Miente Conmigo

Writer Stéphane Belcourt (Guillaume de Tonquédoc) has been suffering from a bit of a creative block when he agrees to return to his childhood home to do a presentation for it's legendary cognac producer. Somewhat disinterested in the whole affair he is greeted by the effusive "Gaëlle" (an increasingly scene-stealing Guiliane Londez) who races around ferrying him from pillar to post in quite a frenetic fashion. Quite by chance, there are some visiting Americans at the vineyard and they are being guided by "Lucas" (Victor Belmondo). The latter man has a surname that triggers memories in the former and now we are taken on a parallel tracked story that illustrates forbidden (first) love from 1984, and offers a shot at redemption for both the younger and the older man. The story is gently paced and the acting - especially from Jérémy Gillet as the author in his younger years - is really quite potent. The story of bigotry and conformity - and the lifelong ramifications for all concerned of fear and shame is played out stylishly and set against a backdrop of conflicted history. A community that lives it's life largely as it makes it's luxury "elixir" - in a time honoured fashion - finds that perhaps the best from that time has now passed. As I watched, I couldn't help wonder just how many people actually lived their lives like this - stuck with an opportunity-free rural existence amongst a gene pool of relationships that was never going to satisfy those more creative, imaginative and , of course, gay who emerged! This is well worth a watch - and Belmondo is a dead ringer for his grand-father too!

I liked the novel and its adaptation was more than a beautiful surprise. First , because the book offers raisons of non adaptation. It seems the story of intense youth , very personal for viewer , who can be only discovered, page by page , as personal in some measure.

But the film has the gift to represent more than an inspired adaptation.

First, it is the merit of actors, offering a profound seductive experience.

Second, the virtue of script.

Not the last, the feeling of dialogue and precise definition of states , vulnerability.

A famous writer returns to the homeplace. The son of his love from high school is one of his hosts , in kind way. And the past, near the missing periods are one.

In short , a film for who is very easy - and fair to just grateful.

It's hard to eplain why this movie works. The theme is hardly original as is the plot, but the way this is told is just magnificent, and the acting is brilliant all across the board.

It takes a certain kind of restraint from a filmmaker to tell a small story so tenderly and moving without going for gut punching tearjerking moments. But that is exacty what is on display here. The feelings are real, the emotions run deep, but the actors deliver it all delicate and beautiful.

The 'older' cast is wonderful, the 'son of' is great to look at but the joy of teenage love in the flashbacks and the actors portraying it make this movie a triumph.

"Lie With Me" presents to us a moving tale of first love, secret love and lost love.

On the other hand we also get to see a story about finding out the true character and personality of the ones close to you and also about being honest and candid to yourself. At the core of this picture stands the beautiful and complex acting performance of Guillaume de Tonquedec as the shy and introverted writer Stéphane, who has been and still is openly gay. As a parallel to his character serves Thomas - his first lover - who was in contrast to Stéphane the "popular kid" at their high school but was ashamed of being attracted to a man and as we learn throughout the film - was still ashamed to his dying day. Eventhough this dynamic might seem as a cliche (the "shy character gets secrestly together with the extroverted one") "Lie With Me" provides an interesting take on this genre with its use of queer characters and the fact that Thomas is struggling with his sexual orientation mostly because of himself and his own inner fights (not because of what people around him would think).

I must also mention the simple yet effective way the script was constructed in and also the splendid soft and charming music score.

A successful French writer reluctantly accepts an invitation to pay an official visit to a small town where he spent his youth and where he fell in love for the first time. The more sour he looks about the whole experience, the more we understand that his love story back then was an unhappy one, and little by little we are given more details about what happened and why. This gradual narration travels back and forth in time and reveals very personal secrets of the characters, and before long we are introduced to what it all revolves around: shame. We are slowly shown how it presents itself inside and outside of a person, how it eats, erodes a person unmistakably destroying their entire life. We are also reminded that shame is an internal feeling but caused by external factors, which gives a lot of food for thought in the context of this film.

A wonderful screen adaptation of a novel. A delicate yet confident description of shame and its horrible consequences. Therapeutic. Eye-opening. Heart-warming.