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IMDbPro

Paradise

  • 2023
  • TV-MA
  • 1h 57min
CALIFICACIÓN DE IMDb
6.3/10
24 k
TU CALIFICACIÓN
Corinna Kirchhoff, Kostja Ullmann, and Marlene Tanczik in Paradise (2023)
After his wife is forced to give up 40 years of her life as payment for an insurance debt, a man desperately searches for a way to get them back.
Reproducir trailer2:01
1 video
22 fotos
AcciónCiencia FicciónCiencia ficción distópicaSuspenso cibernéticoThriller

Después de que su esposa se ve obligada a renunciar a 40 años de su vida para pagar una deuda, un hombre busca desesperadamente la manera de recuperarlos.Después de que su esposa se ve obligada a renunciar a 40 años de su vida para pagar una deuda, un hombre busca desesperadamente la manera de recuperarlos.Después de que su esposa se ve obligada a renunciar a 40 años de su vida para pagar una deuda, un hombre busca desesperadamente la manera de recuperarlos.

  • Dirección
    • Boris Kunz
  • Guionistas
    • Simon Amberger
    • Peter Kocyla
    • Boris Kunz
  • Elenco
    • Kostja Ullmann
    • Corinna Kirchhoff
    • Marlene Tanczik
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    24 k
    TU CALIFICACIÓN
    • Dirección
      • Boris Kunz
    • Guionistas
      • Simon Amberger
      • Peter Kocyla
      • Boris Kunz
    • Elenco
      • Kostja Ullmann
      • Corinna Kirchhoff
      • Marlene Tanczik
    • 119Opiniones de los usuarios
    • 42Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Videos1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Fotos21

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    + 16
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    Elenco principal55

    Editar
    Kostja Ullmann
    Kostja Ullmann
    • Max
    Corinna Kirchhoff
    Corinna Kirchhoff
    • Elena (alt)
    Marlene Tanczik
    Marlene Tanczik
    • Elena (jung)
    Iris Berben
    Iris Berben
    • Sophie Theissen
    Lisa-Marie Koroll
    Lisa-Marie Koroll
    • Marie Theissen
    Lorna Ishema
    • Kaya
    Numan Acar
    Numan Acar
    • Viktor
    Alina Levshin
    Alina Levshin
    • Sophie Theissen (jung)
    Tom Böttcher
    • Nils
    Gizem Emre
    Gizem Emre
    • Eva (Clinic)
    Lisa Loven Kongsli
    Lisa Loven Kongsli
    • Lilith
    Cornelia Heyse
    • Marion (Elenas Mum)
    Andreas Windhuis
    • Vater von Elena
    Haley Louise Jones
    Haley Louise Jones
    • Luna Ackermann
    Alida Bohnen
    • Erika (AEON)
    Ulrich Wickert
    • Ulrich Wickert
    Matthias Ziesing
    Matthias Ziesing
    • Mr. Steiner
    Egle Lekstutyte
    • Mrs. Steiner
    • (as Eglė Leksuthytė)
    • Dirección
      • Boris Kunz
    • Guionistas
      • Simon Amberger
      • Peter Kocyla
      • Boris Kunz
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios119

    6.324.4K
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    10

    Opiniones destacadas

    7deloudelouvain

    Decent German sci-fi.

    I see there are a lot of mixed reviews for this German sci-fi, from people that didn't get it to people that found it clever. Count me in the people that enjoyed this movie, and so did my wife. I thought the plot was interesting, certainly food for thought. The only thing that could have been a bit better was the acting from certain actors but overall it was all pretty decent. I didn't think the plot was complicated at all so I don't get what others didn't understand about the story. The lesson of the movie is don't do to others what you don't want others do to you. If everybody would think about that a bit more, life on earth would be so much better.
    openyourmind-28366kfiejwkln

    Interesting premise, bad script

    It's hard for me to understand how Netflix can allow complete amateurs write movie scripts.

    They do it again and again. How can this be a sustainable business model? Put 15 million dollars in a movie based on a script that any 16 years old could have written better.

    I mean look at this mess of a script. What is this? Apart from the premise, which is not completely new but interesting, it is just complete garbage. There are no character build ups, there is no interesting dramatic goal, there are not story steps, there isn't even a central conflict, it's just a huge chaos all over the place.

    None of the characters come even close to touching us. The antagonist has one single encounter with the hero, where they both say one sentence, no conflict. We never learn what motivates her.

    The hero saves a woman that doesn't wanna be saved. His wife. Well, it's said that she is his wife, but we never really come to believe it, as there is zero chemistry between them. They tell each other "I love" you three times in a car, but there is no feeling, it's worse than in a soap opera. Two sex scenes (hello Netflix) add nothing to the chemistry. The actress isn't very convincing, but it's not only her fault. Maybe the makers should have watched some love movies to learn how to establish a bond between a loving couple, especially as this is - or rather should have been - the central motivator of the hero, saving his wife's life.

    That's his mission. Unfortunately, she doesn't rally wanna be saved and seems to have given in to her fate. Then she changes her mind and wants to be saved. Then she changes her mind again, because it would mean to harm an innocent person. Then she changes her mind again and almost kills the innocent girl, sleeps with her husband, and finally decides to betray her husband and take the lifetime of the girl, and also break up with the guy who sacrificed his life for her and get pregnant from another guy that appeared out of nowhere (is this the new "female empowerment"?). Frustrated, her now ex-husband joins the terrorist to kill some more people. Why? We never really learn.

    It's so bizarre, that it's almost funny. The script actually reminded me of Tommy Wiseau's 2003 film The Room, widely considered the worst film ever made. In this film the actor changes his mind sometimes twice within a scene.

    I wonder if the producers come to Netflix with a script so bad, or if the script is okay but Netflix ruins it with their developer team, because they want it to fit their algorithm or whatever.

    It's depressing, because the premise would have offered so much potential. For example, only the rich can afford the costly life-time transfer process, and they take it from the poor. Was that too political for Netflix? Why was this huge potential theme never harvested in the movie? Isn't that what's happening right now on this planet, that only the rich can afford top medical care?

    Well, but ignoring reality and promoting escapism seems to be the new thing on Netflix, so I guess the filmmakers ran into heavy resistance there. Sad.

    Netflix used to be cool, now it's more and more turning into a drug to numb down the oppressed workforce.
    bigfishsmallfish-42250

    Sham Scam Thank You Ma'm

    This Netflix movie is a sham, a deceptive package. It pretends to be an interesting socio-critical study of the future in the science fiction genre, however it touches this subject in the first 15 minutes of the movie, then forgets about it. After that it frays into a dull thriller plot, which is poorly executed and rather boring.

    The movie is superficial and never ever takes his intended theme seriously, it only exploits it, if even. Basically, it's about a future in which rich people buy the lifetime of poor people (sounds familiar? Justin Timberlake sends his regards "In Time"). Sadly enough, this interesting premise is quickly dropped completely. After all, you could be stepping on the toes of the Netflix shareholders, and you don't want to do that, right? Or even other californian tech-enterpreneurs, who are famous for financing startups that plan to extend human lifespan at an extreme costs (only accessible for the richest of the rich, of course), and are probably friends with Hastings & Co.

    No, the rich and the famous time buyers are left untouched. Instead, the film leads into a really dull kidnapping story resulting in a chase, first over land, then over sea, then over land again, finally ending in a dark cold hotel somewhere deep in the Lithuanian forest, where the protagonists then mumble those typical German moral dialogues into their sad faces.

    In the final act, the writers finally seem to have run out of ideas: there is a completely pointless shoot-out (action scenes for the trailer, as ordered by Netflix). This is followed by one or two plot twists from your standard guide for beginners in screenwriting, as can be found in your next Walmart store. Twists that have zero coherence with the characters.

    The characters follow the plot, not the other way round; they are mere compliant slaves of the plot. How the makers of this mediocre work could actually believe that modern viewers would go along this kind of infantil mockery is a mystery to me.

    To sum it up: does anyone remember those DVD/VHS covers of cheap B-Pictures from the 90s, with those funny collages of fiery explosions, muscular heroes with big guns and sexy long-legged girls in high heels? And then you watched the movie, and it was just low-budget garbage of guys with mustaches, fighting each other in stone pits or in the desert, C-grade actors running around to cheap music, with a plot that didn't make any sense? That's "paradise", just with a budget of 10 Million Dollars. A hollow package with a sugar coating.

    Soulless entertainment for the low-income masses who can't afford a cinema ticket.

    But hey Netflix, wake up: even they will be annoyed and feel ripped off, even they won't recommend their friends to buy a Netflix subscription after this. After all, you stole their lifetime! And they ain't getting it back, unlike the skinny woman in the movie.

    When you bought that B-Picture VHS cassette seduced by the cover, your money was gone, the producers had it, said thank you and bought another red or black Chevy Corvette with it, to go for a ride with their pimp friends. That scam worked.

    With the subscription system, it won't go down like that. Nobody ain't gonna subscribe nothing 'cos of some fake covers.
    6icocleric

    Intriguing With More To Give.

    I loved the issues brought up and how it used a Sci-fi concept to highlight them, and it had some lovely details; but I think it had a bit of a slow build up. Like I feel the pacing of the film would have made an excellent TV series.

    I do feel like the concept and the things brought up were very interesting. I also felt there were a lot of side characters who seemed like they had a very interesting stories to tell that were barely touched on.

    It was overall interesting, and enjoyable it just had more to give. And I think the film suffered a tiny bit because of that. It was clearly a very well thought out concept.
    8INTXb

    Unexpectedly very good

    I really wasn't expecting something quite as good based on the putrid 6.3/10 rating on IMDb. The production, acting, premise, are all really good. The sci-fi story is very interesting though pretty linear and mostly predictable. With that said I was fully captivated throughout the entire movie and I'm one that gets antsy easily. I haven't seen any of the actors before but they all played their parts very well and were fully convincing in their parts. I would definitely watch a part 2 of this movie if one is made. The only reason I think this movie didn't get a higher review is the subtitles and the fact that it doesn't have a single A-list actor from Hollywood.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The difference between the ages of the actresses that played the role of Sophie is the same that of the actresses that played the role of Elena: 35 years old.
    • Errores
      Max is talking to Erika by phone after he leaves Denys Bondar. He removes his ear bud after talking to her and puts it in his pocket. A few seconds later, the ear bud is back in his ear.

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    Preguntas Frecuentes15

    • How long is Paradise?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de julio de 2023 (México)
    • País de origen
      • Alemania
    • Sitio oficial
      • Official Netflix
    • Idiomas
      • Alemán
      • Inglés
    • También se conoce como
      • Рай
    • Locaciones de filmación
      • Lithuania
    • Productora
      • NEUESUPER
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 57min(117 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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