With Interest

This episode was really good. I am going to name it "the time Matt stopped a bank jewel robbery" quite simple isn't it but has a very comic book feel to it. A lot of you might not agree but She Hulk also did these stand alone episodes really well, part of the reason why i liked that show. Not every episode has to drive the main story. This gives more room for exploring the "non-world in danger" storylines. Spider man doesn't save the world from doom everyday. Most of his days are keeping his neighbourhood safe. Good we got to see Matt do the same and hope we get more episodes like this. Now i know why this week we are getting 2 ep. Alright, on to the next one.

Filler isn't a bad thing, if done correctly, which this episode does. It really displays Matt's intelligence, and power. Even if it doesn't drive the plot forward, it entertained me a lot. I like this episode, it didn't drag on, it was suspenseful, it was entertaining, it was just overall good and fun. It very, very simple so not too much to say about this episode. It was fun and I enjoyed it. Lots of improvement in dialogue and overall dynamics with characters. I know there building up to something, and they are doing a pretty good job at it. Really enjoyed this, hoping the next episode is very good.

One-off, genre episodes have long been a staple of television storytelling - the second season of Netflix's "The Punisher" even did it's own riff on John Carpenter's "Assault on Precinct 13" in an episode that I quite enjoyed. This week, "Daredevil: Born Again" becomes a bank heist genre film. Your mileage may vary when it comes to watching Matt Murdock roughly navigate the plot beats of Spike Lee's "Inside Man," but I still find myself charmed each time Charlie Cox plays the "Who? Me?" card.

What I did not find charming is an embarrassingly shameless advertisement for Funko pop that briefly annihilates the air of "adult drama" that "Born Again" strives to present. The scene in question, an early conversation between Matt Murdock and Yusuf Kahn, could have seamlessly integrated the "Ms. Marvel" character into the world of Daredevil. Instead, the script strains to remind the audience that Kahn is the father of a superhero. Ms. Marvel is a fun character, and Iman Vellani is a tremendous performer, but it's hard to excuse when a character like her father name drops a brand - with everything but a wink to camera.

The other issue with "Born Again"'s genre episode relates to the state of television storytelling today. In a twenty-two episode season, this sort of departure would be welcome. But as the midpoint of a series who's initial eighteen episode order has already been sliced in half*, "With Interest" can comes across as an interruption of the series momentum - especially considering the absence of the promising new supporting cast.

I've enjoyed "Born Again" quite a bit, and I've been surprisingly pleased by it's successful continuation of the Netflix series' themes. But this episode, while entertaining, reminded me more of the current state of the MCU than the original Daredevil series, unlike the previous four episodes. Thankfully, despite two egregious flashback montages, the following, sixth episode steers the series back on course for an exciting back-half of the season.

*The series' original eighteen episode first season order was cut to nine during the creative overhaul. The remaining nine episodes of the original order were cut to eight and re-ordered as a second season.

Daredevil: A Great Show That Doesn't Need Unnecessary Marvel Additions

When it comes to superhero television, Daredevil stands out as one of the best. With or without Marvel's overarching influence, the show has consistently delivered gripping storytelling, intense action, and compelling character development. It's a series that doesn't rely on excessive world-building or unnecessary cameos to stay relevant-it thrives on its own. However, recent decisions regarding its direction have raised concerns among fans.

What Makes Daredevil Great?

From the very first season, Daredevil has excelled in crafting a dark, grounded, and mature narrative-something that sets it apart from the often lighthearted or comedic tone of many Marvel productions. The character of Matt Murdock, portrayed masterfully by Charlie Cox, is layered with depth, conflict, and real stakes, making his journey incredibly engaging.

The show's fight choreography is unparalleled. The now-iconic hallway fight scenes alone are proof that Daredevil isn't just another superhero series-it's a masterclass in action direction. The cinematography, writing, and performances have consistently elevated it beyond typical comic book adaptations, proving that superhero stories can be taken seriously without relying on excessive CGI or over-the-top humor.

Bringing in Fan-Favorite Characters - The Right Way Adding fan-favorite characters, such as The Punisher, was a brilliant move. Jon Bernthal's portrayal of Frank Castle was gritty, emotional, and intense, making him an instant hit among viewers. His inclusion felt natural, adding more depth to the show rather than distracting from it. His interactions with Matt Murdock provided some of the most thought-provoking moments in the series, showcasing the moral complexities of vigilantism.

However, the same cannot be said for some of the newer additions. Marvel's decision to introduce unnecessary crossovers and forced references to characters that don't fit Daredevil's tone has been more of a hindrance than a benefit.

The Problem With Unnecessary Marvel Additions The show was doing just fine on its own. It had a unique identity-a dark, crime-driven narrative with morally complex characters-and didn't need constant reminders that it exists in the Marvel Cinematic Universe. Yet, Marvel seems determined to shoehorn in characters and references that simply don't belong.

One of the most glaring issues was the unnecessary Ms. Marvel references. While Ms. Marvel has its place in the MCU, it has no real connection to Daredevil's gritty, crime-ridden world. The forced references felt out of place and disconnected from the tone of the show, almost as if Marvel was trying too hard to remind viewers that it owns Daredevil.

Adding to this frustration is the poor acting of Kamala Khan, which made those moments even more unbearable. Instead of complementing the show, these additions disrupted the immersion and felt like forced marketing rather than genuine storytelling.

Marvel Needs to Stop Interfering With Daredevil's Brilliance It's no secret that Marvel has struggled with some of its recent TV and film projects. While the franchise has had some incredible highs, it has also suffered from inconsistent writing, excessive humor, and forced inclusions that weaken its narratives.

Daredevil, however, has always been a shining exception. It is Marvel's best TV show-or at the very least, the closest thing to a truly high-quality, character-driven superhero series that they have right now. The last thing it needs is for Marvel to dilute its essence with unnecessary additions and out-of-place humor.

Marvel, if you're listening: Daredevil doesn't need your forced crossovers, bad acting, or cheap universe-building tactics. Just let it be great.

It was just little side quest for Matt leading up to nothing interesting just saying there some boss and later in next saying nothing about it Bank robbery doesn't work like that if you had watch Inside man movie.and there is so many camera cuts in action scenes oh my god does any remember from the Netflix's Daredevil Hallway fight scene with zero camera cuts And now look at this man I'm little bit disappointed and including cast from Ms Marvel broo I did not want to see that why the hell Daredevil fans show care about Ms Marvel this is bullshii this might be the stupidest idea they ever come up with.