Secretos criminales

Like another reviewer wrote, "Could have been...".

I agree... in my opinion, the story had a lot more to go on. The twist in the end (if we can call it a twist, as it impacts none and less in the story), just makes You go: "Hein?! What?! Why?!"...

The 6 is because the movie, in the whole, is just one more... Jai Courtney's performance is OUTSTANDING!!!!! I never really cared much for the guy, but after this, he has my attention and well deserved congratulations!!!!!

In general, they all do well, but the story, the way it went, didn't leave much room for shining.

It's a movie to watch on a stupid Sunday afternoon, when You get that "Bah... tomorrow my life goes back to the crap it is" feeling... it will help with getting You distracted for a bit. That's all...

There is only 1 real reason to watch this and it's Erin Moriarty's performance. Jai Courtney is also very good as a Texan living off the land in a trailer with Erin playing his wife but the movie falters in that it deals with 4 characters who are largely stereotypes. The NY city couple who show up aren't given much depth, especially the character of the husband who just seems to be there to play the bad guy. Not much happens in the movie, don't expect any action , but while it was moving along OK, as it nears the end it just falls apart. Characters start behaving in a way that makes no sense, and the movie ends in a way that only happens in movies. With excellent actors here, this needed a more realistic plot, needed more drama, needed more depth. Not boring, but not worth a second watch.

This film was a 2024 sleeper. Really taut psychological thriller with incredible performances (especially Moriarty and Courtney) and impeccable filmmaking.

Stuart Gatt is one to watch - is such an accomplished debut. The visual choices, camera movements and the performances he's extracted from actors I'm not usually fans of is really impressive.

The cinematography was stunning too. It seemed obviously shot on 35mm and I researched to confirm it. It felt like a 90s film in many ways.

May present as a cliched western thriller but is far from it, is intelligent and nuanced.

A felt the film's tension suffered in certain moments otherwise would've given a 10.

Stuart Gatt's stunning directorial debut "Catching Dust" captivates from start to finish. Set against breathtaking desert landscapes, the film's cinematography is extraordinary, capturing both vast expanses and intimate moments with equal brilliance.

The pacing is impeccable, allowing the central mystery to unfold with perfect timing. Each revelation feels both surprising and inevitable, building tension masterfully throughout.

The entire cast delivers remarkable performances, but Erin Moriarty truly shines. Her range is astonishing - effortlessly shifting between comedy and heartbreak, all while maintaining a flawless accent. Her romantic scenes particularly showcase her versatility and emotional depth.

With its thoughtful storytelling, visual splendor, and outstanding performances, "Catching Dust" announces Gatt as a formidable filmmaking talent. This is confident, captivating cinema that lingers long after viewing - an exceptional achievement for a debut feature.

A story where perfect mirages takes a deadly physical neighbourly intrusive form. A couple's resentment gets unearthed by the brutal winds of change. Couple of messengers are a mirage he draws same as distressed housewife and she plants and keen on sustenance as the lonely hunter does, it's the perfect storm in the calm deserted hideout. Like the growing kettle of vultures the visuals are rich with symbolism. Great tone of colours fixing the audience on what's to be seen in every frame. Great audio effects. Perfect work by the cast portraying the emotions. A slow burning thriller that has the right amount of triggers to keep the audience hooked.