying, is hiding some big family secrets. Told through a fun visual style, Polite Society feels like it is trying to be the next Scott Pilgrim vs. The World, but it definitely falls short of that. It's a simple story of a woman trying to prevent her sister from being married, but over-the-top fist fights and science labs are also a huge aspect of this film.

As much as I loved these characters and the story at hand was well-told, the style the filmmakers were going for was not utilized enough in my opinion. For such a simple premise, the crazy sequences sprinkled throughout the film were clearly meant to be fun and overdone on purpose. Sadly, everything I saw in the trailers is pretty much all I got from the final product. It never takes this great style and amplifies it, which made it seem like they were too afraid to push it too far. I would have walked out absolutely loving this film if they decided to go all in on the over-the-top stuff.

Polite Society is a great showcase for both Kansara and Khanna. I have not seen them perform much on-screen, but I will gladly watch any project they are attached to. Their chemistry with one another was infectious and their characters were also very well-written. I commend Nida Manzoor for both writing and directing this film, seeing as I believe the story and characters were very good, but I just wish she took bigger chances visually. Due to the fact that I believe this film did not reach its fullest potential, I will not say you have to rush out and see it in theatres, but I think it is more than good enough to eventually spend your time watching it once it is streaming. Polite Society is now playing in theatres.

Polite Society

The title gives no clue to the great comedy romp this movie turned out to be, it was great from start to finish with some great acting, great action sequences, stolen from crouching tiger hidden dragon and great characters.

The school scenes were my favourite bits, clearly a very nice private girls school with the usual set of swats, bullies and disciplinarian teachers crushing dreams to left and right. My second favourite bit was a gym sequence it was inspired.

I loved the music the camerawork and the crisp editing, it is very difficult to find many faults so I just won't,

I'm giving this a firm 8 outta 10, it was so good I watched it twice.

A future beckons as a stuntwoman on the screen, you practice hard, you are determined and you're mean, enter stage left, an adversary, distracts your focus as he'll marry, your sister Lena, this is something unforeseen; as she had planned to be an artist and be free, an independent minded woman without decree, now Salim has left his mark, plus there's a feisty matriarch, stands in the way of the great futures, that could be; so you hatch a plan to sabotage the pairing, with assistance of two friends and lots of daring, making discoveries that alarm, that make you struggle to be calm, most of the time you feel especially despairing.

Priya Kansara is outstanding as Ria as she attempts to scupper her sisters marital arrangement.

Greetings again from the darkness. If you have ever wondered what it might look like if Quentin Tarantino consulted on a modernized Pakistani version of Jane Austen ... well, writer-director Nida Manzoor shows us (with no actual assistance from QT), including stylized martial arts, class warfare, and an obsession with a stuntwoman career. It's Ms. Manzoor's first feature film (she created the TV series "We are Lady Parts") and she presents an extremely creative film with a balance of silly and dark themes that proves immensely entertaining.

Relative newcomer Priya Kansara stars as Ria, a private school student highly determined to achieve her goal of becoming a working stuntwoman. She remains laser-focused on this despite her teacher and parents laughing off such nonsense and re-directing her towards becoming a doctor. Ria also adores her older sister Lena (Rita Arya), although worried about her since she recently dropped out of art school and seems to be rudderless in life.

Things change quickly for everyone once rich mama's boy/doctor Salim (Akshay Khanna) begins courting Lena. Ria senses things aren't right with the relationship and is also convinced that Lena should resume her dreams of being artist, rather than being pursued by the handsome, rich, too-good-to-be-true suitor. Ria and her best friends Clara (Seraphina Beh) and Alba (Ella Bruccoleri) scheme to undercut the relationship, but they are no match for Salim's mother (a terrific Nimra Bucha), who sports the best evil Grinch grin you've ever seen.

Director Manzoor divides the film into five chapters: A tale of two sisters, EID Soiree, Operation Wife Hunter, Assault on Shah mansion, and The Wedding. Each chapter offers comedy and action, and a matching of Ria's wits and instincts against the plans and beliefs of others. Ms. Kansara impresses as an upstart female Jackie Chan with superior acting chops. She executes the physical martial arts sequences beautifully, yet also shows promise in the quieter, more intimate moments when emoting and dialogue matter. She is certainly one to watch ... as is filmmaker Nida Manzoor. Anyone who can entertain at this level deserves the opportunity to do so as frequently as possible.

Opening in theaters on April 28, 2023.