Pearl

Extremely entertaining throwback-appearing (think old Hollywood cinematography and score) blood-soaked origin story of a girl with big dreams. After hints of malevolence, a chain of circumstances and events leads Pearl down a dark path.

The key here is Mia Goth's performance. One minute she comes across as a sympathetic character, the next she is beyond creepy, and there are still times in this film with laughter interspersed between moments of horrific violence. Perhaps the best moment in the film is a monologue that is best described as otherworldly. Really good watch, tremendous performance.

Pearl (2022) is a movie my wife and I saw in theatres last night. The storyline follows a young lady in 1918 who lives on a farm with her handicapped father and over burdened mother and whose husband is off at war. The young lady has delusions of grandeur and feels she should be a movie star and far away from her farm. Her family needs her to stay and help with chores and keep them alive. When there's tryouts for a traveling dance team she plans to audition whether her family wants her to or not.

This movie is directed by Ti West (Them) and stars Mia Goth (A Cure for Wellness), David Corenswet (The Politician), Emma Jenkins-Purro (The Brokenwood Mysteries), Matthew Sunderland (The Lost City of Z) and Tandi Wright (Jack the Giant Slayer).

The cinematography in this movie is outstanding, as is the attire, depiction of the era and the performance of Mia Goth (who co-wrote and produced this movie with West). This is more of a character piece with horror elements than a traditional horror movie. There's elements that worked for me and scenes that left me scratching my head. I will say I was very frustrated watching this movie. Every scene with the alligator was awesome. There's a pitchfork scene, fight with the mother and explosion I adored. The father was also a solid, creepy character (the bath scenes made me cringe). However, the movie feels like it is trying too hard to prove Pearl is insane. The scarecrow scene felt rediculous and didn't work for me. How people reacted to her behavior at times felt off (they tolerated her uncomfortably long). The monologue scene was great acting but felt unrealistic from the sister in-law's perspective. The ending was sudden and I wanted more.

Overall, there's things to like about this movie and components that dragged and was overdone. I would score this a 5.5/10 and recommend seeing it once.

Pearl should be praised for its visual presentation. It likens itself to that of Wizard of Oz and movies of that time, and very faithfully sticks that overall aesthetic. I also really loved the political undertones of the war and the Spanish Influenza and their influences, but not much else can be said to praise. Mia Goth is amazing as usual, and Ti West continues to prove that he is a talented voice behind the camera. The same can't be said for the writing and pacing.

In the end, it just felt very dragged out and extremely predictable. I get that it's a prequel, but nothing felt shocking or surprising. It just felt...boring, which is more of a sin than anything for a "horror" movie. I wasn't too crazy about X either. I'm glad Ti is getting the attention he deserves, and I am looking forward to see what he does next with this trilogy in Maxxxine, but I was very disappointed with Pearl. Horror is best when you go all out. This one felt very safe.

If you're looking for something exciting and unpredictable, go see Barbarian.

Pearl is an absorbing character study of a woman who mentally and emotionally unravels, leading to devastating effects for those closest to her.

It is a well crafted story, cleverly peeling back the character of Pearl and providing a great contextualisation to the events of Ti West's X. That being said it totally stands up as a film in its own right for those who haven't seen X.

The highlight is the leading performance from Mia Goth. I just can't get over how good she is as Pearl. She is utterly compelling and gives one of the most intriguing and punchy performances I've seen. She is undoubtedly a star and is now one of those actors whose films I will always seek out as I know I'll be getting a magnetic performance. It shouldn't go unmentioned that the supporting cast (limited as they are) are all terrific, but this is Goth's show from start to end.

Ti West puts such a distinct and vibrant stamp on this film, he really directs the hell out it. It is visually arresting with a vivid colour palette and a retro, period feel to it all that works so well. Simply put I just loved looking at every second of this film. The music as well is superb. It sets the tone for the whole thing perfectly.

Ti West is well on his way to creating not only one of the best horror trilogies of all time, but perhaps one of the greatest trilogies full stop.

"Pearl" is Ti West's followup to the 1970s-set "X", which serves as an origin story for that film's villain. It focuses on her life as a lonely and whimsical young woman who feels stifled by her obligations caring for her family in 1918 Texas while her husband serves in World War I. Pearl's only outlet is the local cinema, where she is invigorated by the glamour of motion pictures and dreams of being a star. Pearl's longing for a more thrilling life--along with some ostensibly psychological predispositions to insanity--drive her to do some unspeakable things.

Though branded as a "Technicolor slasher" of sorts, "Pearl" is, in truth, more of a twisted psychological family drama, and a character study of a deeply sad outsider who feels her life is slipping away from her; her dreams, desires, and impulses out of reach due to her circumstances. This theme was tapped upon in "X", which showed the character at the end of her life, and this exploration of where she came from is demented and poignant by turns. The film is notably effective because this existential theme is one that is endemic to being a human--a fear for many that, no matter where we are in our lives, is ever-present--all of the "what-ifs", the mourning of "lost" time, and even worse: the possibility that where we are is in fact where we belong.

This film would not work without Mia Goth's performance, which is truly remarkable. Here, she portrays an outsider anti-hero that is steeped in nuance and conflicting character traits (and flaws). Her ennui and sadness is empathetically played, and one can sense that Goth herself, on some level, identifies with Pearl's pain. She lends the role a potent mixture of naiveté, delicateness, and pure, murderous rage. While Pearl is all of these things, she is also none of them entirely, and thanks to Goth's performance (and the screenplay, which she had a hand in co-crafting with West), the character emerges as multilayered and human despite her propensity for evil. Encircling Goth is a solid supporting cast who are all capable of meeting her intensity with varying degrees of bewilderment, disgust, and sheer terror.

"Pearl" does indeed edge into slasher territory in its third act, and the film as a whole is a visual feast--garishly colorful, and tipping its hat to a number of films. "The Wizard of Oz" is an obvious cornerstone, but there are visual and symbolic nods to "Repulsion" and, even more heavily, Frederick Friedel's obscure farm-set "Axe", another film that follows a mysterious (and murderous) young woman caring for her infirm grandfather on a rural farm. As with "X", West uses these influences smartly without browbeating the audience or pushing the film's content over the edge into pure pastiche, and the film downshifts in its denouement in a way that is unexpectedly touching, despite all the spilt blood and entrails.

As a companion piece to "X", "Pearl" may leave some fans of its predecessor underwhelmed, largely because it is so tonally different and not the conventional "slasher" film that might be expected. However, as a nuanced character study of a budding serial killer, it could not possibly be any better. "Pearl" stands tall as a disturbing and strangely heartbreaking portrait of a person who, upon finding that her search for meaning and validation from others leads her nowhere, is then only capable of destroying them. 9/10.