Agrega una trama en tu idiomaAmanda, a psychiatrist, believes her home is haunted by a murdered woman's spirit. She and her husband George search for the woman's missing daughter, unveiling shocking truths about Amanda'... Leer todoAmanda, a psychiatrist, believes her home is haunted by a murdered woman's spirit. She and her husband George search for the woman's missing daughter, unveiling shocking truths about Amanda's perceptions and the situation's complexity.Amanda, a psychiatrist, believes her home is haunted by a murdered woman's spirit. She and her husband George search for the woman's missing daughter, unveiling shocking truths about Amanda's perceptions and the situation's complexity.
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"Beyond Your Consciousness - The Beginning" is not your typical ghost story, and I appreciate the attempt by Rinoj Varghese.
The film starts with Amanda, a psychiatrist played by Jen Ayer Drake, and her husband George, played by Marcus Lawrence, moving into a beautiful Victorian home with colorful yet slightly eerie stained glass windows, all in an attempt to start a new life. George wants Amanda to move on from her unfortunate miscarriage and thinks the new home would allow her to do that, but unfortunately, she starts to see a ghostly energy and a strange woman who seems to linger outside their home.
Amanda decides to see patients in her home and deals with a really interesting case of a girl who's under the impression she's being terrorized by a ghost at night. When under hypnosis, the girl reveals what I take as foreshadowing and sets the tone for what Amanda is going through. Amanda talks to what she thinks is a spirit living in the house, trying to warn her of a kidnapping, thrusting her into action to save a little girl.
There are some bizarre things and unusual encounters, which I partially like. I enjoy a little weirdness in my films, and one of the characters was perfectly odd. Things are not what they seem, and it's all unraveled in what you think is the conclusion you may have guessed, but guess again. It's not that simple.
I like watching low-budget films because they're rough around the edges and more raw than perfectly polished Hollywood movies that have inflated budgets to play with. I enjoy watching how filmmakers deal with wearing many hats and still find a way to tell a story.
This version corrects grammar issues and improves clarity while retaining the original meaning and details.
The film starts with Amanda, a psychiatrist played by Jen Ayer Drake, and her husband George, played by Marcus Lawrence, moving into a beautiful Victorian home with colorful yet slightly eerie stained glass windows, all in an attempt to start a new life. George wants Amanda to move on from her unfortunate miscarriage and thinks the new home would allow her to do that, but unfortunately, she starts to see a ghostly energy and a strange woman who seems to linger outside their home.
Amanda decides to see patients in her home and deals with a really interesting case of a girl who's under the impression she's being terrorized by a ghost at night. When under hypnosis, the girl reveals what I take as foreshadowing and sets the tone for what Amanda is going through. Amanda talks to what she thinks is a spirit living in the house, trying to warn her of a kidnapping, thrusting her into action to save a little girl.
There are some bizarre things and unusual encounters, which I partially like. I enjoy a little weirdness in my films, and one of the characters was perfectly odd. Things are not what they seem, and it's all unraveled in what you think is the conclusion you may have guessed, but guess again. It's not that simple.
I like watching low-budget films because they're rough around the edges and more raw than perfectly polished Hollywood movies that have inflated budgets to play with. I enjoy watching how filmmakers deal with wearing many hats and still find a way to tell a story.
This version corrects grammar issues and improves clarity while retaining the original meaning and details.
Amanda played by Jen Ayer Drake is a psychiatrist who focuses on patients who claim their mental illness is a result of coming into contact with supernatural elements. Recovering from her own personal trauma of losing her child through miscarriage she and her husband move to a new house in a new town in a bid to start over.
When Amanda believes a woman was murdered in her new home it sends her on an odyssey into a claustrophobic world between the living and the dead and the memories that shape them.
Writer and director Rinoj Varghese crafts a subversive and ambitious thriller Its themes which are anything but straight forward. This one will stay with you long after the credits are over.
The film plays like a surreal fevered dream where you empathise with Amanda as she continues to be dragged into unknown territory in her obsessive pursuit of the truth
The constantly shifting narrative rampant paranoia malevolent characters and twists and turns reminded me of Martin Scorsese's "Shutter Island" and Ari Asters "Hereditary"
When Amanda believes a woman was murdered in her new home it sends her on an odyssey into a claustrophobic world between the living and the dead and the memories that shape them.
Writer and director Rinoj Varghese crafts a subversive and ambitious thriller Its themes which are anything but straight forward. This one will stay with you long after the credits are over.
The film plays like a surreal fevered dream where you empathise with Amanda as she continues to be dragged into unknown territory in her obsessive pursuit of the truth
The constantly shifting narrative rampant paranoia malevolent characters and twists and turns reminded me of Martin Scorsese's "Shutter Island" and Ari Asters "Hereditary"
"Beyond Your Consciousness: The Beginning" is a psychological thriller that dives into themes of psychosis and gaslighting, leaving the audience questioning what is real. Jen Ayer Drake shines in her role as Amanda, a psychiatrist who begins to experience eerie and unexplained events in her new home. Drake's performance is compelling, capturing Amanda's emotional journey as she navigates these disturbing occurrences. It starts with Amanda treating a teenage patient who has experienced supernatural trauma, and then shifts to Amanda's own unsettling experiences. This seamless transition kept me engaged til the end and I truly enjoyed this movie.
Loved the way the story gripped you in the situation initially, and the character development in the beginning was well developed. Yet it provided a delightfully surprising twist of reality at the end. I thought it was going to be an emotional journey with a women experiences life's trauma, and then have a supernatural theme to spice it up like a lot of thrillers do. It did that nicely, but I was surprised at how it turned out. I didn't see it coming. Impressed with how a new producer and writer can have an idea, pull together a team, and produce such a work within a limited budget. The effects and cinematography were great. A must see independent film.
Impressive thriller reminds me of 1970s-era horror - in a good way! ROSEMARY'S BABY comes to mind as the story's central character (Amanda) fights for her sanity and soul. It's a world where supernatural forces lurk around every corner and the audience never knows the real truth - if such a thing exists. I like movies that this - provocative and conversation starters. The film does a great job building suspense and even has a few jump scares. Well-written script gives the actors a lot to do - and a few memorable lines! Overall, I enjoyed this film. It's modest and tight, and way more enjoyable than so many big budget Hollywood horror movies.
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Detalles
Taquilla
- Presupuesto
- USD 100,000 (estimado)
- Tiempo de ejecución1 hora 30 minutos
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