The Ties That Grind
- El episodio se transmitió el 21 ago 2025
- TV-MA
- 44min
CALIFICACIÓN DE IMDb
8.0/10
4.8 k
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Ver The Superman Cast Plays "How Well Do You Know Your Castmates?"
Peacemaker entrevista para Justice Gang mientras Harcourt busca trabajo tras las revelaciones de Adebayo. Economos vigila a Peacemaker bajo el mando de Flag Sr.Peacemaker entrevista para Justice Gang mientras Harcourt busca trabajo tras las revelaciones de Adebayo. Economos vigila a Peacemaker bajo el mando de Flag Sr.Peacemaker entrevista para Justice Gang mientras Harcourt busca trabajo tras las revelaciones de Adebayo. Economos vigila a Peacemaker bajo el mando de Flag Sr.
Juan Carlos Flores
- Hugo
- (as J. Carlos Flores)
Opiniones destacadas
Episode 1 delivers all the over-the-top absurdity fans expect, but it also digs deeper into character and emotion showing the series has grown rather than just repeating itself.
Peacemaker season 2 complete the missing dots on what canon/non-canon with great performance from John Cena. It's enjoyable, funny, heartfelt, and brutal. 🔥
Peacemaker season 2 complete the missing dots on what canon/non-canon with great performance from John Cena. It's enjoyable, funny, heartfelt, and brutal. 🔥
I was all in for this episode. They had a funny beginning. They did a good job explaining things and incorporating James Gunns universe. It was funny but then they threw in the orgy scene. It just seemed very sloppy and it was a weird cut in. It threw me out of the story and they didn't explain it at all. It took me till the very end of the episode to get back into the story. The bar fight scene wasn't good either. Big bad guys drinking bud light?! Don't forget to say it and show the label. Loved the stuff with his dad and brother. That was great. Not a very good start but decent.
They made tweaks and fixes but honestly it didn't feel like much really changed. One thing that bothered me was how forced some of the jokes felt, like they were just thrown in rather than flowing naturally. Still I'm excited to see where things go next and curious about what new characters might show up.
With the establishment of the new DC Universe under James Gunn and Peter Safran came inevitable questions regarding the integration of earlier properties. It was widely speculated that characters such as Peacemaker-and others shaped by Gunn in the previous continuity-would reappear, but the uncertainty lay in the manner of their incorporation. The arrival of the new season of "Peacemaker" provides a definitive, and perhaps surprising, answer to that question. If its first episode is any indication, the series remains as irreverent, incisive, and sharply attuned to its satirical edge as ever.
It was widely anticipated that James Gunn would explore the multiverse in this series, a prospect that generated considerable speculation. Yet Gunn deftly subverts expectations by employing the multiverse not as an external, genre-driven spectacle but as a narrative device aligned with Chris's internal conflict. Rather than unfolding on a cosmic scale, it is filtered through a personal lens, which deepens the emotional trajectory Chris undertakes across the season. This focus on interiority highlights the show's deeper struggles, with Gunn's script laying substantial groundwork in charting the emotional turbulence of multiple characters, most notably Chris and Emilia Harcourt. Each figure is introduced at a distinct juncture in their life-some more reconciled to their circumstances than others-creating fertile ground for compelling character development in the episodes to come. Despite this introspective dimension, the show retains Gunn's trademark irreverence, balancing sharp satire with genuine heart. Its humor and tonal playfulness coexist with sequences of dynamic action, particularly a climactic confrontation between Chris and an unexpected adversary. Just as notable is the series' integration into the broader DC Universe. While certain elements of continuity necessitate retconning, Gunn approaches these adjustments with a cleverness that minimizes potential inconsistencies. Finally, the series' opening audition scene stands out as a showcase of Gunn's precision, immediately establishing character dynamics with wit and clarity.
"The Ties That Grind" inaugurates a new chapter for the skilled marksman, one that is not only exhilarating but also deeply rooted in internal conflict. The narrative demonstrates a sophisticated engagement with the multiverse, deploying it with intelligence rather than excess, while also situating the series firmly within the DC Universe through deft retconning and a thoughtful integration of the franchise's central thematic concerns.
It was widely anticipated that James Gunn would explore the multiverse in this series, a prospect that generated considerable speculation. Yet Gunn deftly subverts expectations by employing the multiverse not as an external, genre-driven spectacle but as a narrative device aligned with Chris's internal conflict. Rather than unfolding on a cosmic scale, it is filtered through a personal lens, which deepens the emotional trajectory Chris undertakes across the season. This focus on interiority highlights the show's deeper struggles, with Gunn's script laying substantial groundwork in charting the emotional turbulence of multiple characters, most notably Chris and Emilia Harcourt. Each figure is introduced at a distinct juncture in their life-some more reconciled to their circumstances than others-creating fertile ground for compelling character development in the episodes to come. Despite this introspective dimension, the show retains Gunn's trademark irreverence, balancing sharp satire with genuine heart. Its humor and tonal playfulness coexist with sequences of dynamic action, particularly a climactic confrontation between Chris and an unexpected adversary. Just as notable is the series' integration into the broader DC Universe. While certain elements of continuity necessitate retconning, Gunn approaches these adjustments with a cleverness that minimizes potential inconsistencies. Finally, the series' opening audition scene stands out as a showcase of Gunn's precision, immediately establishing character dynamics with wit and clarity.
"The Ties That Grind" inaugurates a new chapter for the skilled marksman, one that is not only exhilarating but also deeply rooted in internal conflict. The narrative demonstrates a sophisticated engagement with the multiverse, deploying it with intelligence rather than excess, while also situating the series firmly within the DC Universe through deft retconning and a thoughtful integration of the franchise's central thematic concerns.
I had to turn it off at this point. It was so bad. I absolutely loved the first season, so I will try again with this one. But man, that was painfully bad.
You could tell the script wasn't fully fleshed out yet, and Cena and Holland were just improving because neither one was acting naturally or responding normally.
You could tell the script wasn't fully fleshed out yet, and Cena and Holland were just improving because neither one was acting naturally or responding normally.
¿Sabías que…?
- TriviaAs Peacemaker heads into the Justice Gang auditions, a woman in a rabbit-themed costume walks out crying. This is White Rabbit, a.k.a., Jaina Hudson, an enemy of Batman, capable of splitting herself into two different people; socialite Jaina, and criminal, White Rabbit.
- ErroresOne of Emilia Harcourt's overdue invoices is marked with the logo of the "Watershed Deptartment", incorrectly spelling "department". This could be explained in-universe however as a common printing error.
- Citas
Hawkgirl: How'd I get stuck with this job? Lord:
Maxwell Lord: You're the only one whose handwriting is legible.
- ConexionesReferences Cuentos de la cripta (1989)
- Bandas sonorasOh Lord
(uncredited)
Written by Eric Nally, Loren Turner, Sky White, Daisy Caplan, Alex Nauth and Thomas Pridgen
Performed by Foxy Shazam
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Detalles
- Tiempo de ejecución
- 44min
- Color
- Mezcla de sonido
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