The Longest Week

To call "The Longest Week" a delight would be an overstatement. To call it average would be unjust. The movie is a Wodehousian romance which features terrific visuals in almost every frame. That's right... Almost every frame is picture perfect like this is a Wes Anderson film. At the same time, the dialogues and the story are entirely "Allenesque". If you liked Fading Gigolo - an attempt to recreate Allenesque filmmaking - you will fall in love with The Longest Week.

Why is Jenny Slate top-billed when the story is clearly about Jason Bateman's philandering character? And why is Jenny Slate even in the movie? You could replace her character with anyone else, and you'd hardly notice any difference. I saw this at a preview screening. I hope the filmmakers realize it and change the billings.

The Longest Week has great visuals, good dialogue and soothing sounds (the soundtrack's totally piano and jazz). The film is also 80 minutes long, and yes, I for one was wanting more as the film was in some ways enchanting.

If you like Wes Anderson films, give it a shot for its beauty! Not a Wes Anderson fan? C'mon! Olivia Wilde is in the movie and she's drop dead gorgeous!

"Sometimes you're your own worst enemy." Conrad (Bateman) is forty and still living off his parents. He has no ambition in life and is content living in a hotel that he doesn't have to pay for. When his friend introduces him to his newest girlfriend, Beatrice (Wilde), Conrad falls in love. When his parents decide to separate Conrad is cut off and now he has no job, no place to live and is in love with his best friends girl. I am a huge Jason Bateman fan so I was excited to watch this. While I can't say this is a bad movie I can say it was a little slow and somewhat generic. It may be because I watch so many movies but about 15 minutes in I predicted what would happen, and I was right. That said, the movie isn't terrible but I was hoping for something a little better. Overall, not terrible but pretty predictable, generic and slow moving. I expected something better with Jason Bateman and Olivia Wilde. I give this a B-.

The Longest Week (2014)

What a strangely almost good movie. It has lots of compelling elements, including Jason Bateman as the nice guy leading man (though here he plays a spoiled rich boy). It's a complex enough story, and a love story, and it's set in lovely Brooklyn (an almost Manhattan). It should work. And second leading man Billy Crudup is terrific—better than Bateman.

So enjoy it for what it is? Sure. But it will kludge along at times, and will get a bit obvious at other times. The women (girlfriends, mainly) are weakly cast (or weakly directed), which doesn't help. But mostly it's a matter of originality—which is missing.

In fact, the whole thing is alike a Woody Allen mashup wannabe. The voice-over will make you think too much of "Vicky Christina Barcelona" and some of the photography of "Manhattan" but in color. (They even cast Allen regular Tony Roberts in a role as, yes, a shrink.) But mostly it's "Annie Hall" redux. In fact, it's almost a remake—girl meets unlikely boy, they have a romance, it goes south, and then boy re-evaluates (with direct stealing of ideas like having the plot reappear as a play, or in this case as a novel). And even if you don't like "Annie Hall" (which I do), you have to admit it came first, and is wonderfully original.

To add insult to injury, the whole set design and shooting style is straight out of Wed Anderson, though toned down to the point of being dull. (Anderson is never dull, at least visually.)

So what is left? Lots of little moments—quaint remarks (skipping over the brazenly sexist stuff that is meant to be funny and is mostly embarrassing, like the soccer practice) and a generally nice flow of events. It's easy to watch even if you aren't enthralled.

Director and writer Peter Glanz is fairly new to the scene, and this movie is a seven day expansion of an earlier indie success, "A Relationship in Four Days." No wonder this one feels about three days too long. See it? Maybe, if you already know you like the cast or the genre. Or maybe just give the Allen films a second try. Worlds apart.

Without Olivia Wilde, this would be absolutely unwatchable. It wants to be Goddardian and early Woody Allenesk, but it's lack of character development and its weak dialogue not to mention it being devoid of any philosophical or social commentary take it nowhere. Perhaps if Crudup had had the lead and Batemen wasn't cast at all, the acting would have made it more compelling?

This film tells the story of a man with ultra rich parents, who is suddenly broke after his parents cut off his allowance. He puts on a cover up and wins a woman's heart, yet he discovers there is something more to life.

The interaction between Conrad and Dylan is realistic, thigh they both live in a world beyond most people's reach. Their intense competition between each other and yet almost accomplishing nothing is ironic, but I like the joke about the Volvo going back and forth. The romance subplot is very sweet and convincing, I enjoyed watching it.

This is a romantic comedy with a journey of self discovery. It's a pity that the main characters Conrad and Dylan are portrayed to be rather unlikable and arrogant characters who have no clue about the real world. That's because the film is actually enjoyable and rather warm, and if the characters are a bit more likable, people would probably like it more.