La cocina

Within the bustling confines of a Times Square eatery, a tumultuous ensemble of primarily immigrant cooks, waitstaff, and management struggle to navigate the frenzied lunch rush. This film is punctuated by intense, stress-inducing long-takes reminiscent of 'The Bear' and Barantini's 'Boiling Point', yet its narrative arc diverges significantly. Rather than focusing on the grind of preparing great food in a fancy restaurant, the story delves into the arduous journey of immigrants striving to survive. The ensemble cast delivers compelling performances, with Raúl Briones, stunning, and Rooney Mara powerful portrayals. The cinematography is breathtaking, capturing the essence of the narrative in an orchestrated chaos. A movie full of heart and heartbreak, it left a mark in the audience at the Berlinale film festival today.

This is the first film by this incredible director that I've watched, and in the last 20 minutes of the movie, I found myself unable to stop the tears from flowing. As I sat in the cinema seat, I felt every emotion he was conveying. It was truly a masterpiece.

Two days later, I find myself still thinking about the movie. I might even dare to say that it has touched something deep within me, something that had been quietly waiting for me to discover. I look forward to exploring more of Alonso's films soon, and I truly believe I will enjoy them as well.

I Can only say that I highly recommend this movie to anyone seeking a genuine glimpse into the real world.

Unpopular opinion: not every movie needs a 2.5-hour runtime. "La Cocina" (who I've been wanting to watch since its "Sundance" premiere) is a perfect example of this, feeling unnecessarily drawn out and lacking depth. While the film has its strengths-like its exploration of multiculturalism in a Manhattan restaurant-too much of it feels disjointed and unfocused. The narrative tries to juggle too many elements, resulting in a plot that feels messy and uneven. At times, it almost feels like it would have worked better as a play rather than a movie.

That said, there are parts of "La Cocina" that truly stand out. The multicultural dynamics in the restaurant setting are fascinating, and I wish they had been explored more deeply. The cinematography is stunning, especially with its black-and-white visuals that add a striking, artistic flair. But despite these highlights, the film's ambition ultimately outweighs its execution, leaving it feeling more like a missed opportunity than a compelling watch.

The movie is trying to immerse the audience into the microcosm of a major restaurant kitchen in New York. Great acting by many of the cast. However, 3 hours are too long for getting the story across. Some elements don't make sense at all and some characters are not getting the focus they deserve. Overall the topic of diverse cultures by migrants and their personal dreams of life are a crucial topic. I would have wished to allow this in a form that would focus on few and with a deeper vertical story line. Raul and Rooney Mara are amazing in their performances. We watched it at the world premiere and the audience was very receptive to the premiere.

If you saw "Boiling Point" (2021) then you'll get the gist of this drama set in an hectic New York restaurant kitchen. "The Grill" might look peaceful to the customers, but it's kitchen is a multi-cultural, multi-lingual and attitudinal melting pot of cooks, waitresses and cleaners under the guidance of a no-nonsense chef (Lee Sellars) and a slimy manager "Luis" (Eduardo Olmos). It's this latter man who finds there's a problem one morning when his boss reports that $800-odd is missing from one of the cash registers and the owner "Rashid" (Oded Fehr) is seeing red. Using the investigation as a pretext, we quickly discover that this room is full of characters who generally rub along ok with each other, except for "Pedro" (Raul Briones) and "Max" (Spenser Granese), with the latter man frequently and violently fed up with the lack of English being spoken in this kitchen of Babel. Meantime, "Pedro" is trying to rekindle his relationship with waitress "Julia" (Rooney Mara) who is expecting, but not intending to have, his baby. With everyone working flat out, the search for the missing cash and the prevailing, accumulating, sense of toxicity amidst this atmosphere, the scene is set for quite a lively look at the trade, it's traditions and the vulnerability of so many workers with a dubious legal status who are treated little better than slaves. Sadly, though, for me the film just didn't take off. Aside from the fact that there is simply far too much dialogue, it is much too long and the characterisations are way too shallow and under-developed. The acting isn't especially engaging, and the writing doesn't do enough to create anyone here that is liable enough to feel the remotest sympathy for. There are too many repetitious angry confrontations without enough humour to entertain or sustain much interest and as they quite literally wade through the story, it just runs out of steam before bordering on the farcical at the end. It's disappointing, sorry.