Bad Behaviour

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"Bad Behaviour boasts an all-in, powerful performance from Jennifer Connelly, but it's too messy, tonally unbalanced, and narratively all-over-the-place to connect with. It wastes too much time being nonsensical before the mother-daughter relationship gets interesting. Disappointing.

I'm unaware of how much of a personal project this is or even if it's personal at all. Still, Bad Behaviour is one of those films I just couldn't connect with in any shape or form. There's a layer of exaggeration and overdramatization that makes it all feel fictional and less grounded. And that, to me, turns into a massive obstacle to overcome. I hope others can feel the opposite."

Rating: D+

Saw this at the 2023 Sundance Film Festival

"Bad Behaviour" is a story about Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan. This is Actor Alice Englert first directing feature and Englert seems to be passionate about this project from what I have seen from her Q&A session. However, the film really struggles with poor writing and really unlikeable characters.

The main narrative about a mother and daughter relationship and finding enlightenment seems interesting but unfortunately the writing takes way too long to get to the point and many elements that were included felt like filler. The film contains a great cast and the performances are really good as Jennifer Connelly does a fantastic job with her performance alongside with Ben Whishaw. There are also some great camerawork and sound designs used throughout the film. But the messy writing doesn't help the film to be interesting as the writing drags the story and makes the characters really unlikable. The main character was pretty insufferable and moments between her daughter felt undeveloped or rushed.

The dialogue moments were pretty silly, some of the lightening was really awful and distracting, and the direction was pretty messy as it's clear that Englert isn't sure if the film should be a drama or a dark comedy. There were some moments that were unintentionally hilarious as well. Englert clearly has talent on directing but this film isn't really the best feature to begin with a debut. Overall, it's one of the weaker films I had seen at Sundance.

Rating: C-

My first solo film of 2024. Just me in a cinema and after half an hour I was beginning to understand why! "Lucy" (Jennifer Connelly) is trying to have a phone conversation with her daughter "Dylan" (auteur Alice Englert) whilst en route to a remote Oregon retreat. She's thousands of miles away in New Zealand and we get the distinct impression that she's not especially interested. That's a feeling that's quite contagious as we all now endure her experience at the spiritual "Loveranch". A supposedly tech-free place run by "Elon" (Ben Whishaw) that encourages people to open their hearts, their souls and their brains to meaningless waffle about finding yourself. Now insofar as this is supposed to be a parody of this kind of rip-off facility, it sort of works - especially with the arrival of model and DJ "Beverly" (Dasha Nekrasova) to whom "Lucy" takes not just an instant dislike but also the leg of a chair! Meantime the daughter has an incident of her own on the whacky film set where she is stunt artist. That results in her losing her job and racing home to be by the side of her now incarcerated mother. If you weren't bored already, then the best is yet to come - a positively nauseating tale of family discord, a suicide attempt involving some pills and the shallow end of a swimming pool and, finally, some meaningful conversations amidst the forest with running water gently trickling a-foot! Can they salvage the relationship? Does it need savaging? Do we care? Perhaps this read better as a script, and there are times when I felt the wrath of "Lucy" emanating from the screen, but for the most part this is the stuff of a really poor stage play that reminded me again that Ben Whishaw is no great shakes at all on the big screen - indeed, I wonder if he was actually acting at all! As "Yoda" might have said - one fun scene does not a movie make.

Jennifer Connelly and Ben Wishaw both give great performances in a film that is just unfortunately too unfocused. Alice Englert (who also stars as Dylan in the film) makes her directorial debut here with a lot of style. The camerawork was very unique and interesting. The comedy at times I think works quite well and I actually think the film could have benefited from having more of it. The problem is I couldn't tell what the film wanted to be. Serious character study or comedy? It seems that she wanted both but fell short in both avenues. I think her heart was in the right place while making this and it even felt like it was probably personal to her. It's just a shame that I felt at arms length throughout the runtime and could never fully connect with the characters.

It had some really funny and heartwarming moments. There were a couple of scenes, towards the end, that felt very authentic and emotional. I think that the script brought up some lesser explored themes that I connected with. Jennifer Connelly is superb as always. I felt like the story could have been told a little bit more cohesively. But I think that Alice Englert, who also wrote and co-starred in it, did a great job for her directorial debut. Jennifer's clothing aesthetic comforted me and I will love her character for a long time. She has great comedic abilities even if she's often been typecasted to darker roles. There were some beautiful shots, especially the one at the end... that was absolutely stunning.