The Philly Kid

I think anytime you watch a movie about something in which you are knowledgeable there is an excellent chance you will be disappointed. Movies when people click on a keyboard for 2 minutes and crack the CIA firewall or alien codes! Or when Japanese import cars are red-lined but seem to continue to rev higher and go faster with nitrous. Or football movies where people are diving left and right, but never at the ball carrier.

This film is no different. The fight scenes weren't bad. Not even close to real, but better than other movies I've seen. The acting wasn't bad. The plot wasn't bad. Bearable, entertaining, but nothing exceptional.

The plot has the lead actor fighting THREE fights to pay off a debt of his loser friend. After TWO fights, against virtually unknown local fighters, an MMA organization seeks him out and offers him a contract fight. The representative of the organization says they've been tracking his career. What??? His first fight was with no training after 10 years in prison. The second a few weeks later. Thousands of fighters across the nation, and they take notice of a guy with 2 wins in as many weeks against local nobodies??? Good grief.

His third fight is against a guy twice his weight that moves like an 80-year-old. Look, it isn't the UFC, but there are still weight classes! I won't reveal any more and risk spoiling the end.

Bottom line... worth watching over regular TV... but nothing beyond average.

Ever since the popularity of HUNGER GAMES the concept of watching young people in cages fight each other with no holds barred even to the death, have proliferated. Says something about the audience desires, or fads, or the gladiator mentality in all mankind since the Roman arenas. THE PHILLY KID is a low budget little pertinent drama that for the genre is better than the usual. Written by Adam Mervis (who also acts the role of the main character's understanding parole officer) and directed with fine pacing by Jason Connery, the movie somehow catches fire - likely due to a cast of up and coming young actors.

Dillon (Wes Chatham, a hunk newbie the camera loves) is a former NCAA champion wrestler has just been released form 10 years in prison for braking the neck of a thug during a holdup in front of a liquor store where he (at around age 16) was buying alcohol with a fake ID for his friend Jake (Devon Sawa, impressive in a difficult role). Dillon now lives in a filthy halfway house and is without money until his old friend Jake finds him a job in a liquor store owned by a kindly man Lenny (Bernard Hocke). Jake's sister Amy (Sarah Butler) is on the scene and eventually becomes the love interest for Dillon. It seems Jake is heavily in debt to conman Ace (Lucky Johnson) and Jake, knowing Dillon's ability as a wrestler, pleads with Dillon to fight for money in the underground cage fighting scene to save a Jake's life. Another evil force is the police officer Marks (Chris Browning) who arrested Dillon and who hates him and threatens his life if he doesn't fix a fight. Dillon trains, wins some fights, (he is supposed to fight only three fights for Ace to release Jake's debt), and is observed and ultimately trained by LA Jim (Neal McDonough). From there on it is a succession of bloody fights and gore until the end finds a resolution.

The cat is strong and is supported by some solid work by Eric Scott Woods and Michael Jai White. It is always satisfying to see new faces take on tough roles and this cadre of actors pulls it off very well. Not a great film, but a well crafted one for the genre.

Grady Harp

With the explosion of the MMA world there have been more and more films following it but much like every other genre they don't always work. The latest to tackle the genre is the Philly Kid featuring Wes Chatham, Devon Sawa, Neal McDonough, and Michael Jai White. Can this latest fight drama deliver the one two punch is it striving for or will it get knocked down for the count?

Philly Kid follows a former NCAA wrestler just out of jail who is forced into the underground cage fighting scene to save a friend's life. This film doesn't bring anything all that new to the genre, but it is still well crafted enough to be entertaining. The story here is a pretty straight forward formula that has been used countless times, but works to deliver the overall feel they are going for. The performances were all decent enough, but sadly Michael Jai White is barely here. He has such a commanding presence whether he is fighting of just talking that his bits are great, but isn't given anything to do to bring this movie up a notch. Neal McDonough did a great job, but in reality it would have been nice to see him and White switch places as they are both better fit for the other parts. IT was nice to see Devon Sawa who had a huge surge for a while there, then seemingly dropped out of the spotlight for a bit. Chatham did a decent job carrying the film, but just didn't bring anything all that special to the role. The real spotlight here is really the fighting which is well done, but never really pushes the boundaries to give it the stand out action it needed.

Philly Kid is a decent addition to the MMA genre delivering some decent performances and action. With a little more time spent on stepping up the quality of the action it could have been so much more, but unless you are actually into martial arts, then it probably won't be anything you notice because it is well shot and executed. If you're looking for a decent martial arts rental then give Philly Kid a try.

for a UFC fighting style movie. for a meager $5 mil. production budget, this movie turned out not bad at all passed the ceiling level of a B movie. but there are still some weird directing weaknesses: 1) the badly scripted then uniform cop then detective after 10 yrs. looked more like thugs and holding grudge for 10 yrs against the man who didn't shoot his partner is such a weak plot. 2) the parole officer is also a very weird role created in this movie. 3) the liquor store never got one customer but both owner and the employee still doing shelving restocking and storage room inventory daily. how this liquor store survived? 4) michael jay white became a syndicate fixer and a thug is a stretch. 5) the time frame of being a young man then spent 10 years in prison, came out still looked the same is another stretch; out of prison at age of ??? ain't he a bit too old? 6) the underground UFC style cage fights arrangement is a bit weak; 7) a billet shot through the cheek, yet not even swollen after the stitching-up is another stretch, and the bullet wound scar just like a dimple? man, this is what? korean plastic surgery?

anyway, this is still a movie with very weak screenplay but performed by a very good tense gradually matured actor with quite believable fighting act.

"The Philly Kid" has some nice punching sounds. I mean that, really. Of all the low-budget martial arts action movies in recent years, there's finally a fight movie with some impressive punching sound effects. Of course movies in recent years are going for more realism than in times past, but sometimes I really yearn for the old-school days of outrageous sound effects sometimes.

But despite the obviously low budget, "The Philly Kid" has a typical-sounding plot that serves merely as a thread for impressively choreographed fight sequences. But the by-the-numbers plot is carried by an enthusiastic lead performance by Wes Chatham, who is able to make his character all of likable and sympathetic - like the best characters that Jean-Claude Van Damme played early in his career in movies like "Bloodsport" (1988), "Kickboxer" (1989) and "Lionheart" (1990), the latter film which this movie (and most others like it) owes the biggest debt of legacy to.

And despite his impressive good-boy looks, he is not a lunk-head, but is actually bright and intelligent and believes in doing the right thing. And it certainly makes his progression through the film's flimsy plot not a chore but something close to an actual journey as he undergoes some form of a positive transformation into a better person, however marginalized by society at large.

Things begin with a simple quest for booze for a night of harmless underage drinking with Dillon Maguire (Chatham), his friend Jake (Devon Sawa), and a third friend. When they're accosted by a trio of thugs, Dillon, the top collegiate wrestling prospect in the world, accidentally kills one of them in self-defense. To make matters worse, one of his friends was carrying a gun and accidentally shot and killed one of the police officers responding to the disturbance.

As a result, both Dillon and Jake are sent to prison for 10 years. When Dillon is finally released, Jake (who had been paroled four years earlier) manages to track him down and get him a job with his uncle in a liquor store. Because Jake has suddenly become indebted to some ruthless local gangsters, Dillon agrees to settle his debts for him by jumping into the world of underground mixed martial arts fighting. In doing so, he seeks out the training of a former champ, LA Jim (Neal McDonough), so he can compete and settle his friend's pricey debts.

"The Philly Kid" is a lot like most underground fight competition movies in the four decades since the explosion of martial arts movies in the 1970s in the wake of Bruce Lee. But what gets it by is the lead performance by Wes Chatham. As I stated before, his character has been through some pretty rough patches for such a young man, and his journey into the world of underground cage fighting can be seen as his way of seeking redemption and becoming a better person so he can enjoy a better life for himself - and his new love Amy (Sarah Butler).

The fight sequences are pretty brutal and look realistic, with Dillon Maguire dishing out punishment to his opponents while also taking some punishment of his own. "The Philly Kid" was directed by Jason Connery and written by Adam Mervis, and it's an impressive low-budget feature with some good performances. The action scenes are also stand-out, as I previously mentioned.

It's well worth at least one viewing.

7/10