The Hollow of His Hand
- El episodio se transmitió el 11 mar 2025
- TV-MA
- 47min
El testigo de Matt desaparece en el juicio de Héctor Ayala, obligándole a revelar la identidad del justiciero ante el tribunal. Wilson y Vanessa se enfrentan por intervenir en un conflicto e... Leer todoEl testigo de Matt desaparece en el juicio de Héctor Ayala, obligándole a revelar la identidad del justiciero ante el tribunal. Wilson y Vanessa se enfrentan por intervenir en un conflicto entre bandas.El testigo de Matt desaparece en el juicio de Héctor Ayala, obligándole a revelar la identidad del justiciero ante el tribunal. Wilson y Vanessa se enfrentan por intervenir en un conflicto entre bandas.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
I've seen some people complain about Matt outing Hector's identity as the White Tiger but I see it fully in character. This episode wasn't just courtroom stuff but also a character study deep into who Matt's character is now. Matt truly and obviously misses Daredevil but he also genuinely thinks he can do better as simply Matt Murdock, Attorney at Law, which he tries to project onto Hector. Every single moment this episode was well acted and enticing. I see that this was apart of the old show pre reshoots, so I wonder if we would've gotten more court cases like this and even less Daredevil action. I mean, at this point, I wouldn't mind it because Charlie Cox really IS a damn good lawyer.
All in all, this was an incredible episode that hit most if not all the marks.
Overall: 9.5/10
Rest in Peace to Kamar de los Reyes. He acted his ass off and I wish we seen more of him.
The episode served as a powerful reminder of Matt Murdock's legal prowess. We witnessed his strategic brilliance, observing how he and his team meticulously planned their defense. Furthermore, his willingness to deviate from established scripts, though potentially controversial, proved remarkably effective. The narrative deftly explored themes of police corruption, the misappropriation of symbols, and the intrinsic beauty of the values he holds dear, culminating in a poignant lesson about the weight of consequences.
Kamar de los Reyes delivered a tour-de-force performance as Hector Ayala. Despite limited dialogue, his charisma and depth shone through, particularly through his nuanced facial expressions and nonverbal communication. He transformed the character into a compelling force within the courtroom. Disney should undoubtedly champion his guest acting performance during awards season.
The episode's grounded realism, achieved through masterful writing and exceptional acting, resonated deeply. Strikingly, it eschewed spectacle, relying solely on its narrative strength. Moreover, the episode provided a tantalizing glimpse into the overarching story, drawing clear parallels to contemporary social and political issues. The shocking end of the episode draws directly from the comics but updated the events for a deeper sense of disbelief. This episode is a must see.
Charlie Cox stuns again with his dialogue in the courtroom and his overall performance is captivating. Kamar de los Reyes is also brilliant showing off more about this intriguing character, his performance and all the emotions that comes with it are done really well.
¿Sabías que…?
- TriviaThe fictional Brazilian soft drink "Pingo Doce" appears on a bus stop advertisement. Bruce Banner worked at a Pingo Doce bottling plant in Hulk, el hombre increible (2008).
- ErroresPolice reports are not admissible as evidence. When evidence is admitted, the other side must be able to cross-examine it; one cannot cross-examine the written word. The police officers who wrote the reports could be sworn in as witnesses, but the reports themselves are not admissible.
Under certain circumstances, official government records, such as police reports, are admissible as evidence in many jurisdictions.
- Citas
Vanessa Fisk: [about rogue criminals] They're misbehaving because there's no one at the head of the table. Without you or me there, they'll turn on each other.
Wilson Fisk: They're rats. Rats at the bottom of the barrel. Let them kill each other.
Vanessa Fisk: And when they're done with each other, whoever is left standing will come after you.
- Créditos curiososA coqui frog is heard croaking over the closing credits.
- ConexionesReferences Homicide: Life on the Street: The Subway (1997)
- Bandas sonorasMi Canto
Written by Salvi Carreras, Franklin Quinonez, Julisa Pineda, and Jose Ramirez
Performed by Salvi ft. Franklin Dam, Yuli, Sitofunk
By arrangement with Bodega Sync
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Detalles
- Tiempo de ejecución
- 47min
- Color
- Mezcla de sonido