Entrapped

Summary:

Entrapped (it is actually season 3 of Trapped) continues to expose the foreign as a threat to island peace and family conflicts as axes of the behavior of its characters, although without the almost Bergmanian depth of season 2. A more conventional crime series , but with all the ingredients to retain the viewer and always with the spectacular and decisive setting of the Icelandic landscape.

Review:

The murder of a young member of a neopagan sect coincides with the arrival in the Icelandic town of Siglufiörður of a gang of bikers willing to dispute the lands occupied by the sect.

The series (effectively a season 3 of Trapped, renamed Entrapped) finds Hinrika (Ilmur Kristjánsdóttir) as the new police chief of the northern Icelandic town and Andri (Ólafur Darri Ólafsson) and Trausti (Björn Hlynur Haraldsson) serving as in Reykjavik. The murder case will intersect with others, one of them related to the suspected bikers, which will generate tensions, interference and dilemmas in the respective investigations.

Entrapped recovers in this season a narrative that is generally simpler (although sometimes it is a bit difficult to retain the names of the characters), mostly linear, far from the almost Bergmanian depth and complexity of season 2, but mostly effective. Family conflicts always appear as underlying and in general determinants of the plot and foreign characters as disturbing elements of the island's peace. Although the series (quite short and with chapters of around 40 minutes) continues to take its time, the story knows how to change the rhythm with several scenes of suspense and action, always with the wonderful Icelandic landscape as the determining setting.

As Episode 1 of "Entrapped" (2022 release from Iceland; 6 episodes ranging from 41 to 54 min each) opens, a rather weird group of meditating pagans is interrupted by a gang of bikers who feel the pagans have stolen their land. Late that night, one of the pagans is brutally murdered. Meanwhile Andri, a recently divorced cop, volunteers to assist in the murder investigation when he realizes that he knows the guy who was killed... At this point we are 10 minutes into Episode 1.

Couple of comments: some 5-6 years ago, there was an excellent Icelandic crime series called "Trapped" that stretched out over 3 seasons and 28 episodes. This new series is a sequel of sorts, with the main returning character being Andri, who based on a technicality is able to join into this new murder. We eventually learn that the murder may well be connected to one of the murders in the "Trapped" series. Unfortunately, as good as "Trapped" was, this new series doesn't come anywhere close in quality. It's not that it's outright bad, but the difference in quality, in particular in the writing, is quite stark. Also the fact that there are only 6 episodes should tell you something. It's like someone said, "hey guys, people are still talking about "Trapped", so we need to come with something, anything, that picks ups the pieces and gets this going again". "Entrapped" ultimately feels unnecessary but with just 6 episodes, it all goes by rather quickly.

"Entrapped" recently premiered on Netflix, and I couldn't wait to check it out. While it wasn't a complete waste of my time, I neverthele4ss feel like it was a letdown as compared to the original "Trapped" series. Of course don't take my word for it, so I encourage you to check it out, and draw your own conclusion.

This Icelandic detective series marks the mind thanks to different components. The first component is the geographical background of Iceland with its scenery, its landscapes, its deserts, its rhythms and the travel by car or motorcycle or helicopter. The other component is its police team, which is a trio, with a laid-off inspector, a policewoman and an investigator: they are not super-cops. They don't have a technological arsenal to carry out their investigations; and in the course of the different episodes, elements about their personal lives are given, and moreover they make mistakes. And the last one is the plot, a murder, a multitude of stakeholders who could have committed the murder, and we will learn the name of the culprit at the end of the last episode, having suspected many of the characters met during the dramatic progression.

All this is well done and gives a rather slow pace, but which suits well the still inertial movements on the island. And the various stakeholders in this story allow for a variety of social engineering: a cult of enlightened people, bikers, grieving families, a previous unsolved murder perhaps related, the police team. All this gives a whole that has its own rhythm and its own aesthetic.

A series that meets its specifications: keep the viewer captive until the last minute of its last episode.

Not as good as the first 2 seasons (Trapped - not sure why Netflix changed the name for season 3?).

There were some ridiculous moments in this season. I don't want to say any spoilers but it was kinda silly at times. Still enjoyable to watch though.

The acting was good. I don't understand why women fawn over the main character.

I'm glad it was only 6 episodes, I heard it was originally 8 so I'm glad it was cut to 6.

The ending of this season was stupid...very unbelievable.

Not sure if there will be a 4th season, but if there is I'd still watch it. Like I said, it was enjoyable and I like the scenery and acting. It wasn't predictable which is also good.

I expected something as fine as "Trapped" but was disappointed, as it seems as are others.

The basic fault is a script that can't seem to raise above grade B theatrics. The cops continue to act stupidly. The bad guys are "Sons Of Anarchy" on Ritalin. The main character bumbles around like Gentle Ben. No-one comes across as real, merely caricatures, and the dialog is stilted.

It's all been done before but with a hackneyed plot line it helps to have a better script, and character development.

It all shows in the acting, which simply follows the dialog faithfully rather than striking out and creating some risk.

We do not need another sequel. Let this one lie.