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Todos Somos Extraños

Título original: All of Us Strangers
  • 2023
  • B15
  • 1h 45min
CALIFICACIÓN DE IMDb
7.6/10
73 k
TU CALIFICACIÓN
POPULARIDAD
1,309
66
Jamie Bell, Andrew Scott, Carter John Grout, Claire Foy, and Paul Mescal in Todos Somos Extraños (2023)
A screenwriter drawn back to his childhood home enters into a fledgling relationship with a mysterious neighbor as he then discovers his parents appear to be living just as they were on the day they died, 30 years before.
Reproducir trailer2:24
12 videos
99+ fotos
DramaDrama psicológicoRomanceRomance trágico

Cuenta la historia de un guionista que, tras un encuentro con su vecino, es llevado de vuelta a la casa de su infancia, donde descubre que sus padres, muertos hace mucho tiempo, viven y pare... Leer todoCuenta la historia de un guionista que, tras un encuentro con su vecino, es llevado de vuelta a la casa de su infancia, donde descubre que sus padres, muertos hace mucho tiempo, viven y parecen tener la misma edad que el día que murieron.Cuenta la historia de un guionista que, tras un encuentro con su vecino, es llevado de vuelta a la casa de su infancia, donde descubre que sus padres, muertos hace mucho tiempo, viven y parecen tener la misma edad que el día que murieron.

  • Dirección
    • Andrew Haigh
  • Guionistas
    • Andrew Haigh
    • Taichi Yamada
  • Elenco
    • Andrew Scott
    • Paul Mescal
    • Carter John Grout
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    73 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,309
    66
    • Dirección
      • Andrew Haigh
    • Guionistas
      • Andrew Haigh
      • Taichi Yamada
    • Elenco
      • Andrew Scott
      • Paul Mescal
      • Carter John Grout
    • 320Opiniones de los usuarios
    • 204Opiniones de los críticos
    • 90Metascore
  • Ver la información de producción en IMDbPro
    • Nominada a6premios BAFTA
      • 29 premios ganados y 121 nominaciones en total

    Videos12

    Official Trailer
    Trailer 2:24
    Official Trailer
    All of Us Strangers
    Trailer 0:51
    All of Us Strangers
    All of Us Strangers
    Trailer 0:51
    All of Us Strangers
    All of Us Strangers
    Trailer 2:24
    All of Us Strangers
    The Most Gripping Drama of 2023
    Clip 1:02
    The Most Gripping Drama of 2023
    All Of Us Strangers: You Were Just A Boy
    Clip 2:00
    All Of Us Strangers: You Were Just A Boy
    All Of Us Strangers: Do I Scare You
    Clip 0:54
    All Of Us Strangers: Do I Scare You

    Fotos215

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    Elenco principal19

    Editar
    Andrew Scott
    Andrew Scott
    • Adam
    Paul Mescal
    Paul Mescal
    • Harry
    Carter John Grout
    • Young Adam
    Jamie Bell
    Jamie Bell
    • Dad
    Claire Foy
    Claire Foy
    • Mum
    Ami Tredrea
    • Waitress
    Cameron Ashplant
    Cameron Ashplant
    • Teen
    • (sin créditos)
    Lincoln R. Beckett
    • Gay Bar Goer
    • (sin créditos)
    Jack Cronin
    • Teen
    • (sin créditos)
    Christian Di Sciullo
    • Shopper
    • (sin créditos)
    Oliver Franks
    • Lover
    • (sin créditos)
    Hussein Kutsi
    • Taxi Driver
    • (sin créditos)
    Gsus Lopez
    • Club goer
    • (sin créditos)
    Jack Pallister
    • Dancer
    • (sin créditos)
    Guy Robbins
    Guy Robbins
    • Shopper
    • (sin créditos)
    Darren Ryames
    • Passerby
    • (sin créditos)
    Zachary Timmis
    Zachary Timmis
    • Teen
    • (sin créditos)
    Sean Tizzard
    Sean Tizzard
    • Dad on train
    • (sin créditos)
    • Dirección
      • Andrew Haigh
    • Guionistas
      • Andrew Haigh
      • Taichi Yamada
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios320

    7.673.2K
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    Opiniones destacadas

    9brentsbulletinboard

    A Near Perfect Film on So Many Fronts

    In a movie awards season that has had more misses than hits, it's gratifying to see one that not only lives up to, but exceeds, its potential. Such is the case with writer-director Andrew Haigh's latest offering, a heartwarming and heartbreaking story of love, reflection and healing all rolled into one. To say too much about the film would invariably lead to a plethora of spoilers, but suffice it to say that it tells a genuinely moving and touching tale of a 30-something gay Londoner (Andrew Scott) and his budding relationship with a mysterious new beau (Paul Mescal), an involvement very much influenced by the protagonist's relationship with his own past, most notably his involvement with his parents (Jamie Bell, Claire Foy). This is one of those pictures that's just about perfect in virtually every regard thanks to its stringent adherence to authenticity in the writing and the portrayals of its positively stellar cast, especially the highly underrated performance by Foy, whose role has puzzlingly been flying under the radar thus far. It's also a production that will likely surprise viewers in myriad ways, defying expectations and telling a story that's anything but apparent from what's in its promotional trailer. Moreover, I'm impressed by the fact that this is an offering featuring gay characters in which their sexuality is not the principal focus of the narrative, something that truly distinguishes this feature from so many others in this genre. Add to these attributes a sensitively chosen soundtrack and some surprisingly innovative cinematography, and you've got one helluva fine movie. To be sure, this is one of those releases that, if it doesn't touch you profoundly, you'd better check to see if you have ice water coursing through your veins. "All of Us Strangers" richly deserves whatever accolades it receives. It's one of the year's best, bar none.
    9Not-Will-But-Still

    A story of love, loneliness, and grief

    Had the privilege of catching this film early as it screened at the London Film Festival. I had high hopes after seeing the critics reviews and it did not disappoint.

    The story follows Adam and his neighbour Harry, with whom he develops a romantic relationship with, as he deals with the grief from his parents tragic death when he was child.

    The film cuts across genres. At times it is funny, sad, romantic, and even horrifying. It is a damning depiction of the loneliness epidemic among younger men while also dealing with the added challenges faced by those within the lgbt community in trying to fit in.

    The chemistry between Scott and Mescal is brilliant, while Foy and Bell really hit the right note in their roles. The film is also beautifully shot and has a lovely palette of colours within.

    It's a tough watch and left me with a lump in my throat for the entire final third, but it thoroughly deserves all the praise it has received so far.

    9/10.
    8TheVictoriousV

    Dreams are like angels -- they keep bad at bay

    All of Us Strangers is one of the most tender love stories put to film in recent memory and a frightening number of people will choose not to see it because it is a gay one at that. Just thought I'd disclose this aspect upfront so that only the worthy stick around for this read. We good? Good.

    Directed by Andrew Haigh (45 Years) and based in part on the Taichi Yamada novel Strangers, this movie tells of a reclusive London-based screenwriter named Adam (Andrew Scott of Fleabag and Sherlock) who lives in an all-too-quiet apartment building where the only other living soul appears to be the oft-drunk Harry (Paul Mescal of Aftersun), who begins to act flirtily towards him. As you may have guessed, the two eventually bond and fall in love, even as Adam finds Harry a bit mysterious at first and, partly due to what he was taught re: sexuality as a youngster, isn't as comfortable with intimate touch -- initially.

    Sheila O'Malley put it best when she wrote that All of Us Strangers, almost immediately, has a "surreal, almost supernatural atmosphere". I don't know how much I ought to give away, but I can tell you it's not for naught. When I say that the apartment building seems strangely quiet, I mean it seems almost unearthly; it is no surprise that the posters make use of the almost entirely dark building where only two windows are lit up -- it is an image that sets the tone.

    All the same, love is discovered in this setting (this connection, taking place in an eerie realm where connections at first seem impossible, recalls 2015's Anomalisa in a lot of ways) and it isn't long before our hearts are grabbed and then broken. This oft-surreal film is nonetheless very much, devastatingly real.

    Adam is also troubled by thoughts about his parents (Jamie Bell; Claire Foy) as he keeps revisiting his (ostensibly) abandoned childhood home. He has a series of dreams (or are they dreams?) where he goes through the conversations he wishes he'd had -- the sort of conversations that frankly a lot of people, be they gay children of traditionally-minded parents or not, wish they'd had with their folks; the sort of conversations we typically don't get around to before it's too late, resorting to having them in our heads, sometimes in the form of revisiting moments and trying against all logic to rewrite them.

    These sequences exemplify some of the best and most emotionally honest acting of the past year. It is one of those films that make you realize how good other films aren't, particularly those of the romance variety that too often settle for tried routines and formulas while rarely doing anything stylistically intriguing or letting the actors be truly vulnerable. (I'm aware, painfully so, that that's what the crowds want; the statement I heard from a rom-com fan in high school, that "film is about hot people and satisfying endings", still echoes in my mind.)

    On a similar note: as many viewers of British/English cinema will point out, this one sticks out with its artful compositions (note especially its usage of mirrors and windows), dreamlike editing, deliberate color choices, and occasional magical realism. This isn't a first or anything, but it seems we often associate English film with gritty realism -- think This is England or Billy Elliot. I assure you, though, that the English are quite capable of outstanding visual communication. There are edits and framing/blocking choices in All of Us Strangers that cut even deeper than that one "reveal" in 45 Years. If you know, you know.

    Oh and of course, as a long-time fan of Frankie Goes to Hollywood, I can't forget to mention how the film uses their 1984 album Beyond the Pleasuredome, particularly their best song "The Power of Love", as a reoccurring motif; a devastating one. The music video is also referenced, in ways I cannot reveal here. Best you go see this wonderful picture before I say too much.

    And remember: let yourself be beautiful.
    neomastanford

    A perfect film

    I realised towards the end of this film that I was gasping for breath. I had to pause it several times just to catch up with all the feelings it was evoking.

    Such a powerful and moving insight into self enforced loneliness and fantasising about what could have been. Themes of loss, love, memory, and time, handled and explored with such care. The intimacy captured so beautifully. I just know I'm going to be thinking about this film for the next few days, nothing has moved me like this in a long time.

    Incredible performances from the two leads. Their ability to portray raw vulnerability left me dumbfounded at points.

    Perfect soundtrack that complimented the sentiments of each scene. Just the right amount of tension and release. Beautifully balanced in terms of light and dark. A perfect film all round.
    8mayakrafchik-76080

    A film I'll take with me forever

    The only way I can describe this film is beautifully boring. The first time I watched it I could appreciate it's quality but I found it far too disconcerting and spent too much time wondering what the hell was going on to really be drawn in. A year later I revisited the movie with a little more maturity and understanding and I was completely taken aback because it was not the film I remembered. This was a masterpiece on every level. There are so many ways to interpret the film whether as a portrayal of schizophrenia or a fantasy about ghosts. However when you peel back all the layers it's so simply about loneliness. I think trying to decipher what was actually going on, what was actually real etc negates the simplicity of the film. When watching you feel that loneliness to the very core and the whole world seems to be standing still. I believe intentionally this is not a movie for everyone but the film is undeniably perfect. Andrew Haigh outdoes himself, Andrew Scott and Paul Mescal are breathtakingly good, the script heartbreaking, the soundtrack and colour scheme entrancing. It's boring - but it's meant to be. It's the only way to really capture the deep despair and loneliness of its characters, to make the audience feel as they feel. This wasn't a film made for critical acclaim or to be a box office hit. It was made to tell a beautiful story and it excells.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Andrew Haigh's childhood home served as the filming location for the house in which Adam finds his parents.
    • Errores
      Andrew Scott's character grew up in Croydon until the age of 12 with both parents having English accents, yet he speaks with an Irish (Dublin) accent.

      It's explained in the film why Adam has an Irish accent. He went to live with his grandmother in Dublin at the age of 12 after his parents died in the car accident. He later moved to London as an adult.
    • Citas

      Harry: [touching Adam's chest] Don't let this get tangled up again.

    • Conexiones
      Featured in The 7PM Project: Episode dated 2 February 2024 (2024)
    • Bandas sonoras
      She Who Dares (Big Band Original)
      Performed by Colman Brothers

      Written by Andrew Colman and Matthew Colman

      Published by Cacophony Ltd.

      Courtesy of Colman Brothers

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    Preguntas Frecuentes

    • How long is All of Us Strangers?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de febrero de 2024 (México)
    • Países de origen
      • Reino Unido
      • Estados Unidos
    • Sitios oficiales
      • Disney+ Hotstar
      • Film4 Productions
    • Idioma
      • Inglés
    • También se conoce como
      • Todos somos extraños
    • Locaciones de filmación
      • 151 Purley Downs Road, South Croydon, Croydon, Londres, Inglaterra, Reino Unido(Adam's parents' house)
    • Productoras
      • Blueprint Pictures
      • Film4
      • Searchlight Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 4,050,103
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 117,965
      • 24 dic 2023
    • Total a nivel mundial
      • USD 20,226,058
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 45 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.39 : 1

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