Moon Garden

A cinematic blend of 90s rock music videos, offbeat horror, and contemporary video art, Moon Garden is a mind-bending visual feast that will leave you questioning reality.

As a seasoned film critic, I have had the privilege of witnessing a vast array of cinematic experiences. However, rarely do I encounter a film that so profoundly transports me to another realm, challenging my perceptions and igniting my imagination. Moon Garden, the directorial debut of Ryan Stevens Harris, is one such extraordinary cinematic gem.

From the opening sequence, I was captivated by the film's unique fusion of visuals and sounds, reminiscent of the experimental video art that captivated me during my formative years. The narrative follows the journey of Haven Lee Harris, a young woman who finds herself trapped in a surreal and enigmatic world following a tragic car accident. As she navigates this dreamlike landscape, she encounters a series of bizarre and unsettling characters, each encounter further blurring the lines between reality and illusion.

Haven Lee Harris delivers a tour-de-force performance, embodying the protagonist's emotional turmoil with profound authenticity. Her portrayal of Haven's vulnerability, fear, and unwavering determination is nothing short of mesmerizing, anchoring the narrative and leaving an indelible mark on the viewer.

The film's visuals are equally captivating, with Harris employing a masterful blend of techniques to create a truly immersive experience. From slow-motion shots that capture the intricacies of Haven's expressions to distorted soundscapes that heighten the atmosphere of unease, the film is a sensory overload that demands the viewer's attention.

Beyond its captivating visuals and sounds, Moon Garden delves into profound themes of identity, loss, and the very nature of reality. Harris refrains from spoon-feeding these themes to the audience, instead inviting viewers to embark on their own personal interpretations. This open-ended approach adds an extra layer of intrigue to the film, encouraging multiple viewings and fostering thought-provoking discussions.

While Moon Garden may not be for the faint of heart, its challenging and often disturbing nature is precisely what makes it so compelling. It is a film that pushes boundaries, forces introspection, and lingers long after the credits have rolled. For those seeking a cinematic experience that transcends the ordinary, I wholeheartedly recommend Moon Garden.

P. S. I really hope that a Blu-ray release of the film is coming soon, because I would love to own a copy of this masterpiece.

If you have been diagnosed with epilepsy or have ever had a seizure induced by strobe lights, this is NOT FOR YOU. If the idea of that is disturbing for you, even though you are not epileptic, this is NOT FOR YOU. The cinematographer was given the leeway to produce a film that is consistently jarring, from the moment the audience enters the 'fantasy world' - the film style flashes.and jumps in absurdly rapid stop motion. Used more sparingly, this could have been effective as a scare tactic, but as it is, it is over-utilized, hard to watch and ruins the experience. Further, the production values are such that portions of the fantasy world feel as though (and probably were) filmed in someone's basement, with discarded hot water heaters and the like used to create monsters, some of it I believe was actually the filming of some kid's diorama project; even for an Indie film, this feels low end, like a first time passion project, rather than a professional film.

All of that said, the young actress is phenomenal, showcasing a sense of wonder, even among the horror elements and carries the film, but could carry a good film with a stronger script and production. The very picture of innocence, in stark contrast to just about everything else portrayed. The mother is also absolutely terrifying, even when it's not the intention of the scene. The fantasy world actors surpass expectations, but...

I would avoid this director and the mother actress again at all costs. The last few minutes are an uplifting redemption arc for the film, but it's too little, too late, in terms of quality.

'Moon Garden' is a unique and beautiful movie. Sadly, viewers who don't have an active imagination will never understand it. 'Moon Garden' is a sublime metaphorical visualization of thoughts, memories and events - from a child's perspective.

'Moon Garden' tells the story of 5-year old Emma (brilliantly portrayed by Haven Lee Harris). One night, when she tries to stop her parents (played by Augie Duke and Brionne Davis) from fighting again, she slips and falls down the stairs, leaving her in a coma. Whilst in this state, she enters the Moon Garden. Doctors fighting for her life, become part of her unconscious mind in the most surreal manner. The visuals, make-up and practical effects are stunning, brought to life by excellent stop-motion photography.

This was a very demanding role for Haven Lee Harris and throughout the film her performance never ceased to amaze me. This little girl is given so much to do and she excels in every scene.

The film literally is the stuff nightmares are made of. It reminded me of a mix between 'Pan's Labyrinth', 'Rigor Mortis', and especially 'Imaginaerum', a film that shares a similar premise about a man suffering from dementia. Despite the bizarre imagery and somewhat weird narration, 'Moon Garden' is also an emotionally charged film - if you are able to interpret it, that is. This is a modern fantasy horror masterpiece and quite frankly one of the most amazing films I've seen lately. I feel so sorry for those who don't understand the film...

'Moon Garden' has to be seen to be believed! Every frame of every scene is perfection. The inclusion of Harry Nilsson's 'Without You' added a magical, yet emotional touch. 'Moon Garden' is an instant favourite.

This was a wild and beautiful fever dream that gave me an amalgamation of vibes reminiscent of Pans Labyrinth, The Evil Within and Silent Hill. I've had this movie on my radar for at least the past year or so, so I was pleased to sit down and finally give it a view.

While we got our 2 base storylines down - the real world physical and emotional trauma and then the fantasy manifestation of said traumas... otherwise, there wasn't all too much else that satiated my desire for a substantial plot or storyline. I felt like I was really missing a "tale" more than "trying to get home" that I was really wanting. I felt it leaned more towards the cerebral side with a plethora of metaphors, symbolism, allegories and a general "artsy-fartsy" take. On one hand, this added to the beauty, chaos and dream like state of confusion. On the other hand, it left me a little wanting and looking for something to cling my attention onto to stay engaged.

And yet, at the same time it was impossible to look away from the screen. This movie was a literal visual feat. I mean, this was pretty next level. The visuals, imagery, concepts, effects, sets and props and so much more really took up for a lot that I felt was missing. As stated, it is certainly reminiscent of things, but I'd dare to say you have never seen anything that is quite exactly like this before.

I don't know if it was the platform I was viewing this on or a stylistic choice or what but there were continual fade to black cuts as if they were cutting to a commercial that were very odd. It almost gave me a sense of nostalgia but primarily were distracting. Also the acting here was a bit distracting as well. Not the worst I've ever seen but not my favorite. However, shout out to the princess, she gave a lovely monologue.

All in all this was a very intriguing and unique experience. I don't think this will be everyone's cup of tea and will certainly be polarizing for people... but good art always is. I would encourage you to give it a shot. 6.5 rounding up to a 7, would recommend.

At the time I first viewed it, this movie had the rating of 6. I was taught by experience not to trust IMDB ratings too much, as some highly rated movies turned out out to be huge disappointments, and many low-rated ones turned out to be instant classics in my book. However, most of the time, the low-rated movies have some flaws that most people tend to overstate, hence the poor rating. Naturally, I expected this to be the case with this one as well.

I guess the thing the audience didn't like was the fact that there's very little actual storytelling and most of the movie comes to the captivating visuals and the actual feelings they evoke in the viewer. We, the audience, have some knowledge and expectations that the little girl who serves as the main character doesn't, but the movie still manages to surprise us both. Its quality, however, is more hypnotic than revelatory, reminding of Lynch, Tarkovsky and similar artists, or better yet, the more surreal aspects of the likes of Tarsem or Kubrick.

Underneath it all, there is some important message, all of these apparent fever dreams actually filled with symbolism and meaning, and even some things that we don't immediately recognize will soon be explained through the little girl's memories and make more or less sense. Haven Lee Harris is extremely talented for a girl of her age and if this movie gets the recognition it deserves, she will be a star someday, and the same obviously goes for her father, the director of this masterpiece.

All in all, this is as much as I can say without actually spoiling the whole thing. To everyone who likes to see the captivating visuals of a little girl's dream world, who doesn't mind a little touch of dread spread throughout the movie, and has at least a little bit of imagination and understanding, I strongly recommend this movie.