American Star

Beautifully shot film with a great slow arc to a harsh climax.

Ian mcshane delivers a very understated performance but that's the point of his character, a man who shouldn't be noticed too much but can't help interacting with fellow islanders.

It reminds me of The Hit with Tim Roth, Terence Stamp and John Hurt.

The scenery is stunning, the performances are all brilliant, and a soothing score fills the film nicely.

Don't watch if you want a good paced film where lots happen in quick succession.

The female co-star is fantastic in her role and oozes charm when around mcshane.

A really great film, and one I'll watch again.

If you have a short attention span, hate great cinematography, don't understand nuance..can't abide beautiful scenery..have no interest in the combined complexities of human relationships coupled with random synchronicity..if you also hate nor have the intellectual capacity for nuance nor well observed subtitles..if you also have very little capacity for understanding human emotion and are devoid of compassion..if you cannot suspend disbelief..if your cinematic diet does not extend beyond soda and popcorn and that that is all the nourishment and sustenance you require in your consumption of film then this piece is not for you.

I loved it.

McShane builds into the role throughout this metaphor of waiting. Waiting to let go of the things in his life and coming to terms with whatever was killing him slowly, military life, loss, divorce, family, shame, childhood dreams, joy. It's a backdrop for the end for the lead, where dialogue becomes less meaningful, his sunken dreams washed up, perhaps mythically on an abandoned shoreline. Ultimately he has followed orders to the end, perhaps even beyond into purgatory itself.

American Star seems a misleading title somewhat, but it's an interesting and captivating narrative for those more introspective evenings.

McShane is as great as ever in this quiet, almost somber movie about a hitman waiting for a job in Fuerteventura.

The direction is very promising from Gonzalo Lopez who, from what I can see has done nothing of note but here seems to be inspired by The Hit or The American. It's artistic rather than arthouse and had me hooked for the first forty minutes or so. The movie then drifts a little before its climax and ending that will keep you guessing.

The cinematography of the the Canary Island is great and the supporting cast is excellent.

As said there are slow segments, but stay with it. I think it's worth it.

Nowadays, when all pretense thrillers are forged on the repetitive formula, this excellent argument works with the humane element as no other ever conceived. Forget about the usual gratuity of the "shot-punch-bomb" genre and dive into the complex persona of a mysterious protagonist played with virtuosity by the great Ian McShane. The pace is led steadily along the movie, as the landscape contributes to the crescent tension until the astonishing ending. No frills, no disposable clichés, no chance to narrative gaps. A modern classic, essential and referential for the future moviemakers generations. Great!