Good Vibrations

'It didn't matter what color your hair was, or whether you were a Protestant or a Catholic, it just mattered that you were a punk.' This was and probably still is the motto in life of Terri Hooley, the man who inspired the film Good Vibrations directed by Lisa Barros D'Sa and Glenn Leyburn, whose screening was occasioned by the British film festival.

We are introduced in the atmosphere of the 70s by a number of newsreels of the period. While the flower power, pop, hippie movements were winning over much of the world with their message of peace and non-violence and with their music times were tough for Northern Ireland where the religious conflict entered in a violent phase which was going to leave more then 3000 people dead on all sides. Terri Hooley comes from a political involved family, his father was an idealistic Communist, and Terri loses an eye as a kid in a hate act. His great passion is however music, and with music he tries to bridge the gaps between communities, to bring together people around good and beauty, to what should be normality in a world of conflict and violence. And then the opportunity shows up, as he discovers the young people trying to escape the constraints of the society but also of the conventional culture and express themselves and their feelings in in the visceral and straight roughness of punk music. Hooley will help the emerging Northern-Irish punk bends record and distribute their music, and transform Belfast in one of the punk capitals of the world. Suddenly the city known in the news only for conflict and violence becomes a point of cultural interest, a stage for new and innovative music which crosses communities, religions, and haircuts.

Good Vibration is a simple and direct film about the power of music, about the capacity of doing good in evil times, about the beauty and necessity of escapism. Actor Richard Dorner draws a passionate portrait of a man who lives for music, who believes that music can bridge and heals. It is not an idealized portrait, as family life falls victim to Hooley's passion, and this aspect is not neglected. It's not a perfect film, some of the supporting characters could have been developed for example, but overall it's, well, a film that passes good vibrations. And there is a lot of music of course, I have never been a fan of punk, but I may become one.

According to the news a few months ago Terri Hooley was attacked and abused in his neighborhood in Belfast. Even if 30 years after the troubles the situation in Norther Ireland is much better than it was, healing and reconciliation may have their chance, sequels of the past still show up and the balance is still fragile. The Good Vibrations shop of Terri Hooley opened and closed a few times. Life has ups and downs, but good sometimes prevails.

War, poverty, desolation.

When everything looks dismal and negative, how can one escape and persevere? Through music of course.

Terri Hooley had the answer to the misery of his time. By opening a record shop and encouraging locals to create new music he provided an antidote to the gloom and became instrumental in establishing the Belfast punk scene.

Some thought he was mad, but creativity and madness go together and without any regard for consequences he just stormed ahead driven not by materialistic ambition but out of love for music.

An inspiring bio faithfully brought to the big screen, that effortlessly brought a much needed smile to the audience.

Mark Kermode had been raving about this for some time, citing it as his favourite film of the year thus far so I was expecting something special. I wasn't disappointed. It tells the story of Terri Hooley, a record store owner in 1970's Belfast who became one of the most important figures in the brief rise of punk music in N. Ireland. It's a commendable comedy drama which cleverly intertwines the story of Hooley's life with archive footage of the troubles affecting the city.

There are some wonderful scenes, most notably when Hooley first discovers the anarchic, pulsating sound of punk in a Belfast club - his face transforming from impassive to bewilderment to absolute joy in the space of a few seconds. There are genuine laugh out loud lines and it is a film which despite the times it lives in is full of warmth and heart. It's not perfect, it slowly drifts into an overly sentimentalised story and some plot turns are annoyingly predictable. That said it never stops being an intriguing and funny film with a brilliant central performance by Richard Dormer as Terri.

Heart warming tale of Terri Hoolet who opened a record shop in Belfast during the troubles and became the driver and father to the Belfast punk rock scene.

Dormer is quite excellent and wholly believable as the cheeky, passionate impressario, well supported by a great cast, particularly Whittaker as his loving, long suffering wife. The film never becomes depressing, but the difficulties Hooley faces to reach his goals against a background of political turmoil and violence so close to whom is often funny and moving. A film to life the spirits.

A good film to go and see. The protagonist, Terri Hooley, is a self obsessed music lover who stumbles across punk while running his independent record shop in Belfast in the late 70's early 80's and goes about promoting and recording punk bands from Northern Ireland.

The acting is great, great script and unlike the Commitments this is a true story.

Positives: Filmed in colour and atmosphere that portrays the era. The subtle humour and the last line of the movie which I will not give away but will stand as a great movie quote.

Negatives: Adrian Dunbar's wig - Cheap is not the word for it.