The Hunt for Raoul Moat

This could have been sensationalised to the max, but to the programme makers credit, it wasn't. I found it a well told, factually based drama, which whilst horrifying, was completely absorbing.

It shocked from the start by showing people at the place of Moats death a year on, idolising him, I found that one of the most shocking scenes of the entire mini series. What on earth made these people think he was a hero after what he'd done?

I've seen a few people complain about the accents, but as I'm not from the area, I can't say it bothered me in the slightest, and I found the acting throughout to be of a high standard.

Recently I've seen quite a few dramas that were too long, and that's my only slight criticism of this,but in the opposite direction, could have been longer, it felt a little rushed, I think another episode or two could have seen a bit more character development but overall, a job well done.

If the subject matter put you off watching it, I'd still suggest giving it a go. Recommended.

I remember following this story, as someone who'd moved to north and been to certain areas it was a gripping story, moat himself was a strange mix of endless sad childhood stories mixed with the typical toxic masculinity from the gym/nightclub bouncer and pub scene, someone who doesn't take no for an answer and someone who very much believes in his own morale code which to most us awful.

I watched this and call I could think was what's the point? Other than lacking ideas and cashing in on a Story that ruined real people's lives. This added nothing that wasn't known, or you couldn't find out by easily googling it. The acting was average at best, very cheaply made cringe tv done for the wrong reasons.

There's nothing here remotely gripping, Rathband doesn't get enough focus and truthfully it's not that well done, it's basic paint by numbers stuff, I'd say there was probably a few tiny details that are new but nothing to warrant making this.

All this does is glamourise a monster and only useful thing was shining the light on the ignorant and stupid people who live online in social media land and comments sections who have very strong opinions based on nothing but rubbish they read online.

Raoul Moat is released from Prison, he shoots his ex partner Sam Stobbart, and shoots her new partner Christopher Brown dead, Sam has convinced Moat that her partner was a Policeman, prompting him to target The Police.

A very good three part series, it's a crime that I'm sure lives on for many, back in 2010 this story was huge, Moat was quite literally the moat wanted man in Britain.

The case highlighted several failings in the legal system, and highlighted the depths some journalists will sink to for a story.

Mark Stokoe is terrific as Moat, he looks like him, he adds a degree of menace too, he played the part well, very well supported by Lee Ingleby, Sonya Cassidy, Vineeta Rishi and several others.

Very well produced, they tied some original footage in very nicely, it looks great, the pacing is also a key success.

The one thing that I couldn't help but look at the whole way through, Sim's hair, she could well have stepped in from 1952, they could have toned it down a little.

There was one line that was white significant, people won't forget the name Raoul Moat, how true and incredibly sad is that. Learning the fate of that poor Policeman, that was upsetting to learn.

Very good series, 8/10.

Why is it that true life crime is far more absorbing and watcheable than the contrived drama being turned out these days.

We have given up on three contemporary cop dramas in recent weeks, but this was far more interesting.

Watching the companion documentary that followed the conclusion of the three episodes, it is clear that the drama was very accurate. No creation of additional scenes or stories like The Gold a few weeks ago.

All those involved in the hunt never got the opportunity to find out what was really behind Moat's paranoia. It was probably embedded in his youth, but this never came out.

It was mentioned at the end that the true victims of this crime have been largely forgotten, and this is true. It should never be forgotten that this was an extremely dangerous man who felt he had nothing to lose. He was a cold blooded killer, you can't get away from that.

My wife and I possibly made the mistake of watching beforehand the repeated original TV news documentary outlining the actual events depicted here in this new three-part mini-series. In so doing, I obviously learned first hand all that the dramatisation portrayed, thus filling in all the blanks about it in my memory and precluding any sense of surprise at the nonetheless horrific sequence of events surrounding the crazed killer Raoul Moat.

What this also did unfortunately was evidence again the obeisance to diversity which today's television programme-makers feel obliged to follow. Under their usual disclaimers in shows like this of inventing composite fictional characters and imagining situations and dialogue for dramatic purposes, it was just too obvious for me that the prominent interpolation of a black female investigating officer or female senior DCI wasn't based on fact but purely to cater to wokism. I'm fine with this to a large extent but I suppose I'm a bit less tolerant when it so obviously alters real events captured on film less than fifteen years ago.

Anyway, mini-moan over, the three episodes nonetheless sharply conveyed the evil acts of Moat, a convicted felon who on his release from prison sought out his ex-partner's new boyfriend and with the help of two equally deluded accomplices, shot the poor guy down in cold blood before also attempting to kill her too. She had told him that her new man was in the police to try to deter him from coming after her but this tragically backfired with Moat turning his mad rage on the police itself to the extent that he went on to callously shoot in the face an innocent policeman sat in his patrol car, who we learn at the end was blinded by this and who tragically took his own life only a year or two later, making him another belated victim of this evil man.

What I didn't pick up in the real-life documentary was the extent to which Moat apparently garnered a following among some deluded individuals on the internet who somehow saw him as an anti-establishment hero whose actions were justified because the ex-girlfriend he'd abused for years had the temerity to try to move on with her life. Much is made of Moat's climactic suicide denying his victims' relatives justice, but you know, I don't think his self-destruction would have been too upsetting for me if I'd been in their place.

Presented relatively straightforwardly without histrionics, well acted by all the main cast members, this was a compelling retelling of a shocking and almost unbelievable story of coercive behaviour and jealous vindictiveness taken to horrific extremes.