Maxine Minx, estrella del cine para adultos y aspirante a actriz, consigue su gran oportunidad. Pero cuando un misterioso asesino acecha a las estrellas de Hollywood, un rastro de sangre ame... Leer todoMaxine Minx, estrella del cine para adultos y aspirante a actriz, consigue su gran oportunidad. Pero cuando un misterioso asesino acecha a las estrellas de Hollywood, un rastro de sangre amenaza con revelar su siniestro pasado.Maxine Minx, estrella del cine para adultos y aspirante a actriz, consigue su gran oportunidad. Pero cuando un misterioso asesino acecha a las estrellas de Hollywood, un rastro de sangre amenaza con revelar su siniestro pasado.
- Dirección
- Guionista
- Elenco
- Premios
- 8 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Opiniones destacadas
"MaXXXine" is far the weakest of the three "X" films. That's not to say it's bad, but it doesn't have the real horror and novelty of "X" and the "can't look away" suspense of "Pearl." The person behind everything is pretty obvious, and there are really many threats that are simply too quickly and easily resolved, so much of the suspense is limited. Goth is great, as always, but there really isn't anybody else in the cast that really stands out. And there is a real lack of actual "horror" in this movie. "X" was a great, flat out horror movie. "Pearl" was more horrifying, perhaps, as opposed to pure "horror." But I'm not sure "MaXXXine" really qualifies as a "horror movie" at all. And the ending... meh.
I have no hesitation recommending "MaXXXine" -- the story is interesting, Ti West is a wonderful filmmaker, Maxine Minx is a great character, and Mia Goth is great in the role. But as is the case in more trilogies, the first is clearly the best and each one decreases in quality.
Maxxine is a film that really emphasizes style but falls short in the substance department. While I appreciated the throwbacks to slasher and horror films of the 80s, the plot and execution felt a bit disjointed and lacked coherence. Despite this, the film's unique style ultimately triumphs over its shortcomings. Mia Goth once again delivers an enigmatic performance, though her character felt less compelling compared to the previous instalments in the trilogy.
The third act was somewhat disappointing as it didn't live up to the intense buildup. As a fan of the genre, I found elements to enjoy, but I couldn't help feeling let down by the less-than-epic finale, especially after the thrilling conclusions of the previous two films.
West (who also wrote) does a decent job evoking the era. He ups the stakes by setting it against the back drop of the Night Stalker case and the decade's Satanic Panic. The Los Angeles locations are authentic including scenes at Universal and Warner Brothers studios. The supporting cast includes Kevin Bacon as a sort of Southern fried Jake Gittes, Elizabeth Debicki as an up and coming film director who aspires to being an artist with a capital "A", Giancarlo Esposito as a very hands on Agent, and Michelle Monaghan and Bobby Cannavale as detectives. They all are good, with Bacon and Cannavale having the juiciest roles. A couple of the lines about Hollywood are amusing throwaways. Still, without Goth, none of it works. She's clearly channeled this character, and you sense it on screen.
On the downside, West insists on including incredibly graphic violence in close-up that once would have earned it an NC-17 (or, at least a trip back to the MPAA). Sure, it's a "horror film", but it feels over the top even in that context. West's experiments in this trilogy over three distinct time periods is more interesting in concept and design than results. MAXXXINE intentionally looks like some modern update on 80s revenge pictures from the likes of Cannon and New World. West seems to think that aping those films but with a "smart" 21st century perspective is enough; But, for all of Goth's fine work (and, to be fair, West's technical skill) it can't help but feel like an empty exercise. For all its attitude it still ends up being just a grindhouse exploitation movie itself. There aren't any true insights nor commentary, just a juiced up modern version of the same old. West has talent (and, for now, Goth), but, his retro obsession is becoming a dead end.
"X" and "Pearl" were really good and with lots of suspenseful scenes, gory scenes and darker tone!
This one was a little bit more of a thriller drama with some good '80s soundtracks but it's lacks the feelings of suspenseful and scary mood. The killing scenes could be more brutal and much bloodier. There's blood but mid level. There's action but mid level. It's more like a slow burner of who dunn it and the twist at the very end was kinda predictable if you ask me.
Mia Goth remains one of the greatest young actresses of her generation, she's gorgeous. I was pleased by Esposito and Bacon.
It's a 6 out of 10 from me! "X" remain my favourite and "Pearl" the next!
¿Sabías que…?
- TriviaMaxine's "Oui" shirt is a reference to Oui, a men's adult pornographic magazine published in the United States featuring explicit nude photographs. Oui ceased publication in 2007.
- ErroresThe Bette Davis quote shown at the beginning of the film is misquoted. It is actually "Until you're known in my profession as a monster, you're not a star."
- Citas
Maxine Minx: Do you know what happened to the last person who tried to kill me? I crushed her fucking head.
- Créditos curiososFitting with the film's 80s aesthetic, after the credits, a "Be kind rewind" sticker is shown, like on many video store rentals.
- ConexionesEdited from X (2022)
- Bandas sonorasGimme All Your Lovin
Written by Frank Beard (as Frank Lee Beard), Billy Gibbons & Dusty Hill (as Joe Michael Hill)
Performed by ZZ Top
Courtesy of Warner Records
By arrangement with Warner Music Group Film & TV Licensing
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Maxxxine
- Locaciones de filmación
- Universal Studios - 100 Universal City Plaza, Universal City, California, Estados Unidos(outdoor studio, Bates motel and house set: Maxine running away from Labat)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 15,097,632
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,705,038
- 7 jul 2024
- Total a nivel mundial
- USD 22,057,160
- Tiempo de ejecución1 hora 43 minutos
- Color
- Relación de aspecto
- 2.39 : 1