The Hollow of His Hand
- El episodio se transmitió el 11 mar 2025
- TV-MA
- 47min
El testigo de Matt desaparece en el juicio de Héctor Ayala, obligándole a revelar la identidad del justiciero ante el tribunal. Wilson y Vanessa se enfrentan por intervenir en un conflicto e... Leer todoEl testigo de Matt desaparece en el juicio de Héctor Ayala, obligándole a revelar la identidad del justiciero ante el tribunal. Wilson y Vanessa se enfrentan por intervenir en un conflicto entre bandas.El testigo de Matt desaparece en el juicio de Héctor Ayala, obligándole a revelar la identidad del justiciero ante el tribunal. Wilson y Vanessa se enfrentan por intervenir en un conflicto entre bandas.
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- Guionistas
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Opiniones destacadas
Charlie Cox stuns again with his dialogue in the courtroom and his overall performance is captivating. Kamar de los Reyes is also brilliant showing off more about this intriguing character, his performance and all the emotions that comes with it are done really well.
And there's no way to talk about this episode without mentioning Kamar de los Reyes. His White Tiger could've easily been just a plot device-a vigilante sacrificed to push Matt's identity crisis-but Kamar's performance elevates the role into something infinitely more memorable. The opening scene, where Matt visits him in prison, already makes it clear that this isn't just another street-level hero trying to prove his innocence. The way he carries tension in his body, the weight in every word he speaks, makes Hector feel real-someone who understands exactly what's at stake but refuses to compromise his principles. He's not just fighting for his freedom; he's fighting for something bigger, for a purpose that Matt has spent a long time trying to ignore. That makes his fate even more tragic and cruel, especially considering the respect and trust he builds with Matt throughout the episode.
Fisk's political arc continues unfolding with an air of inevitability. The former Kingpin is now a mayor focused on consolidating power, but the cost of that legitimacy is starting to show... The emotional distance between him and Vanessa keeps growing, and their breakfast scene-masked as a casual conversation about art-is one of the sharpest moments of the episode. The symbolism of the Francis Bacon painting couldn't be more fitting: a distorted portrait of reality, just like the life Fisk is trying to keep intact while still getting his hands dirty behind the scenes to ensure his plans move forward. And speaking of dirty hands, the episode doesn't shy away from hinting that Fisk might be directly involved in the rising violence across the city, suggesting that his transition to politics doesn't mean he's abandoned his more brutal methods. This duplicity mirrors Matt's own struggles, and the cross-cutting between the two characters, both suppressing their true nature, is one of the smartest visual moments in the episode.
In the courtroom, the tension between Matt and Officer Powell adds another layer of danger to the narrative. Their stare-down in the courthouse bathroom, both still carrying scars from the previous episode, is one of those simple but loaded moments filled with subtext. Powell knows Matt isn't just another lawyer, and Matt knows Powell could destroy him if he decided to talk too much. This fragile balance between justice and self-preservation is what makes "Daredevil" so incredible, and this scene is a reminder that the show's world is never black and white. In the end, it's Powell who twists the situation with false testimony, while Matt finds himself trapped, out of options.
The trial's big twist-Matt revealing that Hector is White Tiger-completely caught me off guard. Like, we know he shouldn't have done it, but it makes sense within his internal conflict. He's trying to win a game where the rules are clearly rigged against him, and in his desperation, he makes a move that may have cost his own client's life. And what makes it even more painful is that Hector, even after being freed, remains exactly who he's always been. He doesn't run, doesn't hide, doesn't abandon his mission. And that's what dooms him.
The final sequence, with the sound of coquis echoing over the credits, is SO tragically beautiful. The memory of Hector's lost paradise-a place he'll never see again-brutally contrasts with the reality of the city that destroyed him. And for Matt, this death isn't just another injustice-it's a wake-up call. Because no matter how much he tries to deny it, he knows he's still Daredevil. He knows he can't just stand by. And now, someone's gonna have to pay for what happened.
Overall, this episode is one of the best in "Born Again" so far and one of the most powerful in the entire "Daredevil" franchise. It captures everything the series does best: complex moral dilemmas, razor-sharp performances, and an overwhelming sense of inevitable tragedy that pits its characters against themselves in painfully human ways. And if the ending is any indication, the real Daredevil is about to come back-and he's not gonna be happy...
The tone in this chapter-combining courtroom drama and suspense with a slow pace-reminds me of the original show. A jury episode deciding the fate of Hector Ayala, exposing the deep corruption of the state.
The cinematography is great, Charlie and Vincent's performances continues to impress, the script and dialogues are superb, the storytelling is amazing, and that ending... wow.
The credit scene with the sound... I'm starting to think that Marvel doesn't have feelings...
We are witnessing a wonderful piece of television!
9 ✍🏻
¿Sabías que…?
- TriviaThe fictional Brazilian soft drink "Pingo Doce" appears on a bus stop advertisement. Bruce Banner worked at a Pingo Doce bottling plant in Hulk, el hombre increible (2008).
- ErroresPolice reports are not admissible as evidence. When evidence is admitted, the other side must be able to cross-examine it; one cannot cross-examine the written word. The police officers who wrote the reports could be sworn in as witnesses, but the reports themselves are not admissible.
Under certain circumstances, official government records, such as police reports, are admissible as evidence in many jurisdictions.
- Citas
Vanessa Fisk: [about rogue criminals] They're misbehaving because there's no one at the head of the table. Without you or me there, they'll turn on each other.
Wilson Fisk: They're rats. Rats at the bottom of the barrel. Let them kill each other.
Vanessa Fisk: And when they're done with each other, whoever is left standing will come after you.
- Créditos curiososA coqui frog is heard croaking over the closing credits.
- ConexionesReferences Homicide: Life on the Street: The Subway (1997)
- Bandas sonorasMi Canto
Written by Salvi Carreras, Franklin Quinonez, Julisa Pineda, and Jose Ramirez
Performed by Salvi ft. Franklin Dam, Yuli, Sitofunk
By arrangement with Bodega Sync
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Detalles
- Tiempo de ejecución
- 47min
- Color
- Mezcla de sonido