Living+
- El episodio se transmitió el 30 abr 2023
- TV-MA
- 1h 2min
CALIFICACIÓN DE IMDb
8.6/10
10 k
TU CALIFICACIÓN
Antes del Día del Inversor, Shiv sopesa una propuesta de Matsson, mientras Kendall y Roman intentan igualar el volátil estilo de liderazgo de Logan.Antes del Día del Inversor, Shiv sopesa una propuesta de Matsson, mientras Kendall y Roman intentan igualar el volátil estilo de liderazgo de Logan.Antes del Día del Inversor, Shiv sopesa una propuesta de Matsson, mientras Kendall y Roman intentan igualar el volátil estilo de liderazgo de Logan.
- Dirección
- Guionistas
- Elenco
Justine Lupe
- Willa Ferreyra
- (solo créditos)
Alan Ruck
- Connor Roy
- (solo créditos)
Opiniones destacadas
The incredible writing abilities of the show's creatives are again on display. While this episode is about Ken and Roman announcing a new app Living+, what makes this episode stand out is the way in which it portrays the characters' struggle to come to terms with their grief.
The portrayal of grief in this episode is absolutely heartbreaking, as we see Ken struggling to keep it together while he makes huge decisions about the company's future. Roman is also making rash decisions trying to be his father. While both men are grieving in their own way, it's evident that they aren't handling it well.
The combination of heartbreak and dark comedy in this episode is what makes it all the more compelling. Shiv and Tom are both sad and absurd. It's moments like these that are quintessentially Succession in that they depict the dysfunctional Roy family dynamic perfectly.
The portrayal of grief in this episode is absolutely heartbreaking, as we see Ken struggling to keep it together while he makes huge decisions about the company's future. Roman is also making rash decisions trying to be his father. While both men are grieving in their own way, it's evident that they aren't handling it well.
The combination of heartbreak and dark comedy in this episode is what makes it all the more compelling. Shiv and Tom are both sad and absurd. It's moments like these that are quintessentially Succession in that they depict the dysfunctional Roy family dynamic perfectly.
Another solid episode, but what could you expect. The writing is magnificent with so many funny lne liners I don't know where to begin. First of all I hope you were as excited as I was when we first see Logan Roy! Good to see him once more, and dissing his children once again. This episode shows that Kendal is growing into the man and killer his dad once said he wasn't and you clearly see thst once Roman denies going up on stage with him. I didn't notice it when I was watching the show but at the end when is by the ocean he actually scribbles number 1 into the sand. Also, looks like Roman is going to start spiraling out of control, but well see. Sad that we are down to the final four episodes but also pumped for the 4 episodes. Lets gooooo!!
In episode 6 of Succession's fourth season, "Living Plus," we are taken deeper into the post-Logan world, where the Roy siblings continue to grapple with the power vacuum left behind by their father. The central plot revolves around Kendall, who has taken it upon himself to push forward the Waystar Royco project "Living Plus," a kind of luxury real estate venture that promises a high-tech utopia for wealthy retirees. Kendall's enthusiasm for the project is, however, shrouded in ambiguity. It's unclear whether his ambition is driven by a genuine belief in the success of the venture or if it's merely a way to prove his capability as CEO in the wake of his father's death. This duality in Kendall's character - both visionary and self-destructive - is a running theme throughout the series and is magnified here.
Jeremy Strong's performance as Kendall is masterful, as he navigates the delicate balance between confidence and anxiety. The episode culminates in a crucial presentation scene where Kendall pitches "Living Plus" to investors. The tension is palpable, with the entire boardroom waiting to see if Kendall will succeed or falter under the pressure. Strong's portrayal of Kendall's barely contained nerves adds to the tension, as does the erratic pacing of the scene. The editing here, with quick cuts between Kendall's face, the audience's reactions, and the cold, sterile visuals of the "Living Plus" promotional video, heightens the sense of impending disaster. Yet, in true Kendall fashion, he manages to pull off a somewhat successful presentation - though the cracks in his facade are visible.
The episode's direction by Lorene Scafaria skillfully handles the various moving parts, juxtaposing Kendall's public performance with the private machinations of his siblings, particularly Roman, who is becoming increasingly paranoid and frustrated with his brother's rising prominence. Roman's impulsive decision to fire several key executives demonstrates his desperation to assert control, mirroring his late father's ruthless style of leadership. Kieran Culkin's portrayal of Roman's emotional volatility adds depth to his character, as we see him struggling with his own insecurities, compounded by the loss of his father and the growing realization that he might not be able to fill Logan's shoes.
Overall, the episode expertly explores themes of legacy, insecurity, and the dangerous allure of power. The writing remains sharp, with biting dialogue that underscores the tension between the Roy siblings as they continue to vie for dominance. The glossy presentation of "Living Plus" is also a clever commentary on the hollow promises of corporate America, with the episode drawing a parallel between the artificial utopia Kendall is selling and the dysfunctional family dynamic at the heart of Waystar Royco.
Jeremy Strong's performance as Kendall is masterful, as he navigates the delicate balance between confidence and anxiety. The episode culminates in a crucial presentation scene where Kendall pitches "Living Plus" to investors. The tension is palpable, with the entire boardroom waiting to see if Kendall will succeed or falter under the pressure. Strong's portrayal of Kendall's barely contained nerves adds to the tension, as does the erratic pacing of the scene. The editing here, with quick cuts between Kendall's face, the audience's reactions, and the cold, sterile visuals of the "Living Plus" promotional video, heightens the sense of impending disaster. Yet, in true Kendall fashion, he manages to pull off a somewhat successful presentation - though the cracks in his facade are visible.
The episode's direction by Lorene Scafaria skillfully handles the various moving parts, juxtaposing Kendall's public performance with the private machinations of his siblings, particularly Roman, who is becoming increasingly paranoid and frustrated with his brother's rising prominence. Roman's impulsive decision to fire several key executives demonstrates his desperation to assert control, mirroring his late father's ruthless style of leadership. Kieran Culkin's portrayal of Roman's emotional volatility adds depth to his character, as we see him struggling with his own insecurities, compounded by the loss of his father and the growing realization that he might not be able to fill Logan's shoes.
Overall, the episode expertly explores themes of legacy, insecurity, and the dangerous allure of power. The writing remains sharp, with biting dialogue that underscores the tension between the Roy siblings as they continue to vie for dominance. The glossy presentation of "Living Plus" is also a clever commentary on the hollow promises of corporate America, with the episode drawing a parallel between the artificial utopia Kendall is selling and the dysfunctional family dynamic at the heart of Waystar Royco.
Roman Roy takes more initiative than general times which is understandable with this being the last season. I haven't felt well today but wanted to review this anyway it's always satisfying to see Succession and I love putting my thoughts into the stellar spectacular episodes even though I gave this one a 9. I love how tense some of the scenes are and great so much of it is! A little uneasy, always well written, and magnificent entertainment; this show is a perfect example of what important business guys should be like on a daily basis! Health and happiness would be nice to have more of Kendall is pretty good at his speech.
This show despite offing one of the major characters somehow manages to continue to be in my opinion the best season yet. The character writing as always is off the charts, the acting is extremely good and boy was this one tense episode of TV.
So many of the scenes in this episode made me so nervous, it's gotten to the point where I'm so attached to this show and it's characters that any time someone even does a strange expression I have a panic attack. I genuinely believe that succession is my favourite fiction and I'm so happy that it seems to be ending on such a high note. Can't wait for the next episode.
So many of the scenes in this episode made me so nervous, it's gotten to the point where I'm so attached to this show and it's characters that any time someone even does a strange expression I have a panic attack. I genuinely believe that succession is my favourite fiction and I'm so happy that it seems to be ending on such a high note. Can't wait for the next episode.
¿Sabías que…?
- TriviaSeries creator, Jesse Armstrong, confirmed that the idea to set the episode around a product launch was inspired by both Apple and Microsoft's keynote events.
- Citas
Shiv Roy: ... And so, Sarah has sometimes found me somewhere so that I can have a moment to cry. Yeah.
Tom Wambsgans: You're scheduling your grief?
- ConexionesFeatured in The 75th Primetime Emmy Awards (2024)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Locaciones de filmación
- Warner Brothers Commissary Fine Dining Room, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos(lunch between Roman Roy and Joy Palmer)
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 2min(62 min)
- Color
- Relación de aspecto
- 1.78 : 1
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