The Ghouls
- El episodio se transmitió el 10 abr 2024
- TV-MA
- 49min
Lucy y The Ghoul se enfrentan a situaciones peligrosas, lo que lleva a un dilema moral y a enfrentamientos. Norm descubre secretos en el Refugio 32, que enlazan con el pasado de su madre y p... Leer todoLucy y The Ghoul se enfrentan a situaciones peligrosas, lo que lleva a un dilema moral y a enfrentamientos. Norm descubre secretos en el Refugio 32, que enlazan con el pasado de su madre y plantean dudas sobre el destino de los residentes.Lucy y The Ghoul se enfrentan a situaciones peligrosas, lo que lleva a un dilema moral y a enfrentamientos. Norm descubre secretos en el Refugio 32, que enlazan con el pasado de su madre y plantean dudas sobre el destino de los residentes.
- Dirección
- Guionistas
- Elenco
- Maximus
- (solo créditos)
- Squirrel
- (as Elvis Lopez)
Opiniones destacadas
This episode prompts the audience to reflect on human issues and difficult choices. The actors' portrayals of complex roles build a strong dramatic space. The environment design and lighting contribute to the feeling of darkness and despair.amirhosseinahg.
"The Ghouls", the fourth episode of "Fallout" was a terrific one. Very involving with great storytelling its basically a "Fallout" game series coming to life on a TV screen in series medium. The production values, all the little details from "Fallout" games are extremely good here. I really liked the storytelling of this episode, as well of all previous ones. I like every one of them, and they all are great. Its like "Fallout 5" which i bet won't have story and storytelling this good.
Overall, with of the season done, "Fallout" is an exceptional series in terms of adapting a video game. From the feeling, humor, production values, worldbuilding and all weird things that happens - its a true "Fallout" on its very best.
Goggins embodies the antihero with such charm, charisma, & apt sarcasm that one cannot help but wonder, is there anything Walton cannot do?
His southern way - the drawl, parlance, swagger seduces the viewer so slowly that you're feeling empathy for a ghoul before you even realize it.
This dystopian series serves as a warning to us forgetful apes utilizing wit, humor, music, and subtle acting talent that draws the viewer in slowly & holds them still.
A masterful work that uses all of its tools - set, lighting, & soundtrack to transport as transcend.
I'm hooked & happy to hold still to see where the story takes me.
The episode begins with the group venturing deeper into a once-populated city now overtaken by crumbling structures and desolation. Their goal is to scavenge for supplies, but they soon realize they are not alone. As they stumble upon a community of ghouls, it becomes clear that these mutants are not mere monsters, but tragic figures-a reminder of the consequences of human folly. The group is divided on how to handle the situation: some see the ghouls as dangerous creatures that need to be put down, while others argue that they deserve empathy and aid. This ethical dilemma becomes the crux of the episode, raising the question of who gets to be considered human in this new world.
One of the highlights of "The Ghouls" is the exceptional makeup and special effects used to bring these radiation-twisted survivors to life. The makeup department deserves praise for crafting truly haunting visuals, where the ghouls' deformities evoke both pity and fear. Their appearance is unsettling but never cartoonish, which helps ground the story in a sense of tragic realism. The direction also plays a key role in building suspense, with shadowy shots and sudden, eerie movements creating a lingering sense of dread. The pacing here strikes a balance between moments of quiet horror and intense bursts of action, maintaining a gripping atmosphere throughout the episode.
In terms of performances, the cast once again delivers strong portrayals of characters dealing with complex moral questions. The lead actor shines in this episode, particularly in scenes where they are forced to confront their own prejudices against the ghouls. Their performance is nuanced, effectively conveying the internal struggle between fear and compassion. Meanwhile, the actors portraying the ghouls also do a commendable job, despite being buried under layers of prosthetics. They manage to convey a sense of humanity and desperation, which is critical for making the episode's ethical debate resonate with viewers.
However, while the themes and performances are compelling, there are some narrative weaknesses in this episode. The script occasionally veers into overly familiar territory, as the moral dilemma of "what defines humanity" has been explored in numerous post-apocalyptic stories. Additionally, the dialogue can feel heavy-handed at times, with characters stating their ethical positions in ways that lack subtlety. These moments detract from the more nuanced emotional beats, and the episode risks feeling like a retread of familiar post-apocalyptic tropes. That said, the execution largely compensates for these shortcomings, with the tension between the group members providing enough drama to keep the viewer engaged.
Cinematography and sound design continue to be standout aspects of Fallout, and this episode is no exception. The decaying cityscape is captured with sweeping, desolate shots that emphasize the isolation of the survivors. The use of sound, particularly the low, guttural noises made by the ghouls, adds to the eerie atmosphere, creating a sense of unease that permeates the entire episode. Editing-wise, the pacing feels appropriate, with smooth transitions between the tense build-up and the eventual confrontation with the ghouls. The moments of action are well-executed, but it's the quieter, more contemplative scenes that leave a lasting impression.
In conclusion, "The Ghouls" stands out as one of the most thematically rich episodes of Fallout so far, offering a chilling look at the consequences of nuclear devastation. The moral questions it raises about humanity, survival, and empathy elevate it beyond mere horror and action, making it a thoughtful addition to the series. While it does stumble into some predictable territory, the episode is saved by strong performances, effective direction, and masterful technical work. It continues to push the characters and viewers alike to confront the ethical complexities of a world in ruins, leaving much to ponder about the nature of survival and what it means to be human in a post-apocalyptic world.
¿Sabías que…?
- TriviaThe TV in the Super Duper Mart is a Radiation King, a brand originally mentioned on The Simpsons as a joking reference to how early General Electric televisions leaked x-rays when turned on.
- ErroresIn the abandoned desert town, The Ghoul and Lucy walk past a bus with skeletons in it. When the camera pans by the bus, it shows the steering wheel on the right.
These scenes were filmed in Namibia, where one drives on the left, so the steering wheel is correct for that part of the world, but the scene takes place in a post apocalyptic California.
- Citas
Cooper Howard: Well, one good question deserves another. Why the fuck am I doing all the work? Now come on, Vaultie. Ass jerky don't make itself.
- ConexionesFeatured in The 76th Primetime Emmy Awards (2024)
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Detalles
- Tiempo de ejecución
- 49min
- Color