The Devil's Carnival

"The Devil's Carnival" is very much a Darren Lynn Bousman's pet project. It's unmistakable for anything else and that means if you liked his previous work in "Repo! The Genetic Opera" you'll be familiar with the style of horror and rock opera presented in this short film, so you'll enjoy it a lot. The plot? Well I can't say I can really recall it very well and some of It is because it's confusing at times. I remember a lot of cool visuals, some similarities with Aesop's fables, demons, knife-throwing, Bill Moseley in makeup and Alexa Vega looking pretty sexy. In all honesty it's not my fault, this is a picture that you kind of need to watch more than once.

While the songs aren't as polished as the ones in his previous work, the sets and costumes are impressive and for a low budget production, it looks great. I found the story to be scrambled though, which frustrated me because I love the idea of this demonic carnival (and I've always wanted to see it done well since I saw "We're Back! A Dinosaur's Story). The upside is that if you like it, the picture is short so you'll be able to watch it multiple times to clarify the confusing bits. Similarly, it's a lot of style over substance and if at first you don't really care for it, it's just not your thing. It's a love it, or hate it kind of thing and I bet the way to really appreciate It would be to view it with someone who's already fallen In love with it and can clarify some of the plot elements or give you factoids on all of those cool little details. I enjoyed it enough that I think you should check it out, if only to see If It will be your kind of thing. (On DVD, November 15, 2012)

As a huge fan of Repo! I attended one of the Devil's Carnival roadshows. I listened to the soundtrack a few times prior to the showing and enjoyed the music. The movie however was a mess.

First, there is no character development at all. We never get a good idea as to who the victims who end up in hell are nor do we get a good idea about any of the carneys in hell or even the Devil himself. As another review pointed out the lack of blood despite a good deal of violence also put me off. Directed by Darren, the man who went on a rant about blood consistency and its importance on the Saw 4 commentary, the complete lack of blood during the whipping scene makes no sense to me.

The songs, as mentioned, are quite catchy and some are very good. My problem is that, the best song in the movie (and the one clip we've seen in previews) is relegated to the end credits.

I love Repo! (Even attended 3 of the roadshows for that film) but to me the Devil's Carnival just seems unfinished and uninspiring. Maybe when parts 2 and 3 come out it will become more coherent, but for now it is an episode that gave nothing.

I have been a fan of Mr. Zdunich's comic series "The Molting" and 2008's "Repo The Genetic Opera" for years. When I heard about "The Devil's Carnival" being made, it's creators were cryptic as ever about what it actually WAS, but just knowing what I did about the people involved, I knew it was going to be artwork of epic proportions. I bought VIP tickets for the first stop of the Road Tour the instant they became available, and put the soundtrack on repeat in iTunes. It did NOT disappoint by any stretch. This show is AMAZING. As usual, the acting and singing talents displayed give the audience a trip into their own souls. Costuming, makeup, and set design were superbly rendered to truly make you FEEL what was happening. The electricity in the theatre could be seen, heard, touched, and tasted as brilliant and beautiful people, music, and colors assaulted us. Check out the cities/dates for the remainder of the road tour and go see it if you have the chance. You'll be blown away!

You will either like this movie or hate it - there is no in between. If a blend of Rocky Horror and the Twilight Zone sounds intriguing, then I urge you to give The Devil's Carnival a try. The story follows 3 of Aesop's Fables with 3 recently deceased individuals going to hell. Personally, the location feels more like purgatory - where persons are given an opportunity to relive past mistakes but make better decisions.

The music, costumes and makeup were perfect for the movie - not state of the art, but definitely above B horror flick. Except for Sean Patrick Flanery and Paul Sorvino, I didn't recognize any of the cast (although I know that Alexa Vega had a role). I actually like independent movies since they aren't polished and perfected.

Find a trailer and watch before viewing the entire movie. If the trailer sucks to you, keep on moving. But if you like weird things like I do, give it a try. You'll be glad you did.

Many a films have explored people's transgressions during their lives and their ultimate fates that await them. But never quite like this. The very creative film maker Daryn Lynn Bousman of the fantastic Repo! a Genetic Opera brings this whimsical inspired morality anthology tale to life as a horror tinged macabre musical. Centering on the souls of three innocent parties as they enter a carnival unlike no other possessing the choice of where they spend eternity through their actions. Although it's been done before in one way or another the films maniacal execution feels like something new altogether. Although far from perfect it's imagination limited by it's very low production values, bad sound mixing and generic cinematography the film always remains engaging throughout. Featuring of a cast of somewhat knowns like sexy Briana Evigan of Step Up 2, Burning Bright, Mother's Day and Sorority Row and the gorgeous Sean Patrick Flannery of Boondock Saints and Powder amongst a few cameos from the Repo! crew such as the always inspired Skinny Puppy and Paul Sorvino Devil's Carnival is not anywhere near being as great as Repo! due in big part to it's very short running time and not fully developed concept but at least there is someone still in the business that keeps trying to do new things flawed or not. Maybe next time around he'd do better to slow down a bit so we can relish in his twisted imagination instead of being stunted through it.