You'll never find me

Once again, a glorious reminder that in order to be impactful, horror movies don't need a big budget. "You'll Never Find Me" effortlessly proves this point, delivering a very tense and impactful experience that lingers long after the credits roll. "You'll Never Find Me" doesn't rely on cheap jump scares; instead, it builds a slow-burning tension that keeps you on the edge of your seat. This Australian horror gem is a testament to the fact that a well-crafted story, combined with thoughtful direction and a dedicated cast, can create an atmosphere of dread and suspense that rivals any blockbuster production. It's such a joy seeing a passion project work so well on all levels.

I feel sorry for those who can't develop critical thinking and understand the meaning behind what's shown to them.

This movie is meant for those who can catch simple details AND PAY ATTENTION to the dialog. Everything you'll need to know is there, between the lines: the reason why Patrick thinks the woman's face is familliar, the reason why the woman "changes" her story (where she came from, why she initially says she wants a lift...).

The movie got me hooked till the very ending, when it all made sense.

For me it's a solid 7, they made the best they could with what they had, and succeeded....

Well made smaller Horror flick from Australia!

Good and slower paced, what a nice surprised this one has been. Good acting, minimalistic and well worth the watch.

Wasn't expecting much but it was very enjoyable. The ending wasn't perfect but as with most movies that I end up enjoying alot, the adventure to the end was the best part.

Taking its time to sink its teeth into you instead of going crazy right off the start like many horror movies do these days. They don't earn all the crazyness, but this movie knows how to do pacing very well. Some might find it a tad to slow but for me these are my favorite horror movies, taking there time to sink there teeth into you.

Also its caustrophobic, it takes place pretty much mostly in one small trailer home and it works very well doing it like that. Good, but not great, do to the average ending.

This year has seen the release of another slow-burn horror film that is underrated. This film is not only underrated but also quite entertaining but it's slightly close to a 7/10 unfortunately.

The cinematography is well-paced and smoothly delivered, ensuring a steady and unshaken viewing experience. This is undoubtedly one of the strangest horror films I've ever watched, but it's not bad. It could have been worse, but about 60 minutes in, the third act took an unexpected turn. I thought I was going to give up, but I persevered. 'You'll Never Find Me' almost feels like an experiment exploring the modern erosion of societal trust. Its themes and messages are as clear as day, even under the cover of night. Bell and Allen masterfully play with every situational expectation, from Patrick's reclusive behaviors to the innocent young woman who seems destined for a missing person's photo on a milk carton. There is enough bubbling tension and otherworldly suspense to keep us engaged, even if the concept tests our patience at times.

In Conclusion: 'You'll Never Find Me' finds horror in the mere existence of humanity. Despite this, it doesn't fail to be both relevant and horrifying. The third act, in particular, gave me a jolt, as if I'd been kicked in the boot, but it only added to the overall suspense and intrigue of the film."

What a mixed experience this turned out to be! The writing constantly keeps you guessing for the first two acts, and the fantastic sound design and lighting choices add to the underlying mystique. The two lead performances are deliciously first-rate, making us question their inner motives with each passing scene.. at least for a good chunk of the film's first hour. The framing in these sections consists of several uncomfortable, unforeseen close-ups. But by the time it moves into the final act, a sudden wave of "oh no!" just takes over, replete with overblown edits and messy color patterns.

And to think, the same film effortlessly made me feel on edge during the initial (often philosophical) exchanges between the two characters, further deflates the experience overall. The woman character, especially, is oddly written. There are stretches where we as audiences are made to think she's harboring some dark secrets (or questioning if she's even a real person or just a manifestation?), and a little later, the same applies to the man. This leads to random jumps in character perspectives, albeit for short periods. Also, while the man's state of mind gets somewhat better detailing in the final act, the woman's side of things lacks a finite arc (..and was that even intentional?).