With Interest
- El episodio se transmitió el 25 mar 2025
- TV-MA
- 39min
CALIFICACIÓN DE IMDb
8.0/10
11 k
TU CALIFICACIÓN
Un día en la vida de Matt Murdock se vuelve intenso, y debe formar equipo con una cara conocida.Un día en la vida de Matt Murdock se vuelve intenso, y debe formar equipo con una cara conocida.Un día en la vida de Matt Murdock se vuelve intenso, y debe formar equipo con una cara conocida.
- Dirección
- Guionistas
- Elenco
Ramon Nuñez
- New Yorker
- (solo créditos)
Yvette Mercedes
- New Yorker
- (solo créditos)
Steven Bitterman
- Midtown NY Pedestrian
- (sin créditos)
Keensen Chambers
- Task Force Member
- (sin créditos)
Opiniones destacadas
Daredevil: A Great Show That Doesn't Need Unnecessary Marvel Additions
When it comes to superhero television, Daredevil stands out as one of the best. With or without Marvel's overarching influence, the show has consistently delivered gripping storytelling, intense action, and compelling character development. It's a series that doesn't rely on excessive world-building or unnecessary cameos to stay relevant-it thrives on its own. However, recent decisions regarding its direction have raised concerns among fans.
What Makes Daredevil Great?
From the very first season, Daredevil has excelled in crafting a dark, grounded, and mature narrative-something that sets it apart from the often lighthearted or comedic tone of many Marvel productions. The character of Matt Murdock, portrayed masterfully by Charlie Cox, is layered with depth, conflict, and real stakes, making his journey incredibly engaging.
The show's fight choreography is unparalleled. The now-iconic hallway fight scenes alone are proof that Daredevil isn't just another superhero series-it's a masterclass in action direction. The cinematography, writing, and performances have consistently elevated it beyond typical comic book adaptations, proving that superhero stories can be taken seriously without relying on excessive CGI or over-the-top humor.
Bringing in Fan-Favorite Characters - The Right Way Adding fan-favorite characters, such as The Punisher, was a brilliant move. Jon Bernthal's portrayal of Frank Castle was gritty, emotional, and intense, making him an instant hit among viewers. His inclusion felt natural, adding more depth to the show rather than distracting from it. His interactions with Matt Murdock provided some of the most thought-provoking moments in the series, showcasing the moral complexities of vigilantism.
However, the same cannot be said for some of the newer additions. Marvel's decision to introduce unnecessary crossovers and forced references to characters that don't fit Daredevil's tone has been more of a hindrance than a benefit.
The Problem With Unnecessary Marvel Additions The show was doing just fine on its own. It had a unique identity-a dark, crime-driven narrative with morally complex characters-and didn't need constant reminders that it exists in the Marvel Cinematic Universe. Yet, Marvel seems determined to shoehorn in characters and references that simply don't belong.
One of the most glaring issues was the unnecessary Ms. Marvel references. While Ms. Marvel has its place in the MCU, it has no real connection to Daredevil's gritty, crime-ridden world. The forced references felt out of place and disconnected from the tone of the show, almost as if Marvel was trying too hard to remind viewers that it owns Daredevil.
Adding to this frustration is the poor acting of Kamala Khan, which made those moments even more unbearable. Instead of complementing the show, these additions disrupted the immersion and felt like forced marketing rather than genuine storytelling.
Marvel Needs to Stop Interfering With Daredevil's Brilliance It's no secret that Marvel has struggled with some of its recent TV and film projects. While the franchise has had some incredible highs, it has also suffered from inconsistent writing, excessive humor, and forced inclusions that weaken its narratives.
Daredevil, however, has always been a shining exception. It is Marvel's best TV show-or at the very least, the closest thing to a truly high-quality, character-driven superhero series that they have right now. The last thing it needs is for Marvel to dilute its essence with unnecessary additions and out-of-place humor.
Marvel, if you're listening: Daredevil doesn't need your forced crossovers, bad acting, or cheap universe-building tactics. Just let it be great.
When it comes to superhero television, Daredevil stands out as one of the best. With or without Marvel's overarching influence, the show has consistently delivered gripping storytelling, intense action, and compelling character development. It's a series that doesn't rely on excessive world-building or unnecessary cameos to stay relevant-it thrives on its own. However, recent decisions regarding its direction have raised concerns among fans.
What Makes Daredevil Great?
From the very first season, Daredevil has excelled in crafting a dark, grounded, and mature narrative-something that sets it apart from the often lighthearted or comedic tone of many Marvel productions. The character of Matt Murdock, portrayed masterfully by Charlie Cox, is layered with depth, conflict, and real stakes, making his journey incredibly engaging.
The show's fight choreography is unparalleled. The now-iconic hallway fight scenes alone are proof that Daredevil isn't just another superhero series-it's a masterclass in action direction. The cinematography, writing, and performances have consistently elevated it beyond typical comic book adaptations, proving that superhero stories can be taken seriously without relying on excessive CGI or over-the-top humor.
Bringing in Fan-Favorite Characters - The Right Way Adding fan-favorite characters, such as The Punisher, was a brilliant move. Jon Bernthal's portrayal of Frank Castle was gritty, emotional, and intense, making him an instant hit among viewers. His inclusion felt natural, adding more depth to the show rather than distracting from it. His interactions with Matt Murdock provided some of the most thought-provoking moments in the series, showcasing the moral complexities of vigilantism.
However, the same cannot be said for some of the newer additions. Marvel's decision to introduce unnecessary crossovers and forced references to characters that don't fit Daredevil's tone has been more of a hindrance than a benefit.
The Problem With Unnecessary Marvel Additions The show was doing just fine on its own. It had a unique identity-a dark, crime-driven narrative with morally complex characters-and didn't need constant reminders that it exists in the Marvel Cinematic Universe. Yet, Marvel seems determined to shoehorn in characters and references that simply don't belong.
One of the most glaring issues was the unnecessary Ms. Marvel references. While Ms. Marvel has its place in the MCU, it has no real connection to Daredevil's gritty, crime-ridden world. The forced references felt out of place and disconnected from the tone of the show, almost as if Marvel was trying too hard to remind viewers that it owns Daredevil.
Adding to this frustration is the poor acting of Kamala Khan, which made those moments even more unbearable. Instead of complementing the show, these additions disrupted the immersion and felt like forced marketing rather than genuine storytelling.
Marvel Needs to Stop Interfering With Daredevil's Brilliance It's no secret that Marvel has struggled with some of its recent TV and film projects. While the franchise has had some incredible highs, it has also suffered from inconsistent writing, excessive humor, and forced inclusions that weaken its narratives.
Daredevil, however, has always been a shining exception. It is Marvel's best TV show-or at the very least, the closest thing to a truly high-quality, character-driven superhero series that they have right now. The last thing it needs is for Marvel to dilute its essence with unnecessary additions and out-of-place humor.
Marvel, if you're listening: Daredevil doesn't need your forced crossovers, bad acting, or cheap universe-building tactics. Just let it be great.
Today is the day that I won't complain. A nice discovery of a fifth episode, tightly paced, well-made in its core, bearing enthralling realism and as much as others may be unhappy, I'd prefer this one big time over mushroom courtroom drama.
The auditory effects are immersive, the all-around fights (big one-sided ones) like a sister to the OG and the bone-cracking effects on point.
A sweet candy in our mouth after four "developing" episodes.
The auditory effects are immersive, the all-around fights (big one-sided ones) like a sister to the OG and the bone-cracking effects on point.
A sweet candy in our mouth after four "developing" episodes.
- Screenplay/storyline/plots: 6.5
- Production value/impact: 6.5
- Development: 7
- Realism: 7.5
- Entertainment: 7.5
- Acting: 7.5
- Filming/photography/cinematography: 7.5
- VFX: 7.5
- Music/score/sound: 7.5
- Depth: 6.5
- Logic: 6
- Flow: 7.5
- Drama/psychological thriller/crime/action/fantasy/sci-fi/superhero: 7
- Ending: 7.
This episode may be the weakest so far of this first season, but it's still fun to watch.
Yes, there is a reference to Ms Marvel, a show nobody has watched, me neither, but that reference is not important for understanding the episode's plot.
The bank rob is a classic one, nothing new. Murdock saves the hostages by using his senses and intellect. The villain is a bit blank, there could have been a bit more depth.
All in all this episode is kind of a filler episode, since it does not contribute much to the general story. But it was entertaining nevertheless and Disney gives us 2 episodes this week, so the second one can fulfill our expectations.
Yes, there is a reference to Ms Marvel, a show nobody has watched, me neither, but that reference is not important for understanding the episode's plot.
The bank rob is a classic one, nothing new. Murdock saves the hostages by using his senses and intellect. The villain is a bit blank, there could have been a bit more depth.
All in all this episode is kind of a filler episode, since it does not contribute much to the general story. But it was entertaining nevertheless and Disney gives us 2 episodes this week, so the second one can fulfill our expectations.
It was just little side quest for Matt leading up to nothing interesting just saying there some boss and later in next saying nothing about it Bank robbery doesn't work like that if you had watch Inside man movie.and there is so many camera cuts in action scenes oh my god does any remember from the Netflix's Daredevil Hallway fight scene with zero camera cuts And now look at this man I'm little bit disappointed and including cast from Ms Marvel broo I did not want to see that why the hell Daredevil fans show care about Ms Marvel this is bullshii this might be the stupidest idea they ever come up with.
Filler isn't a bad thing, if done correctly, which this episode does. It really displays Matt's intelligence, and power. Even if it doesn't drive the plot forward, it entertained me a lot. I like this episode, it didn't drag on, it was suspenseful, it was entertaining, it was just overall good and fun. It very, very simple so not too much to say about this episode. It was fun and I enjoyed it. Lots of improvement in dialogue and overall dynamics with characters. I know there building up to something, and they are doing a pretty good job at it. Really enjoyed this, hoping the next episode is very good.
¿Sabías que…?
- TriviaWhen asked, "What kind of lawyer are you?" Matt responds, "A very good one." This is the same answer he gave to this question in Spider-Man: Sin Camino A Casa (2021).
- ErroresTodas las entradas contienen spoilers
- Citas
Yusuf Khan: Exactly what kind of a lawyer are you?
Matt Murdock: A really good one.
- ConexionesFeatured in The Blockbuster Buster: Honest Review - Daredevil Born Again (2025)
- Bandas sonorasThe Rocky Road to Dublin
Written by D.K. Gavan
Arranged by Robert Boulding, Brendan Holmes, David Ingraham, Keith Roberts, and Charles Waltz
Performed by Young Dubliners
Courtesy of Craft Recordings, a division of Concord
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Detalles
- Tiempo de ejecución
- 39min
- Color
- Mezcla de sonido
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