Un predicador laico que llega a un asentamiento británico en 1830. Su pasado violento pronto se pone en tela de juicio y su fe puesta a prueba, ya que se encuentra atrapado en medio de una s... Leer todoUn predicador laico que llega a un asentamiento británico en 1830. Su pasado violento pronto se pone en tela de juicio y su fe puesta a prueba, ya que se encuentra atrapado en medio de una sangrienta guerra entre tribus maoríes.Un predicador laico que llega a un asentamiento británico en 1830. Su pasado violento pronto se pone en tela de juicio y su fe puesta a prueba, ya que se encuentra atrapado en medio de una sangrienta guerra entre tribus maoríes.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 5 nominaciones en total
Opiniones destacadas
In 1830-based period-drama "The Convert" English lay-preacher Guy Pearce (strong as ever) is assigned to a remote New Zealand outpost where the Brit settlement (led by Mark Mitchinson) rents land from local Maori chief Antonio Te Maioha whose tribe is threatened by warlike rivals led by Lawrence Makoare. Aided by Scottish outcast Jacqueline McKenzie and Te Maioha's daughter Tioreore Ngatai-Melbourne, Pearce attempts to break the savage cycle of violence... but can he? The screenplay from Michael Bennett, director Lee Tamahori & Shane Danielsen is interesting & engaging (if not outstanding for the genre). It's good, solid, worthy, & well-performed fare.
While this film tells of a seemingly unimportant bit of history from a global political perspective, it is infact a very interesting tale which is omitted from commonly known pop history.
The scenes are dramatic and don't pause, one picture almost seems better than the last. Every shot tells a story of culture and narrative, and every line of the script only adds more meaning to human nature.
In a lot of ways the seemingly small skirmish which is depicted in this film, can be far more dramatic than the large scale battles of the massive nation States who dominate the Globe. Each member of the warring tribes are not only friends but also lovers, family members and close nit family legacies.
As a history enthusiast, I also very much appreciated a more realistic portrayal of...history which is often, or almost always ignored by mega budget Hollywood fairy tales disguised as history. Yes there were some goofy flaws with weapons, but the flaws told a larger narrative and gave more color to viewers who might not be history buffs.
In the end this movie is at heart a play and not a documentary, but it's a story true to it's spirit.
Enjoy!
The scenes are dramatic and don't pause, one picture almost seems better than the last. Every shot tells a story of culture and narrative, and every line of the script only adds more meaning to human nature.
In a lot of ways the seemingly small skirmish which is depicted in this film, can be far more dramatic than the large scale battles of the massive nation States who dominate the Globe. Each member of the warring tribes are not only friends but also lovers, family members and close nit family legacies.
As a history enthusiast, I also very much appreciated a more realistic portrayal of...history which is often, or almost always ignored by mega budget Hollywood fairy tales disguised as history. Yes there were some goofy flaws with weapons, but the flaws told a larger narrative and gave more color to viewers who might not be history buffs.
In the end this movie is at heart a play and not a documentary, but it's a story true to it's spirit.
Enjoy!
It's 1830 New Zealand. Guns have changed the local Maori culture and soon Christianity. Thomas Munro (Guy Pearce) is the newly arrived Reverand from England to preach over the tiny community of Epworth. On the way there, he encounters a tribal conflict and rescues Rangimai (Tioreore Ngatai-Melbourne) from execution. She turns out to be the daughter of a rival clan leader. Charlotte (Jacqueline McKenzie) is an Epworth villager with connection to the Maori.
This is essentially the story of Dances with Wolves in another place with more religion. There is a lot to like. It also feels very familiar. It is nice to see this culture and this particular time/place being represented. It's not the most covered. This may not be the most inventive, but it's nice just to see it.
This is essentially the story of Dances with Wolves in another place with more religion. There is a lot to like. It also feels very familiar. It is nice to see this culture and this particular time/place being represented. It's not the most covered. This may not be the most inventive, but it's nice just to see it.
The Convert (2023), based on a story by New Zealand writer Hamish Clayton, is a film that's been a long time coming. Directed by Lee Tamahori, a seasoned veteran of both drama and action genres, it's a film that's been quietly simmering on the back burner since its sales rights were acquired at the 2022 Cannes Film Festival.
I'd done some reading about it a couple of years ago, and it seems the film spent those two years languishing in some production company drawer. The reason, I suspect, is the current state of movie-going audiences. Let's face it, most people (with a few exceptions) aren't flocking to theaters for two-hour (or longer) historical dramas. The box office numbers back this up. And I guess the production company didn't want to relegate this film to a straight-to-streaming/home video release either. They have a point.
Guy Pearce, one of the most talented actors working today, but one who's been plagued by a less-than-stellar career trajectory, takes the lead role. And boy, does he deliver. He's absolutely mesmerizing, bringing a Shakespearean intensity to every scene as if he were performing on the National Theatre stage. It's clear he's deeply invested in the story, perhaps due to its historical relevance to his own background.
Gin Loane, whose work I haven't seen before, delivers stunning cinematography that captures the rugged beauty of the New Zealand landscape. Tioreore Ngatai-Melbourne gives it her all, and it wouldn't surprise me if she snags an award for her performance in this film. (I haven't checked, but it wouldn't be undeserved.)
The Convert is a film that deserves recognition for its acting, well-choreographed fight scenes, seamless integration of the Maori language, and authentic portrayal of 1830s New Zealand society. It's a film that transports you to another time and place, immersing you in a world of conflict, faith, and redemption.
I'd done some reading about it a couple of years ago, and it seems the film spent those two years languishing in some production company drawer. The reason, I suspect, is the current state of movie-going audiences. Let's face it, most people (with a few exceptions) aren't flocking to theaters for two-hour (or longer) historical dramas. The box office numbers back this up. And I guess the production company didn't want to relegate this film to a straight-to-streaming/home video release either. They have a point.
Guy Pearce, one of the most talented actors working today, but one who's been plagued by a less-than-stellar career trajectory, takes the lead role. And boy, does he deliver. He's absolutely mesmerizing, bringing a Shakespearean intensity to every scene as if he were performing on the National Theatre stage. It's clear he's deeply invested in the story, perhaps due to its historical relevance to his own background.
Gin Loane, whose work I haven't seen before, delivers stunning cinematography that captures the rugged beauty of the New Zealand landscape. Tioreore Ngatai-Melbourne gives it her all, and it wouldn't surprise me if she snags an award for her performance in this film. (I haven't checked, but it wouldn't be undeserved.)
The Convert is a film that deserves recognition for its acting, well-choreographed fight scenes, seamless integration of the Maori language, and authentic portrayal of 1830s New Zealand society. It's a film that transports you to another time and place, immersing you in a world of conflict, faith, and redemption.
A very simple straight forward watch about the start of the invasion of west into new Zealand. I love watching Maori films , but unfortunately majority of them are terrible and unwatchable. Due to all new Zealand TV being pretty cheesy and terrible. When I was there , quality is like watching stuff from the 80's.... Anyway the film has fantastic locations and captures the maori's well . Brutal culture , very tough people. They were way more aggressive than native Indians in usa. Their general rule of thumb is they will cook you until your eyes pop out , then feast on you. This film kept me to the end and I enjoyed the acting and story. It reminded me of the last samurai with Tom cruises character, very similar to the main protagonist in this movie. It has hints of the old traditional movie ' The bounty ' as well. It's a little slow to begin with , but has some fun exciting scenes towards the end.
¿Sabías que…?
- TriviaIn a 2024 interview with Screen Rant, Lee Tamahori spoke about the depiction of Maori warfare in the film and the contrast of directing it versus his experience on 007: Otro día para morir (2002): "...we haven't seen combat like this much on film. There's been a film called The Dead Lands (2020), and another couple. There is now a highly trained number of Rakau experts. This is Maori hand to hand combat with edged weapon. They call them patu and taiaha. So there's weapons like most indigenous cultures had spears clubs edged weapons. So there's a lot of people trained in that now, young Maori. They're all in the film. They're a combat unit, which we put together. Action is just something you make up in your head and you do it shot by shot by shot by shot, and work your way through it. To me it is always important, and in the difference between a James Bond action sequence and a Convert action sequence is The Convert the action has to be scarily authentic. It has to be brutal. It's fast. There's no slow motion, no trickery going on. It's just shot by shot by shot, edited down to a point. Whereas with something like most modern action films have speed ramps, and all sorts of post-production tricks on them. But I didn't want to do anything other than show the brutality of hand-to-hand combat as it was."
- ErroresWhen they land for the first time, Munro talks to the crew of the landing boat then rides his horse along the beach. There is a wide shot towards the end of this scene where the boat obviously isn't on the beach.
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- How long is The Convert?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Dönüşüm
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 5,491
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,963
- 14 jul 2024
- Total a nivel mundial
- USD 764,882
- Tiempo de ejecución
- 1h 59min(119 min)
- Color
- Relación de aspecto
- 2.39:1
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