Un misterioso viajero chantajea a un joven agente de la TSA para que deje pasar un peligroso paquete por el control de seguridad y lo introduzca en un vuelo el día de Navidad.Un misterioso viajero chantajea a un joven agente de la TSA para que deje pasar un peligroso paquete por el control de seguridad y lo introduzca en un vuelo el día de Navidad.Un misterioso viajero chantajea a un joven agente de la TSA para que deje pasar un peligroso paquete por el control de seguridad y lo introduzca en un vuelo el día de Navidad.
- Premios
- 6 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Carry-On' is often likened to 'Die Hard' for its Christmas setting and action-packed plot. The film explores themes of tension, moral dilemmas, and high-stakes scenarios in an airport. Taron Egerton and Jason Bateman receive praise for their performances and chemistry. However, some critics note plot holes, unrealistic elements, and a lack of originality, arguing the film relies on familiar tropes. Despite these issues, many find 'Carry-On' to be an entertaining, fun action thriller.
Opiniones destacadas
Well done and well acted. Mostly enjoyable- but the main character and his girlfriend were just flat, especially the GF, the main character did his job well but brought nothing more. The detective started off real likeable, realistic, clumsy but smart, then suddenly, halfway through the movie, enters Girl Boss - all others will fail with my plot armour!!! And she has a ludicrous, horribly executed CGI fight that was unnecessary.
Jason Bateman did a great job as a villain- but Hans didn't have McClain to dance with. Needed more wit and sharper dialogue between good guy and bad guy, huge missed opportunity.
It's sad that the only "original" Hollywood movies we get now are obvious rip offs of previous hits: still it could have been better if the lead had a little more fun and joy with His character.
Overall, if you don't mind a B action movie and are in the mood for something new, and ever felt empathy for the TSA, have a ball!
Jason Bateman did a great job as a villain- but Hans didn't have McClain to dance with. Needed more wit and sharper dialogue between good guy and bad guy, huge missed opportunity.
It's sad that the only "original" Hollywood movies we get now are obvious rip offs of previous hits: still it could have been better if the lead had a little more fun and joy with His character.
Overall, if you don't mind a B action movie and are in the mood for something new, and ever felt empathy for the TSA, have a ball!
Okay, so it kept me entertained enough to watch it until the end, however, the ending was very predictable and no twist/shock to make it more interesting. Also, there are some moments where you need to suspend belief as otherwise, you'll be rolling your eyes.
Not sure about the casting for the 'bad guy'- having watched Jason Bateman in other roles, it just didn't sit right with me and the sniper, well, preposterous!
The film is a cross between Die Hard and Phone Booth but doesn't quite pull it off, although, if you haven't nothing else to watch, it's not a bad choice to while away a few hours.
Not sure about the casting for the 'bad guy'- having watched Jason Bateman in other roles, it just didn't sit right with me and the sniper, well, preposterous!
The film is a cross between Die Hard and Phone Booth but doesn't quite pull it off, although, if you haven't nothing else to watch, it's not a bad choice to while away a few hours.
Let's be real...does anyone expect a Netflix original to be anything special these days? Not every movie has to stun with its plot and characters, and Carry-On certainly doesn't do that. The crime in this movie is completely and totally unrealistic, but who really cares? I never got the impression that this movie took itself very seriously, especially when you consider Jason Bateman is playing a villain. I generally enjoy action packed thrillers, and the fight/conflict scenes in this movie deserve some more recognition. The fighting choreography was interesting 9especially since this takes place in an airport) and the main characters aren't making stupid decision after stupid decision. Was this a great movie? Absolutely not. But OK movies exist and can still be fun if you're looking for something new to watch.
This movie has a great premise, great actors, great characters. Unfortunately, the longer the movie goes on, the more frustrating it gets. The characters continue to make decisions that make ZERO sense. The plot also falls apart quickly everything is so quickly able to be solved if the characters used any common sense.
I figured it would be an mindless action thriller. It is an action thriller, but it's hard to be mindless with how obvious the characters are making bad decision after bad decision. Too many to be even remotely believable.
Again, all the actors did a great job with their characters, there are just so many obvious flaws in the story and plot that the movie became frustrating as it end on.
I figured it would be an mindless action thriller. It is an action thriller, but it's hard to be mindless with how obvious the characters are making bad decision after bad decision. Too many to be even remotely believable.
Again, all the actors did a great job with their characters, there are just so many obvious flaws in the story and plot that the movie became frustrating as it end on.
Could we be slowly getting back to the good ol days of mid-90s action thriller's...? I really think we are getting close, it's just the quality isnt quite there just yet. To sustain the level of tension and suspenseful moments throughout takes time, patience and a really tightly paced script. This one has its moments...
As a Netflix produced Christmas time thriller, it was OK... Coming in at 2hrs it maybe overstays it welcome just a tad, however the simple plot, good actors, and one central location for the most part gives it some good points. This was actually a really good late adternoon viewing and you don't need to know anything plot wise going in, or even have seen the trailer or thumbnail on your Netflix homepage. Best to just hit play and let the story unfold as you get into the characters, and their motivations.
I don't think anything could ever top the original speed from 1994, however these types of genre films are very important to any movie fan, especially those who lived through the 90s...
Give this one a go...
As a Netflix produced Christmas time thriller, it was OK... Coming in at 2hrs it maybe overstays it welcome just a tad, however the simple plot, good actors, and one central location for the most part gives it some good points. This was actually a really good late adternoon viewing and you don't need to know anything plot wise going in, or even have seen the trailer or thumbnail on your Netflix homepage. Best to just hit play and let the story unfold as you get into the characters, and their motivations.
I don't think anything could ever top the original speed from 1994, however these types of genre films are very important to any movie fan, especially those who lived through the 90s...
Give this one a go...
¿Sabías que…?
- TriviaMost watched Netflix movie of 2024 having a total of 42 million views within the first week of its release.
- ErroresThere is no way to open the door of a 737 cargo hold from the inside.
- Créditos curiososAfter the DreamWorks SKG logo fully appears, the camera moves through the clouds to the Los Angeles International Airport to open the film.
- ConexionesReferenced in Film Junk Podcast: Episode 973: Carry-On (2024)
- Bandas sonorasSanta Claus Is Comin' to Town
Written by J. Fred Coots, Haven Gillespie
Performed by Bruce Springsteen
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Carry-On
- Locaciones de filmación
- Nueva Orleans, Luisiana, Estados Unidos(As Los Angeles)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 59min(119 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1
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