Heaven's Half Hour
- El episodio se transmitió el 4 mar 2025
- TV-MA
- 1h 1min
CALIFICACIÓN DE IMDb
8.5/10
16 k
TU CALIFICACIÓN
Matt Murdock y Wilson Fisk, rivales desde hace mucho tiempo, intentan superar sus personajes más oscuros para servir a Nueva York, pero su pasado resurge y reintroduce el mundo de Daredevil.Matt Murdock y Wilson Fisk, rivales desde hace mucho tiempo, intentan superar sus personajes más oscuros para servir a Nueva York, pero su pasado resurge y reintroduce el mundo de Daredevil.Matt Murdock y Wilson Fisk, rivales desde hace mucho tiempo, intentan superar sus personajes más oscuros para servir a Nueva York, pero su pasado resurge y reintroduce el mundo de Daredevil.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
We all know how intense and gritty the original daredevil show was and this episode puts you right back in that Thrill Ride seat. You usually expect a show to start off slow and slowly build up to a big moment or a major plot twist but this show pretty much doesn't waste any time at all. I also like that there isn't a lot of conversation between characters that doesn't feel necessary the show seems to hit on a very fine pace and doesn't let up. If you are a big fan of the original show then you will be definitely happy to see the show gets right back to where it needed to be and gives you what you needed to see.
The first episode feels quite rushed. It starts with a sequence that, personally, I didn't find very pleasant, but I understand the decision to include it. However, if you're going to re-record and allow the Netflix show to be canon, then don't get rid of it in less than 10 minutes. As for the CGI, they should have just left it out-I don't think Daredevil needed it since it's a very underground character. The plot with Fisk is interesting, but it would have been better to save it for this series rather than using him in Hawkeye and Echo, since it's hard to take him seriously after what Maya did.
-MASS.
-MASS.
We are back, a quick trip to Hells Kitchen sees Matts life change after a tragedy befalls him. Daredevil is pushed to his line and he crosses it for the first time. Matt hangs up the horns and 1 year later we have no sight of Daredevil and he is in New York in a new firm. Things get shaken up when Fisk is out and plans on running for Mayor of New York.
The first episode is strong but not where it used to be, sure we have violence but the CGI absolutely takes you out of it and yes that's a valid complaint because it's predecessor had little CGI issues from 2016. The backgrounds feel fake, the some of the fight scenes you can tell it's a CG model and not the actors.
The tone is there and even with the above complaint the fight is a good one. The dialogue especially with Matt and Fisk are really strong.
Overall happy to have Daredevil back but it suffers from Disney CGI and I'll never get why, 8/10.
The first episode is strong but not where it used to be, sure we have violence but the CGI absolutely takes you out of it and yes that's a valid complaint because it's predecessor had little CGI issues from 2016. The backgrounds feel fake, the some of the fight scenes you can tell it's a CG model and not the actors.
The tone is there and even with the above complaint the fight is a good one. The dialogue especially with Matt and Fisk are really strong.
Overall happy to have Daredevil back but it suffers from Disney CGI and I'll never get why, 8/10.
The show feels very different to the Netflix original whilst still retaining the core elements that mattered. It remains equally as dark and gritty with the added use of CGI and a more acrobatic Daredevil. People will complain about his new fighting style or the use of CGI but this is an MCU continuation of the Netflix series. This is a good adaptation/continuation of the previous show and shows that Marvel can accommodate darker characters into its universe. The first episode is extremely emotional and characters are given room to breathe and develop, overall it is a very promising start to the series. This is a Daredevil that will be seen in other Marvel projects so the ultra realistic Netflix version would not fit the Marvel Universe, I think they have modified his character well enough to fit into this world whilst still retaining his main qualities.
I've never left a review before, I probably won't again. The original is my favorite show of all time.
I believe this episode was good, but it is only good in that it is a passable imitation of something great. Like watered-down wine.
The action, one of the aspects which put the original on the map, is better than recent marvel, but not quite good enough. The relatively obvious (in a bad way) CGI did not completely ruin it, but it certainly took a lot away from the obvious effort that went into it.
The writing is alright, and would not be very engaging if not for the only truly exceptional aspect of this show: the actors. I think they are all phenomenal and I feel very bad that I don't really like the product of their work. It is not at all their fault.
The cinematography and colorwork is much more subjective, but for me was absolutely terrible. Not even a speck of effort to retain the original style which matched the show so well. It honestly looks like something rendered in a graphics engine trying to imitate reality's grey-ness in an attempt for grittiness.
There is nothing authentic and there are no risks of any sort, there is nothing special to this. It is all riding off of the success of the original, with its dynamic camerawork, colorwork, often over-the-top serious writing, and breathtaking action. It is simply a dilution and productization of authenticity.
I believe this episode was good, but it is only good in that it is a passable imitation of something great. Like watered-down wine.
The action, one of the aspects which put the original on the map, is better than recent marvel, but not quite good enough. The relatively obvious (in a bad way) CGI did not completely ruin it, but it certainly took a lot away from the obvious effort that went into it.
The writing is alright, and would not be very engaging if not for the only truly exceptional aspect of this show: the actors. I think they are all phenomenal and I feel very bad that I don't really like the product of their work. It is not at all their fault.
The cinematography and colorwork is much more subjective, but for me was absolutely terrible. Not even a speck of effort to retain the original style which matched the show so well. It honestly looks like something rendered in a graphics engine trying to imitate reality's grey-ness in an attempt for grittiness.
There is nothing authentic and there are no risks of any sort, there is nothing special to this. It is all riding off of the success of the original, with its dynamic camerawork, colorwork, often over-the-top serious writing, and breathtaking action. It is simply a dilution and productization of authenticity.
¿Sabías que…?
- TriviaThe name of the law firm Matt Murdock, Foggy Nelson, and Karen Page works at is now called, 'Nelson Murdock & Page', the new name of the law firm Matt, Karen and Foggy wrote on a napkin in the final episode of Season 3 and series finale of the Netflix Daredevil (2015) series, A New Napkin (2018). Now their firm is firmly established with an actual sign reading, Nelson Murdock & Page.
- ErroresAs Matt takes off his mask on the roof one knife can be seen in his front but then once found multiple in his front and back are shown again.
- Citas
Foggy Nelson: I'm... in a storefront because it's... real. And I happen to like most of the people I represent.
- ConexionesFeatured in WatchMojo: Top 20 Most Disturbing MCU Deaths (2025)
- Bandas sonorasFuture Starts Slow
Written by Jamie Hince and Alison Mosshart
Performed by The Kills
Courtesy of Domino Recording Company
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Detalles
- Tiempo de ejecución
- 1h 1min(61 min)
- Color
- Mezcla de sonido
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