Six Four

It's one of those series to watch to pass the time..it's not too bad,but sadly it's not too memorable either. Acting by the main actor, Kevin McKid I thought, was good - moody, and brooding but unfortunately I felt Vinette Robinson was overacting - I understand she was supposed to be angry and stressed but she came out unlikeable...i didn't enjoy watching the initial scenes with her in it..she only became likeable at the end.

The story line was interesting- juxtaposing a recent incident to a similar one from long ago, with the involvement of political figures in it. The back story of Scotland's quest for independence was also highlighted in this series but it's not something I understand much of, so that bit was lost on me.

Six Four: Another dark detective mystery series set in Edinburgh, Glasgow, London and rural Scotland., Detective Constable Chris O'Neill (Kevin McKidd) and his wife, Micheele (Vinette Robinson), an ex-uncover officer are worried, their daughter has been missing for three weeks. An unrelated missing person case from 16 yeaes ago rears it's head again. The father in this case, James Cosmo believes that a cover up took place. Then the Justice Seretary's daughter is kidnapped, Dark and gritty involving corruption, murder, security service involvement and secret papers. Michelle has her own secrets to keep as she heads to London seeking help from contacts in her undercover days in a quest to find her daughter. A multi-layered thriller which will keep you guessing as to what is really at stake. On ITVX and RTE2. 8/10.

I found this show to be highly engaging, thanks in no small part to the standout performances from McKidd and Coyle. With its bleak atmosphere, intricate plot, and ample intrigue, it evokes the feel of a Scandinavian crime drama.

Based on Hideo Yokoyama's novel, the show successfully transports the action from Japan to Scotland. While the plot may not be the most original - after all, TV is full of thrillers centered around missing girls - the story moves at a satisfying pace and delivers plenty of thrilling moments over the course of its four episodes. What sets it apart is its ability to balance visceral interpersonal emotion with genuine thrills, a feat that's never easy to pull off.

Gripping four episode thriller based on a Japanese novel, but set in Scotland. Moody and dark, the main reason for watching this is Kevin McKidd who gives a stellar performance as a troubled police detective whose daughter has gone missing. While the plots has enough twists to avoid being in the paint by numbers school of thriller writing, watch it for McKidd as he gets inside the head of his character, a lowly ranked detective. McKidd's performance masterfully avoids the limitations of his character I.e., the cliche of the passed over disgruntled detective, whose brother has made it to the top of the Force. Intense yet under played, McKiidd turns in a slow burn performance that simply steals the show.

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

After the trauma of identifying a body that turned out not to be her child, Michelle (Vinette Robinson) absconds from her partner, Chris (Kevin McKidd) at a train station in Glasgow, and flees to London, leaving Chris in pieces. Whilst dealing with this, Chris approaches his brother, Phillip (Andrew Whipp), regarding the case of a girl who went missing some time ago. But thing's really heat up when Annabel (Iona Anderson), the daughter of Justice Minister Robert Wallace (Richard Coyle) goes missing, and Chris is plunged in to a dangerous web of deceit and betrayal.

Nearly seven years after the Brexit referendum, and nearly a good ten years after the Scottish Independence vote, politics is still as hotly contentious as ever, and so a fine framework to set a mystery thriller around, such as this adaptation of the novel by Hideo Yukoyama. With a strong, solid cast, and supporting cast, of hot Scottish talent, old and new, there's a whole web of different characters and plot strands threaded in to a fairly condensed four part thriller, that requires a bit of patience to get past the first hurdle.

However thrilling the story eventually becomes, it makes the critical mistake of having a mundane opening, that plays out in a pretty perfunctory and flat manner that doesn't bode well for what's to come, but stick with it, and somehow these characters manage to grow some meat, and play an integral part in something that crucially has a plot and a subplot, with plenty of twists and turns. It doesn't all fit organically together, but there is a genuine sense of intrigue and mystery to the story, with a decent revelation at the end.

You can't beat a good mystery, and while this is far from the best you'll ever see, it's ultimately still a satisfying affair, with some sweeping cinematography of the Scottish Highlands and a neat steady rock soundtrack thrown in for good measure. ***