Un equipo atrapado en el infierno disfuncional de la creación de franquicias de películas de superhéroes, al final del día la pregunta a la que se enfrentan es: ¿es éste el nuevo amanecer de... Leer todoUn equipo atrapado en el infierno disfuncional de la creación de franquicias de películas de superhéroes, al final del día la pregunta a la que se enfrentan es: ¿es éste el nuevo amanecer de Hollywood o la última batalla del cine?Un equipo atrapado en el infierno disfuncional de la creación de franquicias de películas de superhéroes, al final del día la pregunta a la que se enfrentan es: ¿es éste el nuevo amanecer de Hollywood o la última batalla del cine?
- Nominada a1 premio BAFTA
- 2 nominaciones en total
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Although you do have to be a little bit familiar with the jargon - which will reduce potential viewers - it's on mark and it hits the ground running. The acting is pretty strong right off the bat. I already care about the lead and his struggle.
I don't understand people complaining of not laughing enough. This is not stand up comedy, it's a satirical drama.
Like everything Iannucci touches, it's cringe funny. Not lol funny. The sadness of it all is always lurking in the background. This is what made Veep work on so many levels, those ridiculous characters have some real depth. And I think it's the case here. As it wasn't in Avenue 5 for example (even if I enjoyed it). There's real potential to get deep into pointing out the industry's flaws while showing the human point of view in a rather light vehicule. To me the angle is just right and it reminds me of the political comment in Veep.
I wish more people were appreciative of this kind of craft, as I feel this will get cancelled right out of the gate. Not a lot of series with this kind of beat and style. A Aaron Sorkin meet Mel Brooks kind of thing.
It's on its way to offend super hero fans, and I hope they will realize it's because they're right on point ;)
I don't understand people complaining of not laughing enough. This is not stand up comedy, it's a satirical drama.
Like everything Iannucci touches, it's cringe funny. Not lol funny. The sadness of it all is always lurking in the background. This is what made Veep work on so many levels, those ridiculous characters have some real depth. And I think it's the case here. As it wasn't in Avenue 5 for example (even if I enjoyed it). There's real potential to get deep into pointing out the industry's flaws while showing the human point of view in a rather light vehicule. To me the angle is just right and it reminds me of the political comment in Veep.
I wish more people were appreciative of this kind of craft, as I feel this will get cancelled right out of the gate. Not a lot of series with this kind of beat and style. A Aaron Sorkin meet Mel Brooks kind of thing.
It's on its way to offend super hero fans, and I hope they will realize it's because they're right on point ;)
When I first saw the rating for the show, it was sitting at a 1.0. Hopefully that has changed by then but it definitely had me curious. When they first announced this, I was sold. It'd been a couple of years now, but Sam Mendes? HBO? The plot was intriguing enough to warrant a check-out. I only feel implored as to not let this sink by the wayside. Only one episode in but it's a very solid pilot. If you have any mild interest in the film industry or any basic understanding of the toxic culture I'm sure they'll be something for you to enjoy. I could only see the negative reviews as a way of self-defensive mechanism but they show the Warner Brothers logo itself so clearly they're comfortable making fun of themselves. I could also see the complaint of everybody just being horrible people but again it's so early to tell and I think there's enough serviceable characters to make way for something more personal.
Not sure exactly who this show is for exactly. I've watched a few movies about making movies and they were also comedies. Movies like One Cut of the Dead, Living in Oblivion those are very funny movies while simultaneously makes me wonder why I ever want to work in the industry (though I have no plans on stopping). This show does have its funny moments, again if you've worked on a set you'll definitely relate to this. My favorite moments are the "actors" Richard E Grant plays a prestigious theatre actor who hates his co star played by Billy Magnussen. They were the standout of this episode
Not sure if this show is going to have much to say about the industry other than producers getting in the way of directors but I am interested in where it's gonna go.
Not sure if this show is going to have much to say about the industry other than producers getting in the way of directors but I am interested in where it's gonna go.
I was "with it" for a brief period, and even to me, I feel out of place laughing at some of the show's jokes about situations I have not personally been in. The show centers around an Assistant Director, which unfortunately gives its viewers a bit of imposter syndrome as pretty much none of us have actually been Directors or Producers on multi-hundred dollar superhero production.
That said, the more I watch the show, the more I have grown to like it. Episode 3 may be the best yet for nailing the subject matter, albeit there is nothing particularly new about its social commentary on misogyny in MCU, nor is the satire in the least bit subdued. It is what it is: Lighthearted laughter through parody. I will continue to watch the show, as it's easy viewing and at least good for several laughs. My recommendation is watch at least a few episodes before deciding if it's for you.
That said, the more I watch the show, the more I have grown to like it. Episode 3 may be the best yet for nailing the subject matter, albeit there is nothing particularly new about its social commentary on misogyny in MCU, nor is the satire in the least bit subdued. It is what it is: Lighthearted laughter through parody. I will continue to watch the show, as it's easy viewing and at least good for several laughs. My recommendation is watch at least a few episodes before deciding if it's for you.
Feeling motivated to review (I rarely do) because this show deserves WAY BETTER than its ~6 average rating.
It's like W1A in that the dialogue is so clever it is dripping with hilarious references that would keep you laughing through the 2nd and 3rd rewatches.
The folks giving this a bad review are not appraising this for what it is - a short sharp skewer of overcommercialised showbiz, delivered in digestible helpings. It is not a procedural sitcom, but doesn't hold itself out to be. Instead it has much more heart and approaches some more significant themes.
I think the writing of the characters is fantastic and it's the best I've seen Himesh Patel. Richard E Grant is excellent as ever, and delivers a hugely self effacing performance.
It's like W1A in that the dialogue is so clever it is dripping with hilarious references that would keep you laughing through the 2nd and 3rd rewatches.
The folks giving this a bad review are not appraising this for what it is - a short sharp skewer of overcommercialised showbiz, delivered in digestible helpings. It is not a procedural sitcom, but doesn't hold itself out to be. Instead it has much more heart and approaches some more significant themes.
I think the writing of the characters is fantastic and it's the best I've seen Himesh Patel. Richard E Grant is excellent as ever, and delivers a hugely self effacing performance.
¿Sabías que…?
- TriviaThe genesis of the series originated from a lunch between executive producers Sam Mendes and Armando Iannucci. The two were initially sharing ideas for a potential collaboration but nothing came to pass. It wasn't until Mendes shared his experiences making the James Bond films 007: Operación Skyfall (2012) and 007: Spectre (2015) to Iannucci, which he described as "magnificent chaos", that led to the idea of the series, with Jon Brown being hired as showrunner.
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