CALIFICACIÓN DE IMDb
6.6/10
14 k
TU CALIFICACIÓN
Una mujer francesa que aun lamenta la muerte de su marido, fallecido hace tres años, es cortejada por un compañero de trabajo sueco.Una mujer francesa que aun lamenta la muerte de su marido, fallecido hace tres años, es cortejada por un compañero de trabajo sueco.Una mujer francesa que aun lamenta la muerte de su marido, fallecido hace tres años, es cortejada por un compañero de trabajo sueco.
- Premios
- 1 premio ganado y 3 nominaciones en total
Alexandre Pavloff
- Benoît
- (as Alexandre Pavloff de la Comédie Française)
Bénédicte-Lala Ernoult
- L'ouvreuse du théâtre
- (as Bénédicte Ernoult)
Åsa Verdin Källman
- La mère de Markus
- (as Asa Verdin Kallman)
Opiniones destacadas
This film achieves something that a heck of a lot of films, particularly romantic comedies, get wrong.
It captures that feeling of two people messily entering into a relationship. The initial joys and awkwardness. The moments of fright when it all seems overwhelming. The calm reflective times and the stormy moments of doubt.
After a shaky start, the film blossoms into a refreshingly cliché free study of a beautiful woman impulsively starting a relationship with a shy, ungainly, but good natured man. It's his goodness that comes through. He wins out over the slick womanisers through sheer innocent charm and a desire to do good.
A heart warming film about the need to love fearlessly and without following the crowd and of taking happiness where it's found.
It captures that feeling of two people messily entering into a relationship. The initial joys and awkwardness. The moments of fright when it all seems overwhelming. The calm reflective times and the stormy moments of doubt.
After a shaky start, the film blossoms into a refreshingly cliché free study of a beautiful woman impulsively starting a relationship with a shy, ungainly, but good natured man. It's his goodness that comes through. He wins out over the slick womanisers through sheer innocent charm and a desire to do good.
A heart warming film about the need to love fearlessly and without following the crowd and of taking happiness where it's found.
"Delicacy" works because Audrey Tautou is so amazing to watch. From the moment the film zoomed in on her pitch perfect classical pretty look, the film set its tone. However the part of the film that made it spectacularly brilliant is the final quadrant. Just when you feel the film moves toward melodrama, it turns over in full circle and finally laughter filled the cinema screening. The awkward moments became funny spots and the effortless unlikely romantic companion in Swedish François Damiens is as funny as Hong Kong's iconic Lam Suet. "Delicacy" is film that starts off sweetly, then bitterly and in the end unlikely and delightfully.
Audrey Tautou is simply stunning to watch. Not unlike Audrey Hepburn, they can do nothing and just frankly filled with close up shots and you will still be captivated. Her ability to own the screen is simply a pleasure to watch. Whether she is sad, happy, shocked or even random, Audrey can seamlessly connects with the audience at its very core. Equal to the task is the scene stealing Swedish co-worker François Damiens. Their romantic chemistry does not crash any computer screen, but there is something about them that makes then a couple to root for. His comedic timing is just absolutely "laugh out loud" moments. In fact, there was a time in the film when I uncontrollably laughed out loud and resulted in several turning heads and looks. However it was all worth it.
All in all, "Delicacy" is really one of the lightest hearted melodramatic yet romantic comedies of the year. It is one of those delightful films that are best served after a long day at work where you can sit back and appreciate the beauty of Paris and Ms Audrey Tautou. Ever since Woody Allen's "Midnight in Paris", I have placed the city on top of my list and after "Delicacy", I can only say that love is not just a four letter word. A highly enjoyable bittersweet rom-com
Neo rates it 8.5/10
Audrey Tautou is simply stunning to watch. Not unlike Audrey Hepburn, they can do nothing and just frankly filled with close up shots and you will still be captivated. Her ability to own the screen is simply a pleasure to watch. Whether she is sad, happy, shocked or even random, Audrey can seamlessly connects with the audience at its very core. Equal to the task is the scene stealing Swedish co-worker François Damiens. Their romantic chemistry does not crash any computer screen, but there is something about them that makes then a couple to root for. His comedic timing is just absolutely "laugh out loud" moments. In fact, there was a time in the film when I uncontrollably laughed out loud and resulted in several turning heads and looks. However it was all worth it.
All in all, "Delicacy" is really one of the lightest hearted melodramatic yet romantic comedies of the year. It is one of those delightful films that are best served after a long day at work where you can sit back and appreciate the beauty of Paris and Ms Audrey Tautou. Ever since Woody Allen's "Midnight in Paris", I have placed the city on top of my list and after "Delicacy", I can only say that love is not just a four letter word. A highly enjoyable bittersweet rom-com
Neo rates it 8.5/10
- www.thehkneo.com
This is a much better film than has been generally recognized. Props to Tatou for choosing this project. It is not a romantic comedy, though there are many occasions for laughter. It is about love and loss, grief and healing. Maybe even more, it is about our culture, whose pervasive artificiality and interpersonal politics need to make real things seem weird and out of place. There is a Bergmanesque (eg: 'Swedish') subsurface to this light-footed film. As you watch it, consider the fates Tatou's character avoids by rejecting each invitation to 'normalcy'...
The film is beautifully shot, colored, and lit. The script is marvelously economical: every line is necessary. Finally, the music is ideal for allowing the intentions of the filmmaker to sink in.
The film is beautifully shot, colored, and lit. The script is marvelously economical: every line is necessary. Finally, the music is ideal for allowing the intentions of the filmmaker to sink in.
Some movies are best seen in their original language without subtitles, some dubbed in your own language and some just with subtitles. La Delicatesse is a film which should be seen in French without subtitles which is how it impacts the viewer most. And rather than the 6 it gets on average rises to a more deserved 8.5 IMO. Romantic comedy for those in need of love. Works if you're in or out of a relationship. I still don't get the reason Nathalie kisses Marcus but everything after that makes sense, even feels very realistic as I can associate with most of the elements of the central theme of the movie, from Marcus's point of view to her boss's point of view having encountered both situations. The film is sweet and carries you on a dream, but isn't this what films are best for? Makes very nice viewing on cold winter nights.
I watched this at a community arts centre, as part of their film season and where a mixture of mostly younger couples and women of all ages on their own were in attendance. I was the only bloke on my own.
Now, many enjoy a romantic film; generally, I don't. Audrey Tautou was definitely the selling point for me. I'm sure a good number will find Delicacy a delightful film, full of life's quirks and nicely Gallic, too.
Unfortunately, most of the scenes are in and around the workplace, the direction is boring and the camera-work often rather lazy. And, the film is getting on for being seriously long - 108mins for a rom-com is pushing it a bit.
Thankfully, the characters are rather more interesting with our lovely Tautou generally rather underplaying her lead role and came across as being slightly disinterested, though this may have been intentional. There are a couple of scenes that she acts masterfully, though and these help keep us interested.
The scenario goes something like this - Nathalie (Tautau) is distraught when her perfect life partner tragically dies. To distract her grief she throws herself into her work as a middle-manager (a law firm, I think), but still she dwells on her loss. One day, she literally throws herself at balding and rather gangly Swede Markus (Francois Damiens) who understandably, cannot believe his luck. She initially denies that she had any reason do have done that but tentatively, they become closer. Getting others - her friends, parents and workmates to take Markus seriously then becomes the thrust of the film.
It's quietly affecting and amusing, certainly not laugh-out-loud and will be too subtle and slightly off-key for those who only really go for blatant and brash U.S rom-coms. Better seen (I'm sure) as a couple and even more so if that couple are 'together' Delicacy offers some quirky embellishments to add a touch of magic as well as a story that is slightly different. However, as I have said, much of that was wasted on me but I'm still fairly glad that I saw it but I fear, it will fade from my memory rather fast.
Now, many enjoy a romantic film; generally, I don't. Audrey Tautou was definitely the selling point for me. I'm sure a good number will find Delicacy a delightful film, full of life's quirks and nicely Gallic, too.
Unfortunately, most of the scenes are in and around the workplace, the direction is boring and the camera-work often rather lazy. And, the film is getting on for being seriously long - 108mins for a rom-com is pushing it a bit.
Thankfully, the characters are rather more interesting with our lovely Tautou generally rather underplaying her lead role and came across as being slightly disinterested, though this may have been intentional. There are a couple of scenes that she acts masterfully, though and these help keep us interested.
The scenario goes something like this - Nathalie (Tautau) is distraught when her perfect life partner tragically dies. To distract her grief she throws herself into her work as a middle-manager (a law firm, I think), but still she dwells on her loss. One day, she literally throws herself at balding and rather gangly Swede Markus (Francois Damiens) who understandably, cannot believe his luck. She initially denies that she had any reason do have done that but tentatively, they become closer. Getting others - her friends, parents and workmates to take Markus seriously then becomes the thrust of the film.
It's quietly affecting and amusing, certainly not laugh-out-loud and will be too subtle and slightly off-key for those who only really go for blatant and brash U.S rom-coms. Better seen (I'm sure) as a couple and even more so if that couple are 'together' Delicacy offers some quirky embellishments to add a touch of magic as well as a story that is slightly different. However, as I have said, much of that was wasted on me but I'm still fairly glad that I saw it but I fear, it will fade from my memory rather fast.
¿Sabías que…?
- TriviaDavid foenkinos, the author of the novel, appears in 38th minute, being the first man descending the public stairs.
- Citas
Markus Lundl: Elle me permet d'être la meilleure version de moi même.
[She let me be the best possible version of myself]
- ConexionesFeatured in Maltin on Movies: The Cabin in the Woods (2012)
- Bandas sonorasMon Chevalier
Written and performed by Émilie Simon
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- How long is Delicacy?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- EUR 7,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 498,584
- Total a nivel mundial
- USD 11,597,420
- Tiempo de ejecución
- 1h 48min(108 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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