The Angry Black Girl and Her Monster

This movie was listed among horror films, but it doesn't belong in that category. The core concept about the struggles of Black people within their own communities is good, but it wasn't portrayed as one might expect. While the attempt to explore it from a sci-fi perspective was interesting, the execution was poor. The trailer gave a vibe of horror and suspense, but it delivered only the latter.

The lead character performs well, and her development is solid. The young girl also fits her role. However, I wish the lead had more depth-perhaps a darker personality and a stronger obsession with her mission.

The VFX are poor. Honestly, the science aspect doesn't make sense. The character is portrayed as a nerd, but she seems to know little about physics or chemistry, although she's good at biology. We see electrical circuits, diodes, gates, and anatomy pictures in her books, but she is far more naïve than her portrayal suggests.

It feels as though the movie was initially written by an adult but later taken over by a child.

Death is a disease and Vicaria (Laya DeLeon Hayes) intends to cure it. The black teenage genius comes from a rough neighborhood where drugs and death is all around. When her brother is killed, she puts her theory to use.

This is obviously trying to adapt Mary Shelley's Frankenstein into a modern 'ghetto'. There are moments of good tension. I actually find the school more compelling than the monster story. The 'monster' does not have enough screen time. Brother and sister should have more time together before and after the transformation. This movie needs to be about their relationship. The most interesting monster performance is Kango. The father is also interesting. This movie has a few good moments and probably a fine elevator pitch. It struggles to hold together in the second half.

Well, this 2023 movie titled "The Angry Black Girl and Her Monster" from writer and director Bomani J. Story was watchable. But that was also about there was to it. The storyline is just a take on the classic Mary Shelley "Frankenstein" story, except it is set in modern times.

And that just doesn't make "The Angry Black Girl and Her Monster" an outstanding movie experience, because writer and director Bomani J. Story doesn't bring anything new or innovative to the table. So this movie is one that came quietly and will disappear just as quietly.

It should be noted that the acting performances in the movie were good, especially by leading actress Laya DeLeon Hayes (playing Vicaria). And it was nice to see Chad L. Coleman (playing Donald) in the movie as well.

Visually then "The Angry Black Girl and Her Monster" was okay. It was not a movie that made use of a lot of special effects, and whatever practical effects that were in the movie were adequate for what they were. I wasn't impressed though.

The movie runs at 91 minutes, but it is a somewhat bland viewing experience. And this is hardly a movie that I will recommend for horror fans to rush out and get to watch. If you are familiar with the "Frankenstein" story, which I assume you are, then you have essentially already seen "The Angry Black Girl and Her Monster".

My rating of "The Angry Black Girl and Her Monster" lands on a four out of ten stars.

The Angry Black Girl and Her Monster is not your typical Frankenstein movie, it's starring an almost all black cast and features the theme of growing up in the hood and the dangers that come with that. The actors deliver a solid job and we have some nice bloody gore, but on the other hand the movie suffers from plot holes and unrealistic scenes. Our protagonist somehow finds all the equipment to build a device to bring back people from the dead in an abandoned warehouse and also manages to steal some dead bodies for her to saw together for her monster. There are many other scenes that did not make sense and I think the script had too many problems. Also in the beginning there's a conflict with our protagonist and her teacher and the movie treats the teacher like she is the bad one, but it was the protagonist that kept interrupting and wouldn't listen and after dealing with the consequences her father got mad at the teacher telling her to teach even though that was what she was trying to do before the younger girl kept interrupting her disturbing the class. That immediately gave this movie a huge racial aspects that was unnecessary. With a slightly different script this movie could have turned out better but this way it's just forgettable and there are way better movies about bringing back people from the dead like Frankenstein did. [5,2/10]

Not bad and it wasn't too far from being really, really good.

I love the first act. No rush, it gives us the right background of the main characters, the neighbourhood, and their difficulties and motivations. I also really like what it does in the third act. Violent, tie up loose ends, and close arcs with meaning. I have several issues with the second act.

Most of my problems in the second act revolve around the difficulty in varying something from the moment "the event" occurs and the excessive educational/doctrinal speeches that exist. When the main character does it in the beginning, it seems genuine, an act of rebellion, and affirmation, it makes sense. When several other supporting characters do it throughout the movie, in an even more obvious way, it becomes a bit too much. Not everyone in a neighbourhood behaves, thinks, and speaks in the same way, and it ends up sounding more like the writer's voice than the voices of those characters.

There are also some issues with the editing and sound, with some cuts and sound effects that seem for a straight-to-DVD release, but nothing too serious, because the director knows where he wants to go and does a very good job on his debut, with some interesting shots, and starting with the identity it gives to that community from the first act.

In terms of performances, I feel that there are weaknesses in some of the supporting cast, but Laya Hayes is fantastic. She was able to carry the whole film on her shoulders, with several behavioural and emotional nuances, and it's easy to predict a promising future career for her. A star, for sure.

Overall, a very interesting debut feature, filled with good ideas, bringing something new to the table and to the "Frankenstein concept", which could have been brilliant if it was more polished.