Ved

Its a very good movie which will engage you with its decent storyline and emotional aspects. It has emotions , crazyness, sacrifices and bit of cricket. Ritesh is frontline of the movie and carries strong performance. Genelia struggles with the language but still manages to deliver good performance . Jiya shanker makes an impact with her presence. Ajay atul's music is highlight of the movie. It doesn't feel like directorial debut for ritesh. He pulled it off quite nicely.

Overall, a beautiful film that you can watch with your family. Its a commercial family entertainer which is worth spending money on it.

Movie with true Love Story Movie is best and way better than Bollywood movies.

Everything is good just our beloved Genelia Vahini need to work on her Marathi accent. Otherwise movie is too good.

If you connect your love story with movie you will have tears in eyes for sure.

After long time watching Ashok Saraf sir in satyas dad role with his unique comedy style is tremendous.

Child actor Kushi had done her role very nicely. All the best for her future.

Last but not the least Siddharth Jadhav and Jitendra Joshi achoring was too funny and full of timepass.

Marathi film industry needs this type of movies more.

Music is mind blowing. Kudos to Ajay-Atul as they never disappoint.

The cast is amazing.

They justify the characters and also the chemistry is just awesome. They fit in the roles given the context. RD has grown into a more matured actor and is only getting better with time like a special cask of a scotch. The direction, acting, music and everything is just so good.

I think more of such movies should be made and change how people look at the entertainment.

Congratulations to RVD and GRD!

I hope it's released worldwide as I miss my wife in London and wish I take her for this movie soon.

Interesting to read reviews from others.

Ved may have multiple shortcomings. In fact, there is a high probability that many viewers will be offended by the movie's underlying messaging; however, the manner in which it expressed human emotions and represented distinct characters and their dynamics is, at the very least, praiseworthy.

Regarding praises, Genelia D'Souza deserves the lion's share, in my humble viewpoint. She is unquestionably the heart and soul of the entire thing. Screenplay, storytelling; she immediately elevated everything upon her introduction. Not to mention, the score composed by Ajay-Atul helped her immensely towards accomplishing her objectives. It is difficult not to fall in love with the music, the character of Shravani and Genelia's almost flawless performance.

P. S. That little kid, Khushi, leaves an impression. She's a special talent, if given proper guidance, she could make a big name for herself in this field, I wish her the best.

I haven't seen the original Telugu romance drama film "Majili," which this is a remake of.

The direction surprised me the most, it was "Ritesh Deshmukh's" first time directing, and he did an excellent job. We jumped effortlessly between past and present while still being able to follow the plot. Whether it's the ariel views, the songs, or the rain shots, the cinematography is good. Overall, film editing is effective, but occasionally, when switching from one scene to another, the transition has an abrupt cut and could have been more seamless. I liked the way how director revealed "Sharvani's" constant presence with flash back and how she was always there in the earlier scenes between "Satya" and "Nisha". The Scene where "Shravani" was playing with soap bubble and camera follow that bubble with POV of "Shravani" and the colourful bubble burst as she sees "Satya" and "Neesha", it was gorgeously symbolic of the situation.

As always, the songs and overall score are excellent thanks to "Ajay-Atul" music. I like the string and percussion instrument choices in the orchestral music.

Although story is not exclusive to Indian romantic dramas, the manner they are presented does takes you on an emotional journey.

The script writer deserves praise for maintaining humorous dialog-driven sequences between emotionally charged ones. The relationship between "Shravani" and her father-in-law "Dinkar" played by Marathi cinema's legendary actor "Ashok Saraf" is developed so well that you feel every emotion of their interaction.

Overall casting is good, child actress "Khushi" also done a good job. "Genelia Deshmukh" who played "Shravani" is a weak link, not because of her acting but rather because of her Marathi accent. Dubbing her for Marathi was an option as its already dubbed in "Hindi".

Sometimes you will feel strange and unable to comprehend why a character makes a choice that is unquestionably foolish, but no one is able to comprehend why people do what they do out of love.

There are some drawbacks, such as the overuse of cliched scenes that are done many times in Indian movies and predictable endings, but sometimes audience prefer straightforward yet moving stories with cliched conclusions that leave us with teary eye and feeling satisfied.

There are some drawbacks, such as the overuse of cliched scenes that are done many times in Indian movies and predictable endings, but as viewers, sometimes we prefer straightforward yet moving stories with cliched conclusions that leave us with teary eye and feeling satisfied.