East of Wall

I saw East of Wall at a "Screen Unseen" event at my local theater. I hadn't heard of it before and went in completely blind, which I usually enjoy-but in this case, it didn't quite work out.

I found the movie hard to follow, both in terms of plot and pacing. It seems to center on a woman with a difficult past who trains horses and tries to move forward with her life. While the film clearly aimed to be emotional and character-driven, the storytelling felt disjointed and lacked enough clarity to fully connect with the audience.

On the plus side, the visuals were striking-the South Dakota Badlands made for a beautiful and atmospheric backdrop. The acting was generally solid, though nothing particularly stood out.

Overall, East of Wall had potential, but its narrative struggles kept me from becoming fully invested.

Five years ago director Kate Beecroft was driving around the country with her DP in search of a good story to film, "trying to find faces, stories, maybe something we could use for a short film or b-roll for a music video." She did not dream she would find a fascinating character in a setting where she would spend three years creating her first feature film. And what a film it is, a docu-drama based on the real lives of Tabatha Zamiga and her daughter Porshia. Tabatha is a young, punk widow, raising her children in her ranch in South Dakota, along with several other teens who, for one reason or another, were abandoned by their parents. Tabatha is a master horse trainer and Porshia is a gifted rider. Beecroft spent time teaching them to act in such a way that the authenticity of their fascinating story could come through on film. The compelling hybrid setting brings to mind Nomadland, even more authentic, perhaps, because these amateurs are reliving their own story. I was mesmerized and believe this film deserves an academy nomination. The audience at Sundance 2025 seems to agree. The film received their award at the festival.

Watched at the 2025 Sundance Film Festival.

A simple slice of life tale about a women trying her best to go through the troubles in life is emotional journey. And director Kate Beecroft does a fantastic job on presenting a low-budget feature with strong nature performances from the cast, realistic characters and engaging writing.

Presented through a docudrama presentation, this slice of life narrative carries many good themes about family, the struggles, being a cowboy/cowgirl kind, and trying the best to navigate despite the harsh realities. Filmed with beautiful camerawork and nature dialogue, you begin to feel the connection and emotions the characters are going through. Whether they aren't perfect, the characters are interesting as they never came off as unlikable or boring.

All of the performances are good, the score is good, and there are some sequences that does hit right in the heart successfully. Reminds me a lot of Chloé Zhao which her works focus on the American natural landscapes.

Overall, I really liked this movie and I love to see this director make another movie someday.

We saw "East of Wall" last night in a "Screen Unseen" showing. Wasn't sure what I was watching for the first 5 minutes or so but after that I was pulled into the lives of these characters. Fantastic script and direction by Kate Beecroft. And, the acting, well it almost seemed like they were just being themselves! (Hint: watch the acting credits!) And my lord, the horsemanship... these young women can RIDE!!!

Greetings again from the darkness. Kate Beecroft's first feature film as writer-director can be accurately described as a biographical-drama, yet we can't help but wonder if a straight documentary could have been equally interesting. In no way is that meant as a criticism of the film, it's just that most of the cast (with only a couple of exceptions) is made up of non-actors playing versions of their real-life selves ... and each one of them holds our attention, leaving us wanting to know even more.

Tabatha Zimiga is a tough-looking mom who runs a 3000 acre horse farm near the Badlands of South Dakota. She's a horse trainer and trader, and is known as a 'horse whisperer' (her abilities are so renowned, some even jokingly refer to her as a witch). The auction prices on her horses have dropped recently, adding stress to Tabatha's existence. Not only did her husband die, leaving her to run the farm, but she's also the one who welcomes local kids to live at her place when things don't go well at their own home. As noted by the signs of blight in the area, poverty is commonplace, and some folks can't handle the added burden of kids. In fact, Tabatha currently has seven teenagers and her own three-year-old son to care for - so the reduced price for horses puts many in peril.

One of the teenagers is Tabatha's fourteen-year-old daughter, Porshia, a champion rider who markets the horses on TikTok ... while also going through the moods of a teenager who no longer has her dad. Also on the farm are Tabatha's mother Tracey (played by the always excellent Jennifer Ehle, SAINT MAUD, 2019) and Tabatha's boyfriend Clay. Tracey seems best suited to smart-aleck remarks as she brews her own moonshine. Tabatha calmly and firmly runs the show, knowing full well how dependent the kids are on her.

After one of the auctions, Roy Waters (Scoot McNairy, A COMPLETE UNKNOWN, 2024), a cocky rancher from Fort Worth, Texas makes an offer to Tabatha. He will buy the ranch and allow her and the kids to continue living and working there to build the horse trading business. He recognizes the value in having a horse whisperer of Tabatha's caliber. One can imagine how angry this makes Porshia, as it's the only home she's ever known, and the farm carries all memories of her late father. It's here where the film slips a bit, as the interaction between Tabatha, Porshia, and Roy seems a bit clunky, leaving us to fill in a few too many gaps.

Cinematographer Austin Shelton does a terrific job at capturing the unique terrain of the area, as well as the near chaos of the energetic kids. Periodically, the music is a bit too strong for the scene, but there is something true and honest here as we ask ourselves, "what makes a family?" It certainly seems like Tabatha knows.

The film opens on August 15, 2025.